Rupert Neve Designs 5051
The 5051 combines a classic three band EQ based on Rupert’s vintage designs with the pow...(+) The 5051 combines a classic three band EQ based on Rupert’s vintage designs with the power and flexibility of the Portico II compressor. Utilizing a fully-discrete, class-A signal path and high performance input and output transformers, the 5051 delivers the performance and musicality expected from a Rupert Neve Design.The EqualizerThe EQ design on the 5051 evokes sonic similarities with some of Rupert’s classic EQs. The 5051 uses a custom tapped inductor with selected capacitors to form the mid range equalizer band, and the shelf curves are based on Rupert’s vintage modules, including very similar frequency choices. Each EQ section also uses low feedback class-A discrete electronics to prevent low level artifacts and harshness from detracting from the tonal shaping. The EQ, however, is a modern design with advantages offered by techniques that were not possible 35 years ago along with improvements in electronic components currently available, and should not be considered a clone – it just has heritage.Both the High and Low Band can be switched from Shelf to Peak curves and offer 15 dB of boost or cut. The High can be switched from 8 kHz to 16 kHz and the Low Band selected at 35 Hz, 60 Hz, 100 Hz or 220 Hz. The inductor based Mid Band offers 6 center frequencies; 200 Hz, 350 Hz, 700 Hz, 1.5 kHz, 3 kHz and 6 kHz. The Mid Band also has a High Peak switch to narrow the bandwidth or increase the Q of the filter. The 5051 includes an 18 dB/octave High Pass Filter with two corner frequencies on a lit button that toggles through “OFF, 60 Hz then 120 Hz indicated by a blue or red LED respectively. Additionally, the EQ can be switched Pre or Post the compressor. Normally the EQ precedes the compressor but the order can be selected so that the EQ follows after the Compressor. The 5051 also has two XLR balanced inputs that can be switched from the front panel. This allows the user, for example, to have a mic preamplifier and line input from a DAW to be pre-patched and easily selectable.The CompressorThe 5051 Compressor also features a discrete class A signal path proven used in the Portico Series, withindividually controllable threshold, attack, release, makeup gain, ratio, side chain HPF, Feed-Forward / Feed-back selection and Peak/RMS detection modes. With the compressor inactive, the 5051 may be used as a transformer-coupled, high-performance line amplifier, and two 5051′s may be linked for stereo operation as well.How the Compressor WorksIn order to control gain, a V.C.A. or Voltage Controlled Amplifier (or Attenuator) is used. There are many types of V.C. including the use of tubes, discrete and integrated solid state circuits and naturally non-linear devices, each one having its characteristic behavior that reflects sonically on the final performance, and gives it a character or signature that can be musically attractive or not! The Portico 5051 compressor makes use of a very accurate, low noise, low distortion V.C.A. having, essentially, no signature of its own.A part of the audio signal is rectified and smoothed to produce a suitable control voltage for the V.C.A. which has to respond very quickly and have low distortion. If the response is too fast, low frequency signals will themselves, be gain controlled! If the response is too slow, the signal will overshoot and the first few cycles will not get compressed. The speed and accuracy of the response, known as the “attack”, and the time frame that gain remains under the initial control, known as “release” or “recovery” and plays a large part in the way a compressor sounds.Feed-Forward or Feed-Back The 5051 also has the ability to switch between feed-forward and feed-back modes. If the V.C.A. Control voltage is taken from the 5051 output, (i.e. after the V.C.A.) it cannot act immediately on the V.C.A. because it has already been modified by settings of the V.C.A. and circuits through which it has passed. This is known as a “Feed-Back” compressor. The two compression characteristics are quite different; there is more “Overshoot” and both the attack and recovery ramps are changed, providing the user with powerful choices. In most of Mr. Rupert Neve earliest designs, feed-back detection controlling the VCA with a rectified voltage from the unit output was intrinsic to the musical dynamic response. However, the very nature of a feedback compressor limits the attack time of the compression circuit. To offer faster, more technically accurate response times, feed-forward detection was implemented on Mr. Rupert