Works For Voice And Orchestra45.40 EUR - Voir plus - Acheter Délais: 3-5 joursCompositeur/Auteur : Gerald FinziInstrumentation : Editeur : Vendeur, prix & stockContenu: Finzi Gérald Two Sonnets, op. 12: When I consider, How soon hath Time, Farewell to Arms, op. 9: Introduction, Aria, Let us garlands bring, op. 18: Come away, come away, death, Who is Silvia?, Fear no more the heat o' the sun, O Mistress Mine, It was a lover and his lass
Voir toutes les partitions de Gerald Finzi
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| Works For Mixed Choir And
Orchestra - Les Djinns
Op. 12 N 43B / La
Naissance De Vénus
Op. 29 N 72B / Madrigal
Op. 35 N 78B / Pavane Op.
50 N 100A (FAURE GABRIEL) Voix et Orchestre [Partition] Barenreiter
Par FAURE GABRIEL. This volume of 'oeuvres complètes de Gabriel Fauré” conta...(+)
Par FAURE GABRIEL. This volume of 'oeuvres complètes de Gabriel Fauré” contains Fauré's four secular choral works in their orchestral arrangements, namely 'Les Djinns”, 'La Naissance de Vénus”, 'Madrigal”, and 'Pavane”. These works were composed between 1876 and 1887 - thereafter Fauré wrote choral compositions based only on sacred texts. The first three works are presented here for the first time in a full score edition, previously having been published only in their versions with piano accompaniment. This edition is therefore the first to present the works with an authoritative musical text based on the careful study of the sources.
'Les Djinns” (1876-76) for mixed choir and orchestra is based on the famous poem by Victor Hugo first published in the collection 'Les Orientales”, while 'La Naissance de Vénus” (1882) for soloists, choir and orchestra is based on a text by Paul Collin. 'Madrigal”, the orchestral version of which cannot be dated with certainty (around 1891, for a quartet of soloists or choir) has been composed after a poem by Armand Silvestre, and the famous 'Pavane”, originally composed for orchestra and only later supplemented with a text by Symbolist poet Robert de Montesquiou, is presented here in an elegant, graceful version with mixed choir. / Date parution : 2019-06-20/ Répertoire / Chant et Orchestre
340.20 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| On Your Toes (RODGERS
RICHARD / HART L) Piano, Voix [Partition] Hal Leonard
Par RODGERS RICHARD / HART L.. Stage Works Vocal Scores/ Recueil / Chant et Pian...(+)
Par RODGERS RICHARD / HART L.. Stage Works Vocal Scores/ Recueil / Chant et Piano
95.40 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Medea [Linen Score + Usb]
(BENDA GEORG) Récitant et Orchestre Barenreiter
A Melodrama Interspersed With Music. Par BENDA GEORG. Georg Anton Benda's melodr...(+)
A Melodrama Interspersed With Music. Par BENDA GEORG. Georg Anton Benda's melodrama „Medea' (1775) was one of the most successful German musical theatre works of the late 18th century. With a libretto by Friedrich Wilhelm Gotter, the work soon became a great influence within the melodrama genre. For several decades, it was performed all over central Europe, developing an impressive reception history. Between 1775 and about 1790, the melodrama was considered an extremely popular (albeit controversial) part of musical theatre, in particular in German-speaking regions. Consequently, Benda's „Medea' was at the center of many heated debates.
Unlike opera, the melodrama does not present the libretto in sung form, but rather, the text is spoken and combined with orchestral music and scenes. The traditional opera forms (aria, recitative, ensemble, chorus) are dissolved and replaced by a new interplay of music, speech, and scenes. A focus on a single protagonist and the quick, delicate alternation between spoken text and music allows for the development of conflicting and contradictory psychological profiles with a heightened intensity within the melodrama.
