Millenium 12" Still Series Splash Blue, Finish: Blue, practice cymbal which is up to 80% quieter than a traditional cymbal, Material: Nickel, low volume cymbals perfectly suits drummers who look for authentic feel, suitable for unplugged gigs, rehersal rooms and quiet practice where low volume is necessary

Série Still- En nickel- Cymbales 80% plus silencieuses que des cymbales traditionnelles- Set idéal pour les batteurs désirant une sensation de jeu authentique et répéter silencieusement- Cymbales idéales pour locaux de répétition, concerts acoustiques et situations où un jeu calme est nécessaire- Cymbales charleston 14"- Crash 16"- Crash 18"- Ride 20"

Série Still- En nickel- Finition: Régulière- Cymbales 80% plus silencieuses que des cymbales traditionnelles- Set idéal pour les batteurs désirant une sensation de jeu authentique et répéter silencieusement- Cymbales idéales pour locaux de répétition, concerts acoustiques et situations où un jeu calme est nécessaire- Cymbales charleston 14"- Crash 16"- Crash 18"- Ride 20"

Millenium 10" Still Series Splash Blue, Finish: Blue, practice cymbal which is up to 80% quieter than a traditional cymbal, Material: Nickel, low volume cymbals perfectly suits drummers who look for authentic feel, suitable for unplugged gigs, rehersal rooms and quiet practice where low volume is necessary

Diamètre: 14"- Série Still- En nickel- Finition: Régulière- Cymbales 80% plus silencieuses que des cymbales traditionnelles- Idéales pour les batteurs désirant une sensation de jeu authentique et répéter silencieusement- Cymbales idéales pour locaux de répétition, concerts acoustiques et situations où un jeu calme est nécessaire

8 Scalable 3G-SDI inputs- Built-in streaming hardware- Master recorder- Multiview- USB webcam support- DVE processor- 4 ATEM Advanced Chroma Keyer- Media Player- Talkback- Four-way Ethernet switch- Optional internal cloud media storage- Power supply: 1 internal AC power supply for 100 - 240 V and 50/60 Hz with IEC-C14 connector (power supply cable not included)- 4-Pin XLR 12 V DC socket for external power supply or battery charging- Power consumption: max. 100 W- Dimensions (W x D x H): 585.2 x 375.2 x 161.2 mm- Weight: 6.76 kg- 8 SDI video inputs- 12 SDI video outputs- SDI rates: 1.5 G, 3 G- 1 HDMI video output- Total audio inputs: 2 XLR for balanced analogue audio, 1 BNC for 32-channel MADI digital audio, 2 RCA for stereo analogue audio, 1 5-pin XLR female for talkback- Total audio outputs: 4 1/4" jacks for analogue audio, 1 BNC for MADI digital audio with 64 channels, up to 50 of them active, 1 5-pin XLR female for talkback- SDI audio inputs: 4 embedded audio channels on all SDI inputs- SDI audio outputs: 2 embedded audio channels on all SDI outputs- Time code connections: 1 BNC input, 1 BNC output- Reference inputs: 1 BNC input, 1 BNC output for tri-sync or black burst- Video inputs with resync on all 8 inputs- Frame rate and format converter on all 8 inputs- 2 SDI aux outputs- 1 SDI programme outputs- Webcam output: 2 USB-C ports support 720p or 1080p with PGM frame rates- Number of multiviews: 1 3G-SDI, 1 HDMI- Remote: RJ12 port supports RS-422- Control panel connection: Ethernet, direct connection between panel and chassis or via network- Internal time code generator- Talkback: RJ45 for third-party talkback systems- Tally output: added via Ethernet connection using Blackmagic Design GPI and Tally Interface device (not included)- Ethernet: 4 x 5J45 with Internet network switch, supports 10/100/1000Base-T- Computer interface: 2 USB-C ports support USB 2.0 for recording to external drives, webcam output, software control, software updates and for connecting the mixer- HD video input standards: 720p/50, 720p/59.94, 720p/60, 1080i/50, 1080i/59.94, 1080i/60, 1080p/23.98, 1080p/24, 1080p/25, 1080p/29.97, 1080p/30, 1080p/50, 1080p/59.94, 1080p/60- SDI compliance: SMPTE 292M, SMPTE 296M, SMPTE 424M, SMPTE 425M Level A and B- Video sampling frequency: 4:2:2- Colour accuracy: 10 bit- Colour spaces: REC 709- Automatic SDI switching: automatic detection of 1.5G-SDI and Level A or Level B 3G-SDI- 4 Upstream keyers- 2 Downstream keyers- 4 Advanced Chroma Keyers- 1 SuperSource- 7 Linear/Luma Keyers- Transition keyers: 1 Stinger, 1 DVE- Total number of layers: 8- Pattern generators: 7- Colour generators: 2- Built-in control panel for controlling all mixer functions and for settings- 16 Routable windows- Source label window- Tally: red light indicates programme, green preview- Talkback support- n-1 support- Direct streaming: supports direct live streaming via Ethernet using Real Time Messaging Protocol (RTMP) or via USB-C over a shared mobile internet connection- Direct recording of video and audio via USB-C expansion port directly to external storage devices- Video recording: Programme recording in H.264 as MP4 file in the set streaming quality and in ATEM video format with AAC audio- Storage media format: supports media formatted in ExFAT (Windows/Mac), APFS or HFS+ (Mac) file systems- 1 Multiview for SDI and HDMI outputs configurable for 16, 13, 10, 7 or 4 views, including for monitoring programme, preview, inputs, media players, downstream keys, SuperSource- Clean feed with optional identifiers and audio level meters- Multiview video standard: HD- Minimum screen resolution: 1366 x 768- 2 Media players- Channels: Fill and key signals for each media player- Media Pool capacity for still images: 20- Media Pool still image formats: PNG, TGA, BMP, GIF, JPEG and TIFF- Media Pool capacity for clips: 2 up to 1080p/60- Media Player clip length in 720 HD: 400 frames- Media Player clip length in 1080 HD: 200 frames- Media Pool video file format: TGA sequence- Media Pool audio file format: WAV, MP3 and AIFF- Operating software included free of charge: ATEM Software Control for Mac 12.0 Monterey, Mac 13.0 and higher, and Windows 10 and 11.