Neve’s more modern designs. With the FF / FB switch, both classic and modern VCA responses are available. Ratio and ThresholdAbove a given “THRESHOLD” signals are reduced by an adjustable amount ranging from 1:1, (which is linear, or no reduction at all), to more than 40:1 which is a very high ratio, equivalent to that of a Limiter. RATIO is sometimes referred to as “Slope” because when depicted on a graph, the slope of the graph representing Output versus Input, is what changes.Ratio and Threshold are closely inter-dependent. If a RATIO as high as 40:1 has been set, then if the THRESHOLD is set at 0 dBu, even when a massive signal of +40 dBu (unlikely!) is presented to the input, the output signal will only be +1 dBu. RATIOS as high as this would normally be set somewhere above 0 dBu – say at +14 dBu, in order to prevent the output signal level exceeding just over +14 dBu to protect, for example, a digital recorder. Similarly, if a RATIO of 5:1 has been set, an input signal which is 10dB above THRESHOLD will only rise by 2dB above that THRESHOLD at the output.THRESHOLD control covers the Range from below -30dB to +22dBu. When THRESHOLD set at a low level, with a fairly high RATIO the amount of gain reduction will be considerable and it may be necessary to use some GAIN after the compressor to restore the apparent signal level.Attack TimeThe ATTACK time is the time taken for the compression circuits to start compressing. A long ATTACK time allows short duration peaks to “escape” and go through uncompressed. This may cause overload on subsequent digital circuits. A very short attack time sounds un-natural and robs the signal of “life” by removing transients. Some transients are extremely fast and have little effect on the sound quality. Setting a long attack time often means that almost no gain reduction occurs because the transient is history (!) before compression has had time to operate. However, even the fastest circuits take time to operate which means that there is always some “Overshoot”. Small amounts of “Overshoot” are musically desirable – there are exceptions, of course.Setting the right values of RELEASE and ATTACK is what compression is all about! Once the principles are understood a Compressor-Limiter such as the 5051 provides a powerful tool that actually appears to enhance the dynamic range of a recording and so provide greater musical enjoyment.Release / RecoveryThe notes above explain how the 5051 handles signals of constant amplitude such as pure tones. Real program signals, however, are continually changing in level. The way in which a compressor deals with actual program material depends upon the magnitude and duration of peaks in the program level.If the RELEASE TIME is set to be very short, a short duration signal will be compressed but the gain will return to normal very quickly, giving a fluctuating and un-natural sound known as “Pumping” when the background, or other signals, are forced up and down. The gain will also tend to follow the wave form of low frequency signals. RELEASE TIME should be set long enough for the gain to remain reasonably constant between each bass note or between speech syllables.The Power SupplyThe 5051 is intended for 5088 consoles or 5285 vertical frames. There are two +/- 24V power supply options; The 5-way supply is designed to sit in the bottom of a rack, and the 25-way supply is a 2U enclosure. The external +/- 24V supply provides exceptionally clean power, and reduces heat build-up within modules associated with DC-DC up-conversion. | |
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Avid Mtrx 8 Line Pristine Ad Card
AVID HD - MTRX 8 LINE PRISTINE AD CARDL'Avid MTRX 8 Line Pristine AD Card est un module d'...(+) AVID HD - MTRX 8 LINE PRISTINE AD CARDL'Avid MTRX 8 Line Pristine AD Card est un module d'extension pour l'interface Audio Avid MTRX. La carte vient s'installer dans un des slots disponibles de votre interface MTRX Avid pour y ajouter huit canaux d'entrées analogiques de niveau ligne.Pour les utilisateurs de Pro Tools HDX et HD Native à la recherche d'une qualité sonore hors normes, d'une grande souplesse de routing et de contrôle du monitoring, Univers Sons recommande l'interface audio Pro Tools MTRX d'Avid. La marque a travaillé en étroite collaboration avec Digital Audio Denmark dans le développement de cette interface révolutionnaire pour fournir un son spectaculaire, avec une prise en charge de l'audio DSD jusqu'à 384 kHz.Caractéristiques :- Avid MTRX 8 Line Pristine AD Card- 8 entres analogiques niveaux ligne- Gain d'entre : Réglable de -18 +70 dB, par pas de 0,1 dB, précision de ± 0,25 dB- Niveau d'entre maximum : Réglable de 9 dBu 30 dBu par pas de 0,1 dBu- Échantillonnage, résolution 5 bits sigma/delta @ 5,645 ou 6,144 MHz, 24 bits PCM- Fréquence d'échantillonnage DSD 2,8224 et 5,6448 Mhz (64 et 128 fs) - THD+N (A) < -117 dB @ -3 dB FS / 0,00014 %. - Diaphonie < -120 dB - Impédance d'entre > 10 k Ohm- Référence Avid : 9900-71248-00 | |
