Sweelinck, Jan Pieterszoon : Polyphone Werke (Teil 1)Matériel : Partition Instrumentation : Editeur : Niveau : Comparer prix & stocks | The central significance of Jan Pieterszoon Sweelinck (1562 1621) for the evolution of baroque clavier music can hardly be overestimated. Yet all the currently available editions of his works stand in need of revision. Our new scholarly-critical performance edition, prepared by the experienced editor Siegbert Rampe , closes this gap. It is the first complete edition of Sweelinck s keyboard works to distinguish between works of secure authenticity , works of uncertain authenticity and works of questionable authenticity . It is also the first to present alternative readings in synoptic form and to separately reproduce variant versions.
The bilingual edition (German and English) is scheduled to appear in four volumes and incorporates the latest findings of musical scholarship. Each volume contains a critical report, a catalogue of sources, and a de tailed preface covering not only the volume s scope, layout and editorial technique, but also performance practice, ornamentation and Sweelinck s biography.
- Definitive complete Urtext edition
- Based on the latest findings of scholarship
- Detailed critical notes in German and English
All eight volumes include commentaries in German and English and reflect the latest scholarly research. Highly recommended.
(The American Organist August 2010)
Bärenreiter s offering will provide you with an authoritative treasury of Sweelinck s work.
(Church Music Quarterly, 3-2007)
a must for even serious organ student .
(The Organ no. 336 May June 2006) / Classique / Partition / Broché / Contenu: Vorwort
Includes the following individual parts: Orgel, Cembalo, Klavier
Dispositionen
Includes the following individual parts: Orgel, Cembalo, Klavier
Faksimilia
Includes the following individual parts: Orgel, Cembalo, Klavier
Fantasien gesicherter Authentizität
Includes the following individual parts: Orgel, Cembalo, Klavier
Echofantasien gesicherter Authentizität
Includes the following individual parts: Orgel, Cembalo, Klavier
Zugeschriebene Echofantasien
Includes the following individual parts: Orgel, Cembalo, Klavier
Echofantsie zweifelhafter Echtheit
Includes the following individual parts: Orgel, Cembalo, Klavier
Anhang
Includes the following individual parts: Orgel, Cembalo, Klavie
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Clavierwerke, Band II.1:
Polyphone Werke (Teil 1)
(SWEELINCK JAN
PIETERSZOON) Orgue [Partition] BARENREITER
Par SWEELINCK JAN PIETERSZOON. The importance of Jan Pieterszoon Sweelinck (1562...(+)
Par SWEELINCK JAN PIETERSZOON. The importance of Jan Pieterszoon Sweelinck (1562& 1621) for the evolvement of the Claviermusik ; of the baroque is not to be overrated. The scientific and practical issue by Siegbert Rampe is the first one comprising all of the key-oeuvres by Sweelinck,/ Répertoire / Piano
54.20 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Band II.2: Polyphone
Werke (Teil 2) Orgue [Conducteur] Barenreiter 54.20 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Keyboard And Organ Works
From Copied Sources:
Polyphonic Works Orgue Barenreiter
Johann Jacob Froberger, who lived from 1617 to 1667, developed a style of compos...(+)
Johann Jacob Froberger, who lived from 1617 to 1667, developed a style of composition representing a synthesis of Italian, French and English influences, thereby setting new standards at that time. Only Jan Peterszoon Sweelinck can match Froberger in terms of significance for 17th century keyboard music.The text to each volume of the complete edition of Froberger's organ and keyboard music is published in German and English comprising a critical commentary as well as a detailed foreword explaining the scope and subdivision of the edition and the editorial techniques. Also, information on performance practice, on instruments of the time and on ornamentation is included, as well as details on Froberger's biography.Volume V.2, like the previously published volume V.1, contains the musical text from an anonymous 17th century copy which was returned to the Berlin Singakademie from Kiev in 2001. It is divided into works of definitive authenticity, new readings and two appendices containing works of doubtful authenticity and spurious arrangements.- Definitive complete Urtext edition- At the cutting edge of scholarship- Detailed explanatory notes / Orgue Ou Piano
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