checkPrêt à jouerInstrument réglé par un luthier.Courtois - BugleLe bugle Antoine Courtois Professional Series 155 offre aux joueurs un son plein et sombre avec des couleurs riches grâce à son design et ses influences françaises authentiques.Avec son petit alésage et sa grande cloche, le bugle 155 offre la chaleur parfaite du son et la polyvalence, ce qui est particulièrement bon pour les brass bands.Antoine Courtois emploie une qualité et une expérience incroyables dans la fabrication des cuivres avec plus de 200 ans d'histoire dans la fabrication.Caractéristiques techniques :Tonalité : SibPerce : .413(10,50 mm)Pavillon laiton jauneDiamètre du pavillon : 6,69(170 mm)3 pistonsSystème colonne d'air directeTrigger sur 1er et 3ème pistonVannes : Pistons Monel à ressort supérieur à recouvrement manuelClés à eau : 3 leviers, forgéEtui coffret bois dur

Tiptop Audio Model 296t; Eurorack module; Programmable Spectral Processor; voltage controllable 16-band filter bank for filtering and vocoding applications; 16 frequency bands with volume slider (range: +6dB to total attenuation); for each band: CV input, audio output and envelope follower output; three signal inputs for even, odd or all frequency bands; gain controls and feedback-switches for the groups of even and odd bands; three selectable decay times for the envelope followers; output section with control knob for manual band-selection and CV inputs with attenuator for frequency and band-width; audio outputs for even, odd or all frequency bands; Comb filter outputs for even and odd frequency bands; power consumption: 360mA (+12V) / 350mA (-12V); widthe: 52 HP; depth: 52mm

Newfangled Audio Punctuate (ESD); transient shaper plugin; multi-band transient modulator allows to control the transients on 26 bands, based on the critical bands in the human ear; enables the frequency-related emphasis or attenuation of transients in complex signals such as complete mixes, groups or microphone tracks; Adaptive Transient slider allows bands to work independently or smoothes them for more natural processing; transient control for each band as well as global Transient Emphasis slider to scale the overall processing; Transient Length and Adaptive Transient Length controls allow to fine tune the transient length; Scrolling meter display shows the transient modulation in each band; Mix control for parallel processing; Solo feature allows to listen to single bands; independent input and output levels; Input and Output metering visualize peak and RMS levels; Delta Listen Mode allows to hear the effect signal only; A/B comparison and multi level undo / redo feature

Dynamic equaliser with five fully parametric bands- Edge bands with switchable shelf characteristics- Per band adjustable compressor / expander with adjustable control times, threshold and gain as well as switchable control characteristics- Colour control uses a specific set of filters to boost the harmonic and sub-harmonic frequencies per band- Distortion control simulates classic triode tube saturation for each band- Input with low-pass and high-pass filters- A/B switching for quick comparison of different settings

McDSP SA-3 Spectral Processor Native (ESD); spectral processor plugin; removes unwanted resonances and spectral spikes from the audio signal utilising over 1000 bands; precisely adjustable bias curve determines the intensity of the spectral processing in the various frequency bands; user friendly GUI with metering to visualize the bias curve, suppressed resonances or the processed output signal; monitor allows to listen to the isolated processed signal; side chain function allows targeted attenuation of signal components depending on the key signal; mid/side processing; contains a mono and a stereo versions of the plugin

AMEK EQ 200 (ESD); equalizer plugin; parametric 7-band EQ with a transparent, precise, and detailed analog sound; inspired by legendary EQs like the GML 8200 and vintage SONTEC EQs; 5 parametric bands with up to 15 dB of boost or cut and Q from 0.4 to 4; lowest and highest band can be switched to shelving mode; variable high and low pass filters with a 12 dB per octave slope; stereo, dual-mono, mono and mid/side mode; stereo width enhancer including adjustable mono maker for low frequencies; adjustable total harmonic distortion (THD); correlation, balance, input and output meters; patented Tolerance Modeling Technology (TMT) simulates slight variances of analog hardware; auto listen function automatically solos bands when making adjustments; scalable user interface

Brainworx bx_console AMEK 9099 (ESD); channel strip plugin; precise reproduction of the sound, signal path and workflow of the AMEK 9098i master recording console designed by Rupert Neve; adjustable high pass and low pass filters; gate with extensive control possibilities, can be switched to expander mode; compressor with soft and hard knee, attack, release and auto release, a high pass filter for the sidechain and parallel processing; the ambience control lets you hear only the difference between the processed and the unprocessed signal; limiter with clipper function and mix parameter for parallel processing; four band parametric equalizer with switchable shelf and peak filters for the low and high band and switchable peak and notch filters for the mid bands; auto listen function automatically solos bands when making adjustments; stereo width enhancer including adjustable mono maker for low frequencies; adjustable total harmonic distortion (THD); patented Tolerance Modeling Technology (TMT) simulates slight variances of analog hardware

Brainworx bx_console AMEK 200 (ESD); channel strip plugin; the AMEK 200 is a console plugin that combines the sound of the AMEK 200 EQ, AMEK Mastering Compressor and the gate/expander of the bx_console AMEK 9099; adjustable high pass and low pass filters; gate with extensive control possibilities, can be switched to expander mode; compressor with soft and hard knee, a timing parameter and parallel processing; limiter with clipper function and mix parameter for parallel processing; the ambience control lets you hear only the difference between the processed and the unprocessed signal; five band parametric equalizer with switchable shelf and peak filters for the low and high band and peak filters for the mid bands; auto listen function automatically solos bands when making adjustments; stereo width enhancer including adjustable mono maker for low frequencies; adjustable total harmonic distortion (THD); patented Tolerance Modeling Technology (TMT) simulates slight variances of analog hardware

Channel strip consisting of four processors for processing bass recordings- Bass Character: a special 2-band EQ that follows the pitch of the bass and allows emphasizing or attenuating harmonics in the frequency spectrum- Spectral Bass Compressor: uses 6 bands fixed over the bass frequency range for compression to adjust dynamics- Equalizer: an intuitive 5-band EQ with 2 additional filter bands and a variety of filter shapes- Chorus: complementary effect to e.g. increase presence or add liveliness- Master section with routing options- Phase inversion and adjustable input and output level- Variable routing for flexible adjustment of processing steps- Solo and bypass per effect module

MusicNomad MN801 Fretboard Protector, protective cover for fingerboards, complete protection of the fingerboard when working on the frets like polishing, leveling and crowning, made of high quality stainless steel with a thickness of 0.20 mm (0,008"), tapered design, smooth and rounded edges due to precise manufacturing process, innovatively formed drop-down edges for stable fixing to the instrument with supplied rubber bands, suitable only for G-Style instruments up to 22 frets, suitable for all fret sizes (from narrow to jumbo), adapts to the radius of the fingerboard, slot sizes of 3.683 mm (0.145") width for the first 12 frets and 3.18 mm (0.125") for the remaining 10 frets, first fret length: 53.217 mm (2.095"), last fret length 63.417 mm (2.497"), dimensions (L x W x H) 492.1 mm x 96.2 mm x 27 mm / 19.375" x 3.878" x 1.063", convenient hang hole, incl. rubber bands