Par BENJAMIN GEORGE. 'An atmospheric and subtly orchestrated piece, it compels attention from the opening wisps of sound on xylophone and mandolin, threading its way through forceful baritone phrases (William Dazeley, excellent) and Daphnis-like choral spirits into a perfectly-paced crescendo before dying away in a trance.'Financial Times (Andrew Clark), 16 September 1996/ Répertoire / Conducteur