The Shelford 5052 echoes the simple and definitive 1073 feature set with a vertically-oriented mic pre, high pass filter, and 3-band inductor EQ, while also incorporating modern capabilities like the variable Silk / Texture control from the Portico II Series and simultaneous pre / post “tape” operation. Utilizing class-A, discrete, +/- 24V topologies with custom-wound transformers and inductors, Rupert Neve designed the 5052 as a vintage-style channel strip that captures the soul of his classic designs, without the previous compromises.The Mic PreLike Rupert’s designs from his time in Shelford, the 5052 preamplifier has 72dB of discrete, class-A gain coupled with serious square-core transformers. Unlike the classics however, the output transformer features the Silk Red / Blue and Texture controls from the Portico II Series to hone the harmonic content and tonality of the output stage. By engaging these controls and sufficiently driving the output, the 5052 can produce up to 4-5% THD (primarily 2nd order, some 3rd order), bringing a richness and thickness to tracks when desired with no danger of overloading the output stage. With Silk disengaged, the output is modern and pristine, yet still retains Rupert’s signature larger-than-life transformer sound. The mic pre section also includes a sweepable 20-250Hz high-pass filter, Mic / Line selection, 48V phantom power, and polarity reverse.Dual I/O PathsFollowing the preamplifier, the 5052 has a transformer-coupled output, which allows the 5052 to feed a tape machine or DAW directly from the mic pre while still using the EQ and Silk / Texture in a dedicated analogue mix path such as that found with a 5088, 5060 or vintage console. This output can also be used to insert a separate compressor between the mic pre and the EQ, or it can allow the 5052 to work with two separate sources. When the “TO EQ” button is engaged, the mic pre signal is routed directly into the EQ such that the mic / line input signal flows through to the main output as a single channel strip.The “best of the classics” EQThe 3-band, custom-tapped inductor EQ on the 5052 was inspired by RND’s favorite portions of Rupert’s vintage EQ designs. The low frequency band is primarily based on the 1064, which is renowned for its creamy, resonant bass. Unlike the 1064 however, the LF band on the 5052 can be used as either a shelf or a peak filter, adding punch, dimension, and immense control to your low end. The 5052’s inductor midrange band is based on his prized 1073 EQ, which is ideal for sweetening vocals and instruments while bringing them forward in a mix. Additionally, the mid frequency band’s proportional “Q” response makes it well-suited for minimizing problematic frequencies in a source. The 5052’s high frequency band is a hybrid vintage / modern design, blending inductor circuitry from the 1073 with capacitor-based topologies to achieve the vintage tones with enhanced control. As Rupert originally intended with his most prized classic designs, each EQ section uses low-feedback, class-A discrete electronics to prevent low-level artifacts and harshness from detracting from the tonal shaping. The EQ circuit itself, however, is a decidedly modern updated design using techniques and components that were simply not available 35 years ago, and should not be considered a “clone”.Power, Connections and MountingThe 5052 receives +/- 24V rails from an external DC power supply using a 4-pin connection. There are currently two options available: the RND 5-way brick supply and the RND 25-way 2U rack-mount supply. The back panel of the 5052 includes three XLR-F connections for Mic In, Line In, and EQ In, and two XLR-M connections for Mic Out and Main Out. The 5052 chassis is a “half-rack” format, and can be mounted in RND’s new 2 –way and 4-way vertical racks in addition to the existing 9-way racks and the 5088 penthouse.