Near the end of his life, Benda revised the work significantly, drawing from his experience of real performances and their effectiveness. The changes leading to the new version of his „Medea' music were quite extensive, affecting almost every single measure: numerous details of the part writing (tempi, voice leading, rhythms, accompanying figures etc.) were revised, the instrumentation was changed, middle voices were led in a more lively manner, and the music as a whole was shortened and effectively compressed. The composer regarded the latter, modified „Medea' as the authorized version of the work. The premiere took place in 1784 in Mannheim, however, the altered work received little attention since then and has become tangible again for the first time with the OPERA Edition. All previous editions of the work - and along with them, all previous recordings - are based on the earlier version of 1775.
The third volume of the OPERA series 'Medea” contains a linen-bound book and the edirom on a USB stick in credit card format. The number of users permitted to simultaneously use the digital content of the edition is not limited.
For further information regarding the work and the OPERA series, please visit www.opera-edition.com and Takte online/ Répertoire / Récitant et Orchestre
310.00 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Triptych (Vocal Score) Chorale SATB SATB, Orchestre Novello & Co Ltd.
Cantata for string orchestra and chorus. Triptych represents the concatenation a...(+)
Cantata for string orchestra and chorus. Triptych represents the concatenation and re-orchestration of two extant works. Movement I was commissioned with funds from The RVW Trust for the inaugural concert of the Choir of London conducted by Jeremy Summerly in Christ Church, Spitalfields on 18th December, 2004 - the work, premièred as Threnody, was subsequently toured by the Choir to Jerusalem and the West Bank from 19th-26th December, 2004. Movements II and III, commissioned by Portsmouth Grammar School with financial support from the PRS Foundation, were premièred as And There Was a Great Calm in a contiguous version for lower strings and upper voices by the Portsmouth Grammar School Chamber Choir and the London Mozart Players in a concert at Portsmouth Anglican Cathedral on 13th November, 2005 conducted by Nicolae Moldoveanu. The title of this latter section is taken from Thomas Hardy's poem of the same name, written at the signing of the Armistice on 11th November, 1918 - a couplet from which is set, in a moment of tranquillity, in the final movement. Relatively new to living in New York, I am much more aware of the independent, vibrant cultural plurality that exists today - it's probably the single most dazzling facet of the City and is largely responsible for the infamous 'edginess' that pervades daily life there. With this in mind, I set to work on Threnody (movement I here) in 2004 - I wanted to write something that was relevant to the Israeli/Palestinian issue without losing that City 'edge'. The texts, in English, are excerpted from a variety of sources: William Penn, William Blake, the Psalms of David and Muhammad Rajab Al-Bayoumi, an Egyptian poet of the early twentieth-century. Fast and rhythmically influenced by the music of North Africa in its syncopations, this movement was the first composition that evolved entirely from my New York perspective. From the moment that the commission for And There Was a Great Calm (movements II and amp - III here) was offered, I knew the piece I was about to embark upon would end up being linked with Threnody in some way. I realized that what I had been aiming for in Threnody served as a template for this new piece, originally composed for a Remembrance Sunday concert. Musical works connected with commemoration or memorials are often suitably pensive and slow - I wanted to start with that concept, but to bring in some of the relentless urban rhythms that had been such a large influence on my life in the preceding two years. The result is that that the second movement is quiet and gentle (a moment of recollection), while the final movement is much faster and vibrant, returning to a more openly elated rendering of the start of Triptych (the texts here dealing with transmigration and the future). and nbsp - I gratefully acknowledge the assistance of Bruce Ruben and Judith Clurman, as well as that of my parents, with the collation of the texts. Tarik O'Regan New York, February 2006 / Soprano, SATB Et Orchestre De Cordes
