iZotope RX 11 Standard Crossgrade (ESD); Audio Restoration Software; crossgrades from from any paid iZotope product to RX 11 Standard; professional all-in-one package for audio restoration in music and post-production; Spectrogram Editor App allows for visualising and editing audio in mono and stereo left/right or mid/side view; RX 11 Dialogue Isolate now includes Dialogue De-Reverb as a realtime AU, AAX, and VST3 plugin for de-noising and de-reverbing dialogue or vocals, based on state-of-the art machine learning; RX 11 Streaming Preview module enables to hear how tracks sound on streaming platforms; RX 11 Loudness Optimize module analyzes for opportunities to improve integrated loudness and can automatically adjusts tracks for louder playback after normalization; RX 11 Music Rebalance with most modern neural network available, allows automatic creation of stems and subsequent changes in mix balance of vocal, drums, bass, and other instruments; RX 11 Repair Assistant for various audio sources automatically detects problems using machine learning and suggests a suitable treatment that can be customised by the user; Text Navigation uses automatic speech-to-text recognition for English-language audio files with a fuzzy search for specific words and allows selection and editing of speech recordings via text input; De-Hum with Static, Dynamic and Dynamic Adaptive modes removes electromagnetic interference or other complex sounds with variable frequency; direct clean-up in Logic Pro with ARA-based Spectral Editor without switching between DAW and RX; Loudness Control with various current loudness standards to adapt audio material to broadcast requirements, as well as numerical and history display for short term and momentary loudness; Restore Selection function allows edited selections to be restored from any previous step in the history list; Music Rebalance allows automatic creation of stems, identifies vocals, bass, drums and other instruments, and allows subsequent changes in mix balance as well as removal or isolation of stems; Batch Processing allows the use of a complete processing chain with Module Chain, displays the associated metadata and allows export to multiple audio formats; Composite View with up to 16 tracks for processing multitrack recordings and Instant Process for fast auto-corrections in the spectrogram; numerous other modules and functions such as Guitar De-noise, De-bleed, Spectral De-ess, Mouth De-click, Voice De-noise, Variable Time and Pitch, Normalise, Fades, Resample, Dither etc.; a total of 19 processing modules, 13 utilities and 18 plug-ins

iZotope RX 11 Standard Upgrade from RX Standard/Advance / Post Production Suite (ESD); Audio Restoration Software; Upgrade from any previous version of RX Standard, RX Advanced, or RX Post Production Suite to RX 11; professional all-in-one package for audio restoration in music and post-production; Spectrogram Editor App allows for visualising and editing audio in mono and stereo left/right or mid/side view; RX 11 Dialogue Isolate now includes Dialogue De-Reverb as a realtime AU, AAX, and VST3 plugin for de-noising and de-reverbing dialogue or vocals, based on state-of-the art machine learning; RX 11 Streaming Preview module enables to hear how tracks sound on streaming platforms; RX 11 Loudness Optimize module analyzes for opportunities to improve integrated loudness and can automatically adjusts tracks for louder playback after normalization; RX 11 Music Rebalance with most modern neural network available, allows automatic creation of stems and subsequent changes in mix balance of vocal, drums, bass, and other instruments; RX 11 Repair Assistant for various audio sources automatically detects problems using machine learning and suggests a suitable treatment that can be customised by the user; Text Navigation uses automatic speech-to-text recognition for English-language audio files with a fuzzy search for specific words and allows selection and editing of speech recordings via text input; De-Hum with Static, Dynamic and Dynamic Adaptive modes removes electromagnetic interference or other complex sounds with variable frequency; direct clean-up in Logic Pro with ARA-based Spectral Editor without switching between DAW and RX; Loudness Control with various current loudness standards to adapt audio material to broadcast requirements, as well as numerical and history display for short term and momentary loudness; Restore Selection function allows edited selections to be restored from any previous step in the history list; Music Rebalance allows automatic creation of stems, identifies vocals, bass, drums and other instruments, and allows subsequent changes in mix balance as well as removal or isolation of stems; Batch Processing allows the use of a complete processing chain with Module Chain, displays the associated metadata and allows export to multiple audio formats; Composite View with up to 16 tracks for processing multitrack recordings and Instant Process for fast auto-corrections in the spectrogram; numerous other modules and functions such as Guitar De-noise, De-bleed, Spectral De-ess, Mouth De-click, Voice De-noise, Variable Time and Pitch, Normalise, Fades, Resample, Dither etc.; a total of 19 processing modules, 13 utilities and 18 plug-ins

Dusty Hill Signature Precision Bass®Après avoir vendu plus de 50 millions de disques, Dusty Hill de ZZ Top connaît une chose ou deux sur le son de basse Fender ! Le nouveau Dusty Hill Signature P Bass est une machine à sons percutants et n\'est pas juste un autre P Bass. Un micro Seymour Duncan conçu sur mesure, une forme de manche personnalisée unique et des commandes acheminées à l\'arrière ajoutent au son bas et à la jouabilité de cet instrument. Dusty est venu au Fender Custom Shop et a peaufiné la basse personnellement, et jouera ces basses en tournée avec ZZ Top en 2012 !Caractéristiques :Corps : Frêne léger sélectionnéFinition du corps : Laque nitrocellulosiqueForme : Precision BassBoutons : Dome-StyleTouche : Érable quart de scie 1 pièceFinition : Nickel/ChromePlaque de protection : AucunIncrustation : Point noirFinition du manche : Laque nitrocellulosique brillanteOrientation : DroitièreConfiguration du micro : SSillet : OsMicro de chevalet : Seymour Duncan® Custom DesignSwitch micros : AucunConfiguration du micro : SChevalet : 2 sillets Vintage des années 50 avec sillets en acier de type barilletMécaniques : Fender® Vintage-StyleCordes : Fender® USA 7250ML Acier nickelé (calibres 045 à 100), PN 0737250405Caractéristiques uniques : Microphone Seymour Duncan® personnalisé, forme de manche personnalisée et commandes à l\'arrière.Accessoires fournis : Etui Deluxe Hardshell, Courroie, Certificat d\'authenticitéEtui / Housse : Deluxe Blonde HardshellRayon de la touche : 9,5 (241 mm)Type de frettes : Style VintageMatériau du manche : Érable quart de scieForme du manche : CustomProfil du manche : Forme CNombre de frettes : 20Sillet : OsLargeur du sillet : 1,5 (38,1 mm)Longueur de l\'échelle : 34 (86,36 cm)Commandes : Volume principal, tonalité principale

Andrea Varazzani Violin Model Paganini`s Cannone, made by master luthier Andrea Varazzani in Cremona / Italy, built in the pattern of Guarneri del Gesu`s "Cannone" (so called by Nicolo Paganini), solid spruce top, solid flamed parted maple back, flamed maple sides, flamed maple back, ebony fingerboard, ebony end-button, Bogaro & Clemente boxwood pegs with ebony details, Bogaro & Clemente boxwood tailpiece with ebony saddle and one fine-adjuster, body length 355mm, upper bout width 168mm, center bout width 114mm, lower bout width 207mm.

Andrea Varazzani Violin Model Guarneri Lord Wilton, made by master luthier Andrea Varazzani in Cremona / Italy, built in the pattern of Guarneri del Gesu`s "Lord Wilton", solid spruce top, solid flamed one-part maple back, flamed maple sides, flamed maple neck, ebony fingerboard, ebony end-button, Bogaro & Clemente boxwood pegs with ebony details, Bogaro & Clemente boxwood tailpiece with ebony saddle and one fine-adjuster, body length 355mm, upper bout width 169mm, center bout width 114mm, lower bout width 208mm.

La Fuzz Face Mini FFM4 signature Joe Bonamassa de livre un fuzz cre meux et puissant dans un format compact. Elle be ne ficie e galement de plusieurs ame liorations pour la moderniser. Equipe e de transistors germaniums militaires russes NOS, la FFM4 arbore une finition « gloss black » qui s\'inte grera avec classe dans tout pedalboard. Cette fuzz peut e tre alimente e par pile et par alimentation externe. Enfin, elle est munie d un switch True-Bypass pour conserver l inte grite de votre signal. caractéristiques :- Transistors russes au germanium NOS (New Old Stock)- Switch on/off avec indicateur LED- Alimentation : entrée jack ou batterie

Jody Jazz Hand-Hammered Tenor G 6*; Tenor Saxophone mouthpiece; tip opening: 6* (0.095"); world s first hand-hammered saxophone mouthpiece; hand-hammered by famed cymbal master craftsman Paul Francis; hammering the brass compresses it and makes it stronger; easier to make sound than a softer, unhammered piece of brass; Gold finish; together with the rounded sidewalls and round chamber, it is a unique and exceptional mouthpiece that is also extremely versatile; design innovation: the new Patch Bay is a recessed, shallow basin in the beak of the mouthpiece that allows for the easy and comfortable placement of a clear protector patch; incl. one Jody Jazz Perfect Patch mouthpiece cushion (already affixed in the patch bay) and another larger clear patch over the top; matching hand-hammered Power Ring: 572605

Pour guitare et basse- Fuzz/distorsion- Pédale style BM très flexible et bien équilibrée- 3 modes de gain différents- Clean Blend Pre/Post-EQ- Contrôles actifs des graves et des aigus- EQ médium paramétrique contrôlable par footswitch et pédale d'expression ainsi qu'un Top-Boost commutable pour un mordant encore plus rugueux- Contrôles: Disruption, Clean, Master, Highs, Lows, Mid Freq, Mids Cut/Boost- Commutateurs: Clip Style, EQ Position, Top Boost- LEDs de statut: Effect On, Mids- Commutateurs au pied: Effect On, Mids- Entrée/sortie suur Jack 6,3 mm- Entrée pour pédale d'expression sur Jack stéréo 6,35 mm- Connexion pour alimentation secteur sur prise cylindrique 2,1 x 5,5 mm, polarité négative à l'intérieur- Aucune possibilité de fonctionnement avec pile- Bloc d'alimentation 9 V DC adapté optionnel non-fourni (N° d'article 409939)- Consommation de courant: 160 mA- True Bypass- Dimensions (L x P x H): 121 x 146 x 60 mm- Poids: 520 g- Fabriquée à la main en Allemagne

Pour guitare électrique- Tirants: .012, .015, .028W, .038, .048, .056- Tension Light- Nylon noir sur âmes en acier- Tape Wound- Pour guitares Archtop et Semi-Hollow avec cordier- Filage extra long de 914,4 mm (36") de l'extrémité à boule au filage de soie- Cordes emballées dans une atmosphère modifiée pour éviter le ternissement et préserver leur fraîcheur- Fabriqué aux USA