Millenium MX420 Studio Set BL Batterie complète- Version Studio- Grosse caisse 20"x16" (avec attache pour supports de toms)- Tom 10"x08"- Tom 12"x09"- Stand tom 14"x14"- Caisse claire 14"x5,5"- Fûts 9 plis en peuplier/bouleau- Cercles caisse claire/toms en métal 1,5 mm- Cercles de la grosse caisse en bois de couleur identique aux fûts- Finition: Rhodoïd- Couleur: Blue Lining Millenium Still Series Cymbal Set Pied perche de cymbale- Pied droit de cymbale- Pédale de charleston- Pied de caisse claire- Pédale de grosse caisse- Supports de tom- Siège Millenium CBS-718 Stage Boom Stand Cymbales charleston 14"- Crash 16"- Ride 20" Millenium QuiHead 20" Mesh Head Set de cymbales silencieuses- Série Still- En nickel- Cymbales 80% plus silencieuses que des cymbales traditionnelles- Set idéal pour les batteurs désirant une sensation de jeu authentique et répéter silencieusement- Cymbales idéales pour locaux de répétition, concerts acoustiques et situations où un jeu calme est nécessaire 2x Millenium QuiHead 14" Mesh Head Cymbales charleston 14"- Crash 16"- Crash 18"- Ride 20" Millenium QuiHead 12" Mesh Head Pied perche de cymbale- Série Stage- Double embase- Bagues mémoires- Hauteur du tube réglable de 70 à 150 cm- Filetage: 8 mm Millenium QuiHead 10" Mesh Head Peau maillée- Diamètre: 20"- Double pli- Extrêmement durable et résistante- Idéale pour un entraînement silencieux ou pour le déclenchement de modules électroniques- Pour fûts acoustiques/électroniques- Presque silencieuse- Sensation de jeu réelle- Accordable- Couleur: Blanc