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Blackmagic Design : UltraStudio Monitor 3G (19 commentaires)
Convient pour la lecture SDI 3G et HDMI à partir d'ordinateurs portables ou de bureau éq...(+) Convient pour la lecture SDI 3G et HDMI à partir d'ordinateurs portables ou de bureau équipés de Thunderbolt 3- Prend en charge le contrôle professionnel SDI et HDMI en qualité de diffusion 10 bits de matériel provenant de logiciels de montage populaires tels que DaVinci Resolve, Final Cut Pro X, Media Composer et Adobe Premiere Pro CC, ainsi que de systèmes de graphiques et de titrage de diffusion de premier plan- Sorties vidéo SDI : 1x taux SDI 270 Mbit, 1,5G, 3G- Sorties audio SDI : 16x canaux intégrés dans la SD/HD- Sorties vidéo HDMI : 1x- Sorties audio HDMI : 8x canaux intégrés en SD/HD- Interface informatique : Thunderbolt 3 (Mac OS, Windows et Linux)- Codecs supportés : AVC-Intra, AVCHD, Canon XF MPEG2, Digital SLR, DV-NTSC, DV-PAL, DVCPRO50, DVCPROHD, DPX, HDV, HEVC, XDCAM EX, XDCAM HD, XDCAM HD422, DNxHR & DNxHD, Apple ProRes 4444, Apple ProRes 422 HQ, Apple ProRes 422, Apple ProRes 422 LT, Apple ProRes 422 Proxy, non compressé 8 bit 4 : 2:2, non compressé 10 bits 4:2:2, non compressé 10 bits 4:4:4- Logiciels inclus : Media Express, Disk Speed Test, LiveKey, Blackmagic Desktop Video Utility et pilote Blackmagic pour Mac OS et Windows Media Express, Blackmagic Desktop Video Utility et pilote Blackmagic pour Linux- Applications logicielles prises en charge : DaVinci Resolve, Fusion, Final Cut Pro X, Adobe Premiere Pro CC, Adobe After Effects CC, Adobe Photoshop CC, Adobe Character Animator CC, Avid Media Composer, Avid Pro Tools, Steinberg Cubase, Steinberg Nuendo, The Foundry Nuke, Sony Catalyst Production Suite, Tools On Air Just : Play & Live, Magix Movie Edit Pro Premium, Corel VideoStudio Pro, CyberLink PowerDirector, Grass Valley Edius, Softron Mreplay, Telestream Wirecast, Livestream Studio, Resolume Arena, Vegas Creative Software Vegas Pro, VidblasterX Studio and Broadcast, Unimedia Technologies UniplayOne et Uniplay-CG, CasparCG Server, Magicsoft CG, Xsplit Broadcaster DevTek Easy Media Suite, Boinx Software MimoLive, StudioCoast vMix, Renewed Vision ProPresenter, Ventuz Director, Class X Liveboard et CoralCG, Open Broadcaster Software Studio, Nautilus Studio Nemo3D, Burst Video Webclip2Go, Derivative TouchDesigner, Assimilate Scratch and Live Assist, NewBlue Title Live et Titler Pro, SGO Mistika- SDI - normes vidéo SD : - 525i/59.94 NTSC, 625i/50 PAL- SDI - normes vidéo HD : 20p/50 ; 720p/59.94 ; 720p/60 1080p/23.98 ; 1080p/24 ; 1080p/25 ; 1080p/29.97 ; 1080p/30 ; 1080p/50 ; 1080p/59.94 ; 1080p/60 ; 1080PsF/23.98 ; 1080PsF/24 ; 1080PsF/25 ; 1080PsF/29.97 ; 1080PsF/30 1080i/50 ; 1080i/59.94 ; 1080i/60- SDI - normes vidéo 2K : 2Kp/23.98 DCI ; 2Kp/24 DCI ; 2Kp/25 DCI ; 2Kp/29.97 DCI ; 2Kp/30 DCI ; 2Kp/50 DCI ; 2Kp/59.94 DCI ; 2Kp/60 DCI 2KPsF/23.98 DCI ; 2KPsF/24 DCI ; 2KPsF/25 DCI ; 2KPsF/29.97 DCI ; 2KPsF30 DCI- Conformité SDI : SMPTE 259M, SMPTE 274M, SMPTE 296M, SMPTE 424M, SMPTE 425M A/B et SMPTE ST2108-1- Prise en charge des métadonnées via SDI RP 188/SMPTE 12M-2 et sous-titrage- Fréquence d'échantillonnage audio SDI : taux d'échantillonnage standard de la télévision de 48 kHz et 24 bits- Fréquence d'échantillonnage vidéo SDI : 4:2:2, 4:4:4- Précision des couleurs SDI : 8-, 10- et 12-bit RGB 4:4:4 à 1080p/30 et 8- et 10-bit YUV 4:2:2 dans toutes les normes- Espaces de couleur SDI : Rec. 601, Rec. 709, Rec. 2020- Support HDR via SDI : conditionnement des métadonnées HDR, fonctions de transfert HLG et PQ- Support multi-débit - La connexion vidéo SDI peut être commutée entre SD et HD- HDMI - normes vidéo SD : 525i/59.94 NTSC, 625i/50 PAL- HDMI - normes vidéo HD : 720p/50 ; 720p/59.94 ; 720p/60 1080p/23.98 ; 1080p/24 ; 1080p/25 ; 1080p/29.97 ; 1080p/30 ; 1080p/50 ; 1080p/59.94 ; 1080p/60 1080i/50 ; 1080i/59.94 ; 1080i/60- Fréquence d'échantillonnage audio HDMI : taux d'échantillonnage standard de la télévision de 48 kHz et 24 bits- Fréquence d'échantillonnage vidéo HDMI : 4:2:2 et 4:4:4- Précision des couleurs en HDMI : RVB 4:4:4 à 1080p/30 et YUV 4:4:4 à 8 bits et YUV 4:2:2 à 12 bits dans toutes les normes- Configuration HDMI : HDMI 2.0a prend en charge Deep Color et HDR- Se configure automatiquement avec l'écran connecté- Espace couleur HDMI : Rec. 601, Rec. 709, Rec. 2020- Support HDR via HDMI : conditionnement des métadonnées HDR, fonctions de transfert HLG et PQ- Support multi-débits : la connexion vidéo SDI peut être commutée entre SD et HD- Tampon de trame matériel : V210 (10-bit YUV), 2VUY (8-bit YUV), ARGB, BGRA (8-bit RGB), R210 (10-bit RGB), R12B, R12L (12-bit RGB)- Dimensions : 92 x 45 x 25 mm- Poids : 160 g | |