18.40 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Red Rain (RUO HUANG) Piano seul - Intermédiaire Ricordi London
for solo piano. Par RUO HUANG. Huang Ruo has been lauded by the New Yorker as 'o...(+)
for solo piano. Par RUO HUANG. Huang Ruo has been lauded by the New Yorker as 'one of the worlds leading young composers' and by the New York Times for having “a distinctive style. ” His vibrant and inventive musical voice draws equal inspiration from Chinese ancient and folkmusic, Western avant-garde, experimental, noise, natural and processed sound, rock, and jazz to create a seamless, organic integration using a compositional technique he calls “Dimensionalism. ” Huang Ruo’s diverse compositional works span fromorchestra, chamber music, opera, theater, and dance, to cross-genre, sound installation, multi-media, experimental improvisation, folk rock, and film. / Niveau : Intermédiaire / Répertoire / Piano
21.70 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Tree Without Wind (RUO
HUANG) Piano seul - Intermédiaire Ricordi London
for solo piano. Par RUO HUANG. Huang Ruo has been lauded by the New Yorker as 'o...(+)
for solo piano. Par RUO HUANG. Huang Ruo has been lauded by the New Yorker as 'one of the worlds leading young composers' and by the New York Times for having “a distinctive style. ” His vibrant and inventive musical voice draws equal inspiration from Chinese ancient and folkmusic, Western avant-garde, experimental, noise, natural and processed sound, rock, and jazz to create a seamless, organic integration using a compositional technique he calls “Dimensionalism. ” Huang Ruo’s diverse compositional works span fromorchestra, chamber music, opera, theater, and dance, to cross-genre, sound installation, multi-media, experimental improvisation, folk rock, and film. / Niveau : Intermédiaire / Répertoire / Piano
21.70 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Cello Concerto (BRYARS
GAVIN) Violoncelle, Orchestre [Conducteur d'étude / Miniature] Schott
Farewell to philosophy. Par BRYARS GAVIN. I have a great fondness for the lower ...(+)
Farewell to philosophy. Par BRYARS GAVIN. I have a great fondness for the lower string instruments: I am a bass player, my mother is a cellist, as are both my daughters; my own ensemble includes two violas, a cello and a bass, and for the instrumentation of my opera Medea I omit the entire violin section from the orchestra. As I have written a number of works for solo instrument or voice with orchestra I welcomed the opportunity to write a concerto for cello and orchestra and especially one which focuses particularly on the instrument’s lyrical qualities. Although the piece is in one continuous movement, and the soloist is playing almost without a break, it nevertheless falls into distinct sections which are recognisable by a shift of tempo as well as by a change in the music’s character.
One of the early ideas Julian Lloyd Webber and I discussed was that it might form a companion piece to one of the Haydn concertos. Given my friendship with some members of the English Chamber Orchestra and my awareness of their repertoire, this suggested a number of particular musical references. The subtitle to the work, for example, combines the subtitles of two idiosyncratic Haydn symphonies and I allude to them in different ways but chiefly through orchestration: for The Philosopher by including a section in the concerto where the orchestration resembles that of the symphony’s first movement (pairs of English and French horns, muted violins and unmuted lower strings); for The Farewell, by the progressive reduction in the orchestration towards the end. Indeed, apart from the orchestral tutti in the last few bars, the last pages of the score are virtually for string quartet. The subtitle also refers to my own background as a philosophy graduate...
The piece was commissioned by Philips Classics for Julian Lloyd Webber and is dedicated to him.
The first performance was given by Julian Lloyd Webber and the English Chamber Orchestra conducted by James Judd, 21 November 1995, Barbican Hall, London.