Combines all the features of the ATEM Television Studio HD8 with the capacity for ISO recording of signals from all 8 inputs in separate video files- Also supports up to 8 remote cameras over a local network or globally over the Internet- Remote cameras can even be tally and remote controlled- Power supply: 1 internal AC power supply for 100 - 240 V and 50/60 Hz with IEC-C14 connector (power supply cable not included)- 4-Pin XLR 12 V DC socket for external power supply or battery charging- Power consumption: max. 100 W- Dimensions (W x D x H): 585.2 x 375.2 x 161.2 mm- Weight: 6.76 kg- 8 SDI video inputs- 12 SDI video outputs- SDI rates: 1.5 G, 3 G- 1 HDMI video output- Total audio inputs: 2 XLR for balanced analogue audio, 1 BNC for 32-channel MADI digital audio, 2 RCA for stereo analogue audio, 1 5-pin XLR female for talkback- Total audio outputs: 4 1/4" jacks for analogue audio, 1 BNC for MADI digital audio with 64 channels, up to 50 of them active, 1 5-pin XLR female for talkback- SDI audio inputs: 4 embedded audio channels on all SDI inputs- SDI audio outputs: 2 embedded audio channels on all SDI outputs- Time code connections: 1 BNC input, 1 BNC output- Reference inputs: 1 BNC input, 1 BNC output for tri-sync or black burst- Video inputs with resync on all 8 inputs- Frame rate and format converter on all 8 inputs- 2 SDI aux outputs- 1 SDI programme output- Webcam output: 2 USB-C ports support 720p or 1080p with PGM frame rates- Number of multiviews: 1 3G-SDI, 1 HDMI- Remote: RJ12 port supports RS-422- Control panel connection: Ethernet, direct connection between panel and chassis or via network- Internal time code generator- Talkback: RJ45 for third-party talkback systems- Tally output: added via Ethernet connection using Blackmagic Design GPI and Tally Interface device (not included)- Ethernet: 4 x 5J45 with Internet network switch, supports 10/100/1000Base-T- Computer interface: 2 USB-C ports support USB 2.0 for recording to external drives, webcam output, software control, software updates and for connecting the mixer- HD video input standards: 720p/50, 720p/59.94, 720p/60, 1080i/50, 1080i/59.94, 1080i/60, 1080p/23.98, 1080p/24, 1080p/25, 1080p/29.97, 1080p/30, 1080p/50, 1080p/59.94, 1080p/60- SDI compliance: SMPTE 292M, SMPTE 296M, SMPTE 424M, SMPTE 425M Level A and B- Video sampling frequency: 4:2:2- Colour accuracy: 10 bit- Colour spaces: REC 709- Automatic SDI switching: automatic detection of 1.5G-SDI and Level A or Level B 3G-SDI- 4 Upstream keyers- 2 Downstream keyers- 4 Advanced Chroma keyers- 1 SuperSource- 7 Linear/Luma keyers- Transition keyers: 1 Stinger, 1 DVE- Total number of layers: 8- Pattern generators: 7- Colour generators: 2- Built-in control panel for controlling all mixer functions and for settings- 16 Routable windows- Source label window- Tally: red light indicates programme, green preview- Talkback support- n-1 support- Direct streaming: supports direct live streaming via Ethernet using Real Time Messaging Protocol (RTMP) or via USB-C over a shared mobile internet connection- Direct recording of video and audio via USB-C expansion port directly to external storage devices- Video recording: Programme recording in H.264 as MP4 file in the set streaming quality and in ATEM video format with AAC audio- Storage media format: supports media formatted in ExFAT (Windows/Mac), APFS or HFS+ (Mac) file systems- 1 Multiview for SDI and HDMI outputs configurable for 16, 13, 10, 7 or 4 views, including for monitoring programme, preview, inputs, media players, downstream keys, SuperSource- Clean feed with optional identifiers and audio level meters- Multiview video standard: HD- Minimum screen resolution: 1366 x 768- 2 Media players- Channels: Fill and key signals for each media player- Media Pool capacity for still images: 20- Media Pool still image formats: PNG, TGA, BMP, GIF, JPEG and TIFF- Media Pool capacity for clips: 2 up to 1080p/60- Media Player clip length in 720 HD: 400 frames- Media Player clip length in 1080 HD: 200 frames- Media Pool video file format: TGA sequence- Media Pool audio file format: WAV, MP3 and AIFF- Operating software included free of charge: ATEM Software Control for Mac 12.0 Monterey, Mac 13.0 and higher, and Windows 10 and 11.

Reverend Billy Corgan Drop Z PW; Billy Corgan Signature Electric Guitar; The Long Scale 24 Fret Neck provides appropriate String Tension for D-Tuning, so the Tone is deep and full, yet still stays punchy and clear; Chambers under the Pickguard add resonance and reduce weight; Body: Alder; Neck: Roasted Maple; Fingerboard: Roasted Maple; Neck Mount: Bolt-On; Neck Shape: Medium Oval; Inlays: Black Dots; 24 Medium Jumbo frets; Nut: Boneite; Nut Width: 41 mm (1,61"); Scale: 667 mm (26,25"); Pickguard: Aluminum; Pickups: Railhammer Billy Corgan Z-One (Bridge), Railhammer Billy Corgan Z-One (Neck); Controls: Volume, Tone, Bass Contour; Switch: 3-Way; Bridge: String Thru Body; Hardware Finish: Nickel; Tuners: Reverend Pin-Lock ; Colour: High Tide Blue; Stock Strings: .011 - .049