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Blackmagic Design : DeckLink Duo 2 (23 commentaires)
Avec quatre ports 3G SDI distincts- Prend en charge les formats SD et HD jusqu'à 1080p60-...(+) Avec quatre ports 3G SDI distincts- Prend en charge les formats SD et HD jusqu'à 1080p60- Entrées vidéo SDI : 4 connecteurs SD/HD 12 bits bidirectionnels configurables indépendamment en entrée ou en sortie- Sorties vidéo SDI : 4 connecteurs SD/HD 12 bits bidirectionnels configurables indépendamment en entrée ou en sortie- Entrées audio SDI : 16 canaux intégrés en SD et HD- Sorties audio SDI : 16 canaux intégrés en SD et HD- Entrée synchronisation : Tri-Sync ou Black Burst- Interface informatique : PCI Express 4 voies Génération 2 compatible avec les emplacements PCI-Express 4, 8 et 16 voies- Codecs supportés : AVC-Intra, AVCHD, Canon XF MPEG2, Digital SLR, DV-NTSC, DV-PAL, DVCPRO50, DVCPROHD, DPX, HDV, HEVC, XDCAM EX, XDCAM HD, XDCAM HD422, DNxHR & DNxHD, Apple ProRes 4444, Apple ProRes, 422 HQ, Apple ProRes 422, Apple ProRes LT, Apple ProRes 422 Proxy, non compressé 8 bit 4 : 2:2, non compressé 10 bit 4:2:2, non compressé 10 bit 4:4:4- Logiciels inclus : Media Express, Disk Speed Test, LiveKey, Blackmagic Desktop Video Utility et les pilotes Blackmagic pour Mac OS et Windows - Media Express, Blackmagic Desktop Video Utility et le pilote Blackmagic pour Linux- Applications logicielles prises en charge : DaVinci Resolve, Fusion, Final Cut Pro X, Adobe Premiere Pro CC, Adobe After Effects CC, Adobe Photoshop CC, Avid Media Composer, Avid Pro Tools, Steinberg Cubase, Steinberg Nuendo et bien d'autres- Normes vidéo SD : 525i/59.94 NTSC, 625i/50 PAL- Normes vidéo HD : 720p/50, 720p/59.94, 720p/60, 1080p/23.98, 1080p/24, 1080p/25, 1080p/29.97, 1080p/30, 1080p/50, 1080p/59, 1080p/59, 94, 1080p/60, 1080PsF/23.98, 1080PsF/24, 1080PsF/25, 1080PsF/29.97, 1080PsF/30, 1080i/50, 1080i/59.94, 1080i/60- Conformité SDI : SMPTE 259M, SMPTE 292M, SMPTE 296M, SMPTE 372M, SMPTE 425M, ITU-R BT.656 et ITU-R BT.601- Métadonnées SDI prises en charge : RP 188/SMPTE 12M-2 et sous-titrage- Fréquence d'échantillonnage audio : taux d'échantillonnage standard vidéo de 48 kHz et 24 bits- Précision des couleurs SDI : 8-, 10- et 12-bit RGB 4:4:4 dans tous les modes jusqu'à 1080p/30 et 8- et 10-bit YUV 4:2:2 dans tous les modes- Le RVB 4:4:4 12 bits n'est pris en charge qu'en mode lecture- Fréquence d'échantillonnage vidéo SDI : 8-, 10- et 12-bit RGB 4:4:4 dans tous les modes jusqu'à 1080p/30 et 8- et 10-bit YUV 4:2:2 dans tous les modes- Le RVB 4:4:4 12 bits n'est pris en charge qu'en mode lecture- Espace couleur : REC 601, REC 709- Conversion de l'espace colorimétrique : basée sur le matériel en temps réel- Down-conversion HD : logiciel intégré de haute qualité pour la lecture et la capture- Choix entre les modes de sortie 16:9 boîte aux lettres et anamorphique pour la SD down-convertie.- Conversion ascendante HD : conversion ascendante intégrée de logiciels de haute qualité de la SD vers le 720HD ou le 1080HD en entrée- Choix entre la pillarbox 4:3, le zoom 14:9 et le zoom 16:9- Conversion croisée : logiciel intégré de haute qualité pour la conversion croisée de 720HD à 1080HD et de 1080HD à 720HD en lecture- Effets en temps réel : DaVinci Resolve, Final Cut Pro X effets internes, Adobe Premiere Pro CC Mercury Playback Engine effets, Avid Media Composer effets internes- Systèmes d'exploitation : Mac Mojave 10.14, Mac Catalina 10.15 ou supérieur, Windows 8.1 et 10, tous deux 64 bits, Linux- Consommation électrique : 10 Watt | |
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Blackmagic Design : UltraStudio Recorder 3G (44 commentaires)
Enregistre des vidéos non compressées et compressées dans la meilleure qualité 10 bits...(+) Enregistre des vidéos non compressées et compressées dans la meilleure qualité 10 bits et est compatible avec tous les principaux logiciels vidéo, y compris DaVinci Resolve, Avid Media Composer, Adobe Premiere Pro CC et bien d'autres !- Entrées vidéo SDI : 1x taux SDI 270 Mbit, 1,5G, 3G- Entrées audio SDI : 16x canaux intégrés dans la SD/HD- Entrées vidéo HDMI : 1x- Entrées audio HDMI : 8x canaux intégrés en SD/HD- Interface informatique : Thunderbolt 3 (Mac OS, Windows et Linux)- Codecs supportés : AVC-Intra, AVCHD, Canon XF MPEG2, Digital SLR, DV-NTSC, DV-PAL, DVCPRO50, DVCPROHD, DPX, HDV, HEVC, XDCAM EX, XDCAM HD, XDCAM HD422, DNxHR & DNxHD, Apple ProRes 4444, Apple ProRes 422 HQ, Apple ProRes 422, Apple ProRes 422 LT, Apple ProRes 422 Proxy, non compressé 8 bit 4 : 2:2, non compressé 10 bits 4:2:2, non compressé 10 bits 4:4:4- Logiciels inclus : Media Express, Disk Speed Test, LiveKey, Blackmagic Desktop Video Utility et pilote Blackmagic pour Mac OS et Windows Media Express, Blackmagic Desktop Video Utility et pilote Blackmagic pour Linux- Applications logicielles prises en charge : DaVinci Resolve, Adobe Premiere Pro CC, Adobe Photoshop CC, Sony Catalyst Production Suite, Grass Valley Edius, Tools On Air Just In, Softron MovieRecorder and Mreplay, Adobe Flash Media Live Encoder, Metus Ingest, Cinegy Capture Pro, Glookast Capturer, Burst Video [REC]Marker et Webclip2Go, Telestream Wirecast, Resolume Arena, Vegas Creative Software Vegas Pro, VidblasterX Studio and Broadcast, Unimedia Technologies UniplayOne et Uniplay-CG, CasparCG Server, Magicsoft CG, Xsplit Broadcaster, DevTek Easy Media Suite, Boinx Software MimoLive, StudioCoast vMix, Renewed Vision ProPresenter, Ventuz Director, Class X Liveboard et CoralCG, Open Broadcaster Software Studio, Nautilus Studio Nemo3D, Derivative TouchDesigner, Assimilate Scratch et Live Assist, NewBlue Title Live et Titler Pro, SGO Mistika- Normes vidéo SDI SD : 525i/59.94 NTSC, 625i/50 PAL- Normes vidéo SDI HD : 20p/50 ; 720p/59.94 ; 720p/60 ; 1080p/23.98 ; 1080p/24 ; 1080p/25 ; 1080p/29.97 ; 1080p/30 ; 1080p/50 ; 1080p/59.94 ; 1080p/60 1080PsF/23.98 ; 1080PsF/24 ; 1080PsF/25 ; 1080PsF/29.97 ; 1080PsF/30 1080i/50 ; 1080i/59.94 ; 1080i/60- Normes vidéo 2K : 2Kp/23.98 DCI ; 2Kp/24 DCI ; 2Kp/25 DCI ; 2Kp/29.97 DCI ; 2Kp/30 DCI ; 2Kp/50 DCI ; 2Kp/59.94 DCI ; 2Kp/60 DCI 2KPsF/23.98 DCI ; 2KPsF/24 DCI ; 2KPsF/25 DCI ; 2KPsF/29.97 DCI ; 2KPsF30 DCI- Conformité SDI : SMPTE 259M, SMPTE 274M, SMPTE 296M, SMPTE 424M, SMPTE 425M A/B et SMPTE ST2108-1- Prise en charge des métadonnées via SDI RP 188/SMPTE 12M-2 et sous-titrage- Fréquence d'échantillonnage audio SDI : taux d'échantillonnage standard vidéo de 48 kHz et 24 bits- Fréquence d'échantillonnage vidéo SDI : 4:2:2, 4:4:4- Précision des couleurs SDI : 8-, 10- et 12-bit RGB 4:4:4 à 1080p/30 et 8- et 10-bit YUV 4:2:2 dans toutes les normes- Espaces de couleur SDI : Rec. 601, Rec. 709, Rec. 2020- Support HDR via SDI : conditionnement des métadonnées HDR, fonctions de transfert HLG et PQ- Support multi-débit - La connexion vidéo SDI peut être commutée entre SD et HD- HDMI - normes vidéo SD : 525i/59.94 NTSC, 625i/50 PAL- HDMI - normes vidéo HD : 720p/50, 720p/59.94, 720p/60 1080p/23.98, 1080p/24, 1080p/25, 1080p/29.97, 1080p/30, 1080p/50, 1080p/59.94, 1080p/60 1080i/50, 1080i/59.94, 1080i/60- Fréquence d'échantillonnage audio HDMI : taux d'échantillonnage standard vidéo de 48 kHz et 24 bits- Fréquence d'échantillonnage vidéo HDMI : 4:2:2 et 4:4:4- Précision des couleurs en HDMI : RVB 4:4:4 à 1080p/30 et YUV 4:4:4 à 8 bits et YUV 4:2:2 à 12 bits dans toutes les normes- Configuration HDMI : HDMI 2.0a prend en charge Deep Color et HDR- Se configure automatiquement avec l'écran connecté- Espace couleur HDMI : Rec. 601, Rec. 709, Rec. 2020- Support HDR via HDMI : conditionnement des métadonnées HDR, fonctions de transfert HLG et PQ- Support multi-débits : la connexion vidéo SDI peut être commutée entre SD et HD- Protection contre la copie : vous ne pouvez pas enregistrer à partir de sources HDMI protégées contre la copie via l'entrée HDMI- Tampon de trame matériel : V210 (10-bit-YUV), 2VUY (8-bit-YUV), ARGB, BGRA (8-bit-RGB), R210 (10-bit-RGB), R12B, R12L (12-bit-RGB)- Dimensions : 92 x 45 x 25 mm- Poids : 158 g | |
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EastWest : Hollywood Fantasy Orchestra
EastWest Hollywood Fantasy Orchestra (ESD); virtual instrument bundle; comprehensive sound...(+) EastWest Hollywood Fantasy Orchestra (ESD); virtual instrument bundle; comprehensive sound library for dramatic, epic and phantastic compositions, film scores and much more; especially suitable for film and game soundtracks as well as creative music productions; consists of the EastWest libraries Hollywood Fantasy Brass, Percussion, Strings, Voices and Winds as well as the scoring tool Hollywood Fantasy Orchestrator; features a variety of unusual and impressive instruments as well as vocals, choir and whispers; every contained phrase is programmed with the moods Classic, Soft, and Epic; sound perfectly matches to EastWest Hollywood Orchestra; Opus software engine supports individual instrument downloads and enables a convenient sound management as well as comprehensive editing features and effects; four freely adjustable microphone positions Close, Mid, Main, and Surround included; audio resolution: 24 Bit / 44,1khz | |
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SSL : X-Limit- und X-Gate-Bundle
Two essential and versatile tools for targeted dynamics processing- Musical limiter for ef...(+) Two essential and versatile tools for targeted dynamics processing- Musical limiter for effectively increasing the loudness of track or bus signals while maintaining tonal balance- Easy operation via all-in-one visualisation with integrated sliders for threshold and ceiling- True peak mode for limiting intersample peaks- Compliant with ITU-R B.S. 1770 and Apple 'afclip' true peak detection- Four limiter characteristics: Transparent, Glue, Punch and Auto- Inspired by classic analogue gates and the way SSL's live and broadcast consoles work- Easy-to-use Threshold and Range controls visually aligned with the Waveform Graph and Gain Reduction Meter for targeted control- Rolling waveform visualisation for precise threshold setting- Hysteresis allows separate open and close thresholds- Interactive filter graph for setting low-pass and high-pass filters in the sidechain- M/S option for special creative gate effects or for targeted processing of the mono or stereo parts of the signal | |
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Hohner Harmonica Mellow Tone 12 Trous- C Do
Toots Mellow TonePlacez vous dans l'interstice entre un sourire et une larme.Immense inter...(+) Toots Mellow TonePlacez vous dans l'interstice entre un sourire et une larme.Immense interprète de jazz, JeanTootsThielemans est l'un des artistes ayant le plus enregistré sur un harmonica chromatique. Il a également composé d'innombrables pièces pour l'instrument. Conçus comme un hommage au grand homme et fabriqués en collaboration avec le maître lui-même, ces deux modèles de la série reflètent les exigences des jazzmen s'exprimant sur l'harmonica chromatique.Caractéristiques- Sommier en bois de poirier optimisé pour une meilleure réponse dans le registre supérieur- Plaques en laiton chromé de 1,05 millimètre (- 48 anches Chromonica- Capots en laiton chromés et gravés (signatureToots)- Action raccourcie de la tirette (4 millimètres)- Livré avec son numéro de série dans une coque rigide- Sonorité claire et puissante indiquée pour les pièces classiques et les ballades- Disponible en Do majeurSpecifications- Order no. : M753801- Item name : Toots Mellow Tone- Type : Chromatique- Accord : C / Do- Réglage : Chromatique- Nombre de trous : 12- Lames : 48 Laiton- Capot : Chrome- Jeu de plaques : 1,05 mm / millimètre Laiton- Matériau plaque de musique : Nickel- Revêtement de l'embouchure : Nickel- Système tirette : Droit- Corps (Peigne) : Bois de poirier, Brun- Longueur : 15,5 cmTessituresSlide OutBlowC4E4G4C5C5E5G5C6C6E6G6C7Hole123456789101112DrawD4F4A4B(H)4D5F5A5B(H)5D6F6A6B(H)6Slide InBlowDb4F4Ab4Db5Db5F5Ab5Db6Db6F6Ab6Db7Hole123456789101112DrawEb4F#4Bb4C5Eb5F#5Bb5C6Eb6F#6Bb6D7 | |
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D'addario And Co Capo Classique Ns Artist, Noir
The NS Artist Capo utilizes a patented trigger geometry reducing the force required to ope...(+) The NS Artist Capo utilizes a patented trigger geometry reducing the force required to open and close the capo while applying even tension regardless of neck profile. Combined with the micrometer tension adjustment and direct horizontal pressure, the NS ArtistCapo virtually eliminates pulling the strings side to side and the need to retune during use. Additionally, the trigger design and lightweight aluminum construction adds no obstruction or noticeable weight to the neck of the instrument. The NS Artist Capo includes an NSMini/Micro Tuner mounting bracket, allowing you to add tuning capabilities to the capo. Tuner sold separately. | |
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Focusrite : Scarlett 2i2 Studio 4th Gen. (5 commentaires)
Focusrite Scarlett 2i2 Studio 4th Generation; Recording Set contains: 2-channel USB 2.0 Au...(+) Focusrite Scarlett 2i2 Studio 4th Generation; Recording Set contains: 2-channel USB 2.0 Audiointerface + Condenser Microphone CM25 MkIII + Studio Headphone SH-450 + 3m XLR Cable; Focusrite Scarlett 2i2 4th Gen. Features: 2-channel USB 2.0 audio interface with USB-C connection; 24-bit / 192 kHz; converter of the Focusrite Rednet series with 120 dB dynamic range; 2 Scarlett microphone preamps with 69 dB gain; +48V phantom power; switchable Air function; Auto Gain, Clip Safe; Loopback function; Dynamic Gain Halos for quick and easy adjustment of the recording volume; connections: 2x Instrument / Line input 6.3 mm jack, 2x microphone input XLR, 2x line output 6.3 mm jack balanced, stereo headphone output 6.3 mm jack, USB-C connection to PC / Mac, USB-C connection for external 5V power supply 5V @ 1000mA (not included); incl. USB cable (Type C to A) and Hitmaker Expansion Software Bundle (Ableton Live Lite, 3 months Splice Sounds membership and Plugin Bundle for songwriting, mixing and mastering), Pro Tools Artist (three-month subscription), Avid Complete Plugin Bundle, Hitmaker Expansion Plugins: LANDR - AI-based mastering tool (two-month subscription), Softube Marshall Silver Jubilee 2555 - Amp Sim; XLN Audio Addictive Keys Studio Grand Piano - Virtual Keyboard Instruments; XLN Audio Addictive Drums 2: Studio Rock - Virtual Drum Library; Antares Auto-Tune Access - Vocal Tuning; Brainworx Bx_console Focusrite SC - Channel Strip; Focusrite Red 2 & 3 Plug-in Suite - EQ and Compressor; Relab's LX480 Essentials - Reverb, Native Instruments MASSIVE, FAST Balancer; for PC / Mac; USB bus-powered; Dimensions: 180 x 45.5 x 99 mm (WxHxD); Weight: 0.57 kg; Features Focusrite CM25 MKIII Microphone: condenser microphone, polar pattern: cardioid, capsule diameter: 20 mm, sensitivity: 36 dB ± 2 dB (0 dB = 1V / Pa at 1 kHz), frequency range: 20 Hz - 20 kHz, equivalent noise level: 16 dBA (A-weighted), weight: 496g; Focusrite SH-450 Headphones: closed-back headphones, sensitivity 6 dB ±3 dB, frequency range 12 - 30 kHz, impedance: 32 Ohms, cable length approx. 3 metres, plug 3.5 mm mini-jack stereo with adapter to 6.3 mm jack stereo, weight: 300g | |
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Focusrite : Scarlett Solo Studio 4th Gen. (2 commentaires)
Focusrite Scarlett Solo Studio 4th Generation; Recording Set contains: 2-channel USB 2.0 A...(+) Focusrite Scarlett Solo Studio 4th Generation; Recording Set contains: 2-channel USB 2.0 Audiointerface + Condenser Microphone CM25 MkIII + Studio Headphone SH-450 + 3m XLR Cable; Scarlett Solo 4th Gen. Features: 2-Channel USB2.0 Audio Interface with USB-C connector; 24-Bit / 192 kHz; Focusrite Rednet Series converter with 120 dB dynamic range; 1x Scarlett MicPreamp; +48V Phantom Power; Air Function; Loopback Function; Dynamic Gain Halos (setting the perfect recording level quick and easy); USB bus-powered; connectors 1x Mic Input XLR, 1x Line / Instrument input 6.3 mm jack, 2x Line output 6.3 mm jack, Stereo Headphone output, USB-C; incl. USB-Cable (Type C to A) and Hitmaker Expansion Software Bundle (Ableton Live Lite, 3 months Splice Sounds membership and Plugin Bundle for songwriting, mixing and mastering), Pro Tools Artist (three-month subscription), Avid Complete Plugin Bundle, Hitmaker extension plugins: LANDR - AI-based Mastering-Tool (two-month subscription), Softube Marshall Silver Jubilee 2555 - Amp Sim; XLN Audio Addictive Keys Studio Grand Piano - Virtual Keyboard Instruments; XLN Audio Addictive Drums 2: Studio Rock - Virtual Drum Library; Antares Auto-Tune Access - Vocals; Brainworx Bx_console Focusrite SC - Channel Strip; Focusrite Red 2 & 3 Plug-in Suite - EQ and Compressor; Relab's LX480 Essentials - Reverb, Native Instruments MASSIVE, FAST Balancer; for PC/Mac; Dimensions: 143 x 45.4 x 96 mm (WxHxD); weight: 0.382 kg; Features Focusrite CM25 MKIII Microphone: condenser microphone, polar pattern: cardioid, capsule diameter: 20 mm, sensitivity: 36 dB ± 2 dB (0 dB = 1V / Pa at 1 kHz), frequency range: 20 Hz - 20 kHz, equivalent noise level: 16 dBA (A-weighted), weight: 496g; Focusrite SH-450 Headphones: closed-back headphones, sensitivity 6 dB ±3 dB, frequency range 12 - 30 kHz, impedance: 32 Ohms, cable length approx. 3 metres, plug 3.5 mm mini-jack stereo with adapter to 6.3 mm jack stereo, weight: 300g | |
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Dzofilm : Vespid Prime 75 T2.1 PL/EF
Dzofilm Vespid Prime 75mm T2.1 PL/EF; Full frame cine lens with PL and EF mount; 16-slat a...(+) Dzofilm Vespid Prime 75mm T2.1 PL/EF; Full frame cine lens with PL and EF mount; 16-slat aperture; T2.1 aperture; Cinema Gearing for focus and aperture; 270° focus rotation; 80mm front diameter; Technical data:; Focal length: 75mm; Structure: 9 elements in 7 groups; Closest focusing distance: 0.46 m; Filter thread: 77mm; Length: 87mm; Weight: 865g; Scope of delivery: 1x Dzofilm Vespid Prime FF 75 mm T2.1 PL mount, 1x Dzofilm EF tool mount kit, 1x lens cap (front and rear) | |
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Dzofilm : Vespid Prime 50 T2.1 PL/EF
Dzofilm Vespid Prime 50mm T2.1 PL/EF; Full frame cine lens with PL and EF mount; 16-slat a...(+) Dzofilm Vespid Prime 50mm T2.1 PL/EF; Full frame cine lens with PL and EF mount; 16-slat aperture; T2.1 aperture; Cinema Gearing for focus and aperture; 270° focus rotation; 80mm front diameter; Technical data:; Focal length: 50mm; Structure: 9 elements in 7 groups; Closest focusing distance: 0.46 m; Filter thread: 77mm; Length: 87mm; Weight: 732g; Scope of delivery: 1x Dzofilm Vespid Prime FF 50 mm T2.1 PL mount, 1x Dzofilm EF tool mount kit, 1x lens cap (front and back) | |
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Dzofilm : Vespid Prime 100 T2.1 PL/EF
Dzofilm Vespid Prime 100mm T2.1 PL/EF; Full frame cine lens with PL and EF mount; 16-slat ...(+) Dzofilm Vespid Prime 100mm T2.1 PL/EF; Full frame cine lens with PL and EF mount; 16-slat aperture; T2.1 aperture; Cinema Gearing for focus and aperture; 270° focus rotation; 80mm front diameter; Technical data:; Focal length: 100mm; Structure: 9 elements in 7 groups; Closest focusing distance: 0.7 m; Filter thread: 77mm; Length: 100mm; Weight: 890g; Scope of delivery: 1x Dzofilm Vespid Prime FF 100 mm T2.1 PL mount, 1x Dzofilm EF tool mount kit, 1x lens cap (front and rear) | |
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Dzofilm : Vespid Prime 21 T2.1 PL/EF
Dzofilm Vespid Prime 21mm T2.1 PL/EF; Full frame cine lens with PL and EF mount; 16-slat a...(+) Dzofilm Vespid Prime 21mm T2.1 PL/EF; Full frame cine lens with PL and EF mount; 16-slat aperture; T2.1 aperture; Cinema Gearing for focus and aperture; 270° focus rotation; 80mm front diameter; Technical data:; Focal length: 21mm; Structure: 13 elements in 9 groups; Closest focusing distance: 0.28 m; Length: 87mm; Weight: 935g; Scope of delivery: 1x Dzofilm Vespid Prime FF 21 mm T2.1 PL mount, 1x Dzofilm EF tool mount kit, 1x lens cap (front and rear) | |
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Dzofilm : Vespid Prime 16 T2.8 PL/EF
Dzofilm Vespid Prime 16mm T2.8 PL/EF; Full frame cine lens with PL and EF mount; 16-slat a...(+) Dzofilm Vespid Prime 16mm T2.8 PL/EF; Full frame cine lens with PL and EF mount; 16-slat aperture; T2.8-22 aperture; Cinema Gearing for focus and aperture; 270° focus rotation; 80mm front diameter; Technical data:; Focal length: 16mm; Structure: 14 elements in 10 groups; Closest focusing distance: 0.25 m; Length: 87mm; Weight: 930g; Scope of delivery: 1x Dzofilm Vespid Prime FF 16 mm T2.8 PL mount, 1x Dzofilm EF tool mount kit, 1x lens cap (front and rear) | |
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Dzofilm : Vespid Prime 40 T2.1 PL/EF
Dzofilm Vespid Prime 40mm T2.1 PL/EF; Full frame cine lens with PL and EF mount; 16-slat a...(+) Dzofilm Vespid Prime 40mm T2.1 PL/EF; Full frame cine lens with PL and EF mount; 16-slat aperture; T2.1 aperture; Cinema Gearing for focus and aperture; 270° focus rotation; 80mm front diameter; Technical data:; Focal length: 40mm; Structure: 10 elements in 9 groups; Closest focusing distance: 0.3 m; Filter thread: 77mm; Length: 87mm; Weight: 943g; Scope of delivery: 1x Dzofilm Vespid Prime FF 40 mm T2.1 PL mount, 1x Dzofilm EF tool mount kit, 1x lens cap (front and back) | |
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Dzofilm : Vespid Prime 25 T2.1 PL/EF
Dzofilm Vespid Prime 25mm T2.1 PL/EF; Full frame cine lens with PL and EF mount; 16-slat a...(+) Dzofilm Vespid Prime 25mm T2.1 PL/EF; Full frame cine lens with PL and EF mount; 16-slat aperture; T2.1 aperture; Cinema Gearing for focus and aperture; 270° focus rotation; 80mm front diameter; Magnetic Rear Clear/ND Filter; Technical data:; Focal length: 25mm; Structure: 12 elements in 11 groups; Closest focusing distance: 0.3 m; Length: 100mm; Weight: 940g; Scope of delivery: 1x Dzofilm Vespid Prime FF 25 mm T2.1 PL mount, 1x Dzofilm EF tool mount kit, 1x lens cap (front and rear) | |
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Dzofilm : Vespid Prime 12 T2.8 PL/EF (1 commentaires)
Dzofilm Vespid Prime 12mm T2.8 PL/EF; Full frame cine lens with PL and EF mount; 10-slat a...(+) Dzofilm Vespid Prime 12mm T2.8 PL/EF; Full frame cine lens with PL and EF mount; 10-slat aperture; Cinema Gearing for focus and aperture; 270° focus rotation; 80mm front diameter; Magnetic Rear Clear/ND Filter; Technical data:; Focal length: 12mm; Structure: 15 elements in 10 groups; Closest focusing distance: 0.2 m; Filter thread: 77mm; Length: 72mm; Weight: 725g; Scope of delivery: 1x Dzofilm Vespid Prime FF 12 mm T2.8 PL mount, 1x Dzofilm EF tool mount kit, 1x lens cap (front and rear) | |
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