Gavin Bryars/ Répertoire / Violoncelle et Orchestre
38.80 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Missa C Major K. 220
(196B) Sparrow Mass Chorale, Orchestre Barenreiter
Mozart's 'Missa in C major? (K. 220), nicknamed the 'Sparrow Mass? for its frequ...(+)
Mozart's 'Missa in C major? (K. 220), nicknamed the 'Sparrow Mass? for its frequently recurring characteristic motifs in the violins, has retained a firm place in the choral repertoire to the present day. Now it has been arranged for female choir and is appearing as part of the recently started 'Bärenreiter Female Choir? series.Heribert Breuer has judiciously transferred the tenor and bass solos to the high voices and incorporated the original soprano and alto parts largely unchanged into the solo and chorus parts. He has thereby retained the work's original substance while giving it a wholly new and delightful sound.- Arrangement for female choir (SMezAA) based on the Urtext of the 'New Mozart Edition?- Idiomatic piano reductionHeribert Breuerwas professor of choral conducting and music theory at Berlin University of the Arts until 2010. He is the founder and director of the Berlin Bach Akademie and has made a name for himself with his many arrangements of works from Bach to Schubert. / Choeur Mixte Et Orchestre
27.70 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Missa In B-Flat Major
Hob.XXII:14 'Harmony
Mass' (HAYDN FRANZ
JOSEF) Voix et Orchestre [Partition] Barenreiter
Full Score. Par HAYDN FRANZ JOSEF. Haydn composed his Missa in B-flat major, als...(+)
Full Score. Par HAYDN FRANZ JOSEF. Haydn composed his Missa in B-flat major, also known as the 'Harmony Mass” in 1802. It is the last of the six great mass settings, which forms the crowning glory of Haydn's vocal music alongside 'The Creation” and 'The Seasons”.
Continuing the cooperation between Bärenreiter and the G. Henle publishing company regarding Haydn's large-scale choral works, operas, and symphonies, this edition is based on the G. Henle Complete Edition of the 'Works of Joseph Haydn”.
This full score is fully compatible with all existing performance material. / Date parution : 2019-11-29/ Répertoire / Chant et Orchestre
85.70 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Zadok Rules - Hallelujah!
(L'ESTRANGE ALEXANDER) Voix et Orchestre [Partition] Faber Music Limited
Par L'ESTRANGE ALEXANDER. Zadok rules - Hallelujah! was commissioned by The Hano...(+)
Par L'ESTRANGE ALEXANDER. Zadok rules - Hallelujah! was commissioned by The Hanover Band Foundation to celebrate the 60th anniversary of the Coronation of Queen Elizabeth II, June 2013. Inspired by the works of G.F. Handel, the text traces all of the English monarchs from William the Conqueror to the present day, as well as interweaving well-known pieces such as 'Zadok the Priest” and the Hallelujah Chorus. A celebratory anthem for unison children's choir, SATB chorus and chamber orchestra./ Recueil / Chant et Orchestre
10.90 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Finzi G. - Works For
Voice And Orchestra -
Voix Schott 36.90 EUR - vendu par Woodbrass Délais: Sur commande | |
| Hör Mein Bitten
(MENDELSSOHN-BARTHOLDY
FELIX) Chorale SATB SATB, Orchestre [Partition] Carus Verlag
2 Fassungen. Par MENDELSSOHN-BARTHOLDY FELIX. Formerly one of Mendelssohn's most...(+)
2 Fassungen. Par MENDELSSOHN-BARTHOLDY FELIX. Formerly one of Mendelssohn's most popular sacred compositions, especially during the Victorian period, the anthem 'Hör mein Bitten' has been overlooked in more recent times in favor of his larger works. He conceived his anthem in four linked parts. The numerous alternations between the solo voice an chorus in the score bring to mind the traditional English verse anthem, though the exchanges here seem more tied to the text rather than to a preconceived formal scheme./ Répertoire / Choeur Mixte (SATB) et Orchestre
11.20 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Symphonie
Fantastique-Harold
(BERLIOZ HECTOR) Orchestre [Partition] Dover Publications
Full Score. Par BERLIOZ HECTOR. Hector Berlioz (1803–1869), considered the fat...(+)
Full Score. Par BERLIOZ HECTOR. Hector Berlioz (1803–1869), considered the father of modern orchestration, possessed an intuitive musical genius all the more remarkable for his limited formal musical education. A brilliant colorist, a master of the unexpected rhythmic break, he brought a new symphonic richness to Romantic music. Both damned and venerated by his contemporaries — Mendelssohn considered him devoid of talent, Paganini declared him the one true heir to the spirit of Beethoven — Berlioz seems to have sought in music a way to soothe and give voice to the turbulent psychological instabilities and contradictions of what has come to be called 'program music' — i. e. , instrumental music with an extramusical significance. He strove to communicate musically the experiences, psychological themes, scenic description, and literary allusions more commonly associated with the confessional writings of Romantic poets. This Dover edition presents two of the greatest of these 'program' pieces: the Symphonie Fantastique (1830) and Harold in Italy (1834). Here are the full scores of both major symphonic works — painstakingly reproduced from the authoritative Breitkopf & Härtel edition, available for the first time in one convenient volume — plus Berlioz's 'program' for the Symphonie Fantastique. Musicians and music lovers everywhere will value this high-quality, inexpensive edition — ideal for study and performance. Reprint of Nos. 1 and 3 of Serie I, Symphonien (1900), of Werke von Hector Berlioz, Breitkopf and Härtel, Leipzig, 1900–1910. Breitkopf & Hartel edition./ Répertoire / Orchestre
47.10 EUR - vendu par LMI-partitions Délais: En Stock | |
| Indian Summer (SHARMA
PYARELAL) Quatuor à cordes: 2 violons,
alto, violoncelle Schott
8 Enchanting Pieces from India arranged for String Quartet. Par SHARMA PYARELAL....(+)
8 Enchanting Pieces from India arranged for String Quartet. Par SHARMA PYARELAL. For the first time The Schott String Quartet Series features a collection of pieces that have been originally composed in a style unique to string quartet arrangements. Internationally-acclaimed Bollywood composer Pyarelal Sharma has provided music and songs for over 450 films. This set of string quartets, composed especially for Schott, is influenced by Indian film music, Indian folk, Arabic and light Indian classical music, thus combining the alluring sound of the East with the stability of a classic Western ensemble.
Another new feature that this volume has brought to the series is a special bonus CD containing performances of these charming pieces by leading members of the London Philharmonic Orchestra.
The Schott String Quartet Series
With the first books in the series focusing on baroque, classical and romantic styles, The Schott String Quartet Series has expanded to cover music ranging from traditional pieces through to Eastern-influenced works. Aside from 'Indian Summer', which features original compositions, each book contains original arrangements of well known themes, which have often never been arranged for string quartet before.
An important characteristic of these arrangements is that they allow all four instruments to demand the attention throughout the music. The pieces are suitable for amateur musicians or school students and are ideal for public performance./ Recueil / Quatuor à Cordes
26.70 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
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| Dabke (String Orchestra Score) Orchestre à Cordes Schirmer
Composed by Kareem Roustom. Young People's Concert, Youth Orchestra, Short Work....(+)
Composed by Kareem
Roustom. Young People's
Concert, Youth Orchestra,
Short Work. 21st Century,
Secular. Published by
E.C. Schirmer Publishing
(EC.LMP025).
$35.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Collected Songs for Soloist and Orchestra Voix et Orchestre [Conducteur] DSCH
New Collected Works of Dmitri Shostakovich - Volume 87. By Dmitri Shostakovich. ...(+)
New Collected Works of
Dmitri Shostakovich -
Volume 87. By Dmitri
Shostakovich. DSCH. 143
pages. Published by DSCH.
$54.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| A Song Of Thanksgiving Chorale SATB SATB, Orchestre [Vocal Score] Oxford University Press
A Song of Thanksgiving by Ralph Vaughan Williams (1872-1958). For Soprano voice,...(+)
A Song of Thanksgiving by
Ralph Vaughan Williams
(1872-1958). For Soprano
voice, speaker, SATB
choir and orchestra (2
different versions) ([2,
2, 2, bass clarinet
(optional), 2,
contrabassoon
(optional)-4(2 optional),
3(1 optional), 3,
1(optional)], timpani,
percussion, harp/piano,
organ (optional),
strings). Mixed Voices.
Contemporary, Choral
Works. Vocal score. 28
pages. Duration 15'.
Published by Oxford
University Press
$13.99 - Voir plus => Acheter | | |
| Missa in Angustiis Hob.XXII:11 Nelson Mass / Missa B major Hob.XXII:12 Theresien Mass Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre [Conducteur] Barenreiter
Composed by Franz Joseph Haydn (1732-1809). Edited by Gunter Thomas. For solo vo...(+)
Composed by Franz Joseph
Haydn (1732-1809). Edited
by Gunter Thomas. For
solo voices, choir,
orchestra (solo soprano
voice/solo alto
voice/solo tenor
voice/solo bass
voice/SATB choir/flute/2
oboes/2
clarinets/bassoon/2
horns/3
trumpets/timpani/strings/
basso continuo). This
edition: Urtext edition.
Linen. Level 3. Score.
Hob. XXII:11 Hob.
XXII:12. 277 pages.
Duration 41 minutes.
Published by Baerenreiter
Verlag
$292.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Requiem for Solo Voices, Chorus and Orchestra (Vocal Score) Orchestre Peters
Choir Sacred Mezzo-soprano voice, Tenor voice soli; SATB chorus; orchestra SK...(+)
Choir Sacred
Mezzo-soprano voice,
Tenor voice soli; SATB
chorus; orchestra SKU:
PE.EP72184
2003. Composed by
Rowland Lee. Choral Works
(inc. Oratorios). Edition
Peters. Book. Composed
2003; First Performance:
December 3rd, 2003, at
Saint Martin in the
Fields. 148 pages.
Duration 01:10:00.
Edition Peters
#98-EP72184. Published by
Edition Peters
(PE.EP72184). ISBN
9790577000282.
English. Text
selected from the Requiem
Mass, D.H. Lawrence,
Percy Bysshe Shelley and
the Old
Testament First
performance 3rd December
2003 at St.
Martin-in-the-Fields <
p>Subsequent revisions
have been small, mainly
consisting of a brand new
Benedictus (to replace
one which, in the
original performance, had
beeen borrowed from a
liturgical setting of the
Mass), the expansion of
the Dies Irae and the
creation of a bigger
orchestration, as an
alternative to the
chamber scoring, to make
the most of the forces
available at the second
performance, in St.
Petersburg. $16.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Te Deum and Jubilate Deo in D Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre [Vocal Score] - Intermédiaire/avancé Oxford University Press
By Henry Purcell (1659-1695). Arranged by Robert King. For SSATB soloists, SSATB...(+)
By Henry Purcell
(1659-1695). Arranged by
Robert King. For SSATB
soloists, SSATB choir, 2
trumpets, strings and
continuo (2 trumpets,
violin 1, violin 2,
viola, cello, double
bass, organ, theorbo
(optional)). Mixed
Voices. Classic Choral
Works. Standard Choral
Works. Vocal score. 40
pages. Duration 20'.
Published by Oxford
University Press
$11.50 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Raise Your Voice In Song Orchestre [Conducteur] - Intermédiaire Claude T. Smith Publications
Grade 4 SKU: CL.CTS-7867-01 Full orchestra (with optional chorus)....(+)
Grade 4 SKU:
CL.CTS-7867-01
Full orchestra (with
optional chorus).
Composed by Claude T.
Smith. Full Orchestra.
Extra full score.
Composed 2018. Claude T.
Smith Publications
#CTS-7867-01. Published
by Claude T. Smith
Publications
(CL.CTS-7867-01).
One of Claude
T. Smith's last completed
works, Raise Your Voice
in Song was commissioned
by the Nebraska Music
Educators Association for
the 50th Anniversary on
NMEA! It was written for
the 1986 All-State Band,
Choir and Orchestra for
their combined
performance on November
22, 1986 in Hastings, NE.
This majestic work lends
itself as a finale, for
full orchestra, or a
combined performance with
choir. There are two sets
of lyrics (secular and
Christmas). $10.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Concertino for Clarinet and String Orchestra (Score and Parts 6/6/4/3/2) Metropolis Music Publishers
Clarinet Solo and Orchestra (Strings) SKU: IS.COR6095EM Composed by Charl...(+)
Clarinet Solo and
Orchestra (Strings)
SKU: IS.COR6095EM
Composed by Charles
Camilleri. Woodwinds -
Clarinet. Metropolis
Music Publishers
#COR6095EM. Published by
Metropolis Music
Publishers
(IS.COR6095EM). ISBN
9790365060955. Char
les Camilleri (1931 -
2009) was a Maltese
composer. As a teenager,
he composed a number of
works based on folk music
and legends of his native
Malta. He moved from his
early influences by
Maltese folk music to a
musical form in which
nothing is fixed and his
compositions evolve from
themselves with a sense
of fluency and
inevitability. He
composed over 100 works
for orchestra, chamber
ensemble, voice and solo
instruments. Camilleri's
work has been performed
throughout the world and
his research of folk
music and improvisation,
the influences of the
sounds of Africa and
Asia, together with the
academic study of
European music, helped
him create a universal
style. Camilleri is
recognized in Malta as
one of the major
composers of his
generation. He died on 3
January 2009 at the age
of 77. His funeral took
place two days later at
Naxxar, his long-time
town of residence. Flags
across Malta were flown
at half-mast in tribute
to him. $146.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| And Flowers Pick Themselves Voix haute, Piano Theodore Presser Co.
(5 Songs for High Voice and Orchestra). By Ricky Ian Gordon. Solo instrument wit...(+)
(5 Songs for High Voice
and Orchestra). By Ricky
Ian Gordon. Solo
instrument with
accompaniment. For Voice,
Piano. E. e. cummings.
East Lansing, MI;
Soprano, Melanie Helton,
conducted by Raphael
Jimenez.. Contemporary.
Performance score.
Standard notation.
Duration 21 minutes.
Published by Theodore
Presser Company
$16.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Trio, Op. 18 Voix, Clarinette, Piano Rosewood Publications
By Johann Sobeck. For Tenor voice (Soprano), clarinet and piano. Facsimile Editi...(+)
By Johann Sobeck. For
Tenor voice (Soprano),
clarinet and piano.
Facsimile Editions -
Winds. Excellent
companion to Shepherd on
the Rock. Works well with
tenor voice. Romantic
$5.75 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Sonata no.1 for Violin and Piano Violon et Piano SATB, Orchestre Metropolis Music Publishers
Violin and Piano SKU: IS.VLP6533EM Composed by Charles Camilleri. Strings...(+)
Violin and Piano SKU:
IS.VLP6533EM Composed
by Charles Camilleri.
Strings - Violin.
Metropolis Music
Publishers #VLP6533EM.
Published by Metropolis
Music Publishers
(IS.VLP6533EM). ISBN
9790365065332. Char
les Camilleri (1931 -
2009) was a Maltese
composer. As a teenager,
he composed a number of
works based on folk music
and legends of his native
Malta. He moved from his
early influences by
Maltese folk music to a
musical form in which
nothing is fixed and his
compositions evolve from
themselves with a sense
of fluency and
inevitability. He
composed over 100 works
for orchestra, chamber
ensemble, voice and solo
instruments. Camilleri's
work has been performed
throughout the world and
his research of folk
music and improvisation,
the influences of the
sounds of Africa and
Asia, together with the
academic study of
European music, helped
him create a universal
style. Camilleri is
recognized in Malta as
one of the major
composers of his
generation. He died on 3
January 2009 at the age
of 77. His funeral took
place two days later at
Naxxar, his long-time
town of residence. Flags
across Malta were flown
at half-mast in tribute
to him. Just like Bach's
6 suites for cello solo,
these 6 arabesques are
composed of a number of
distinct movements which
follow the suite
principle. The melodies
in these 6 arabesques are
influenced by
Mediterranean folk
music. $20.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Sonatina no.1 for Violin and Piano Violon et Piano SATB, Orchestre Metropolis Music Publishers
Violin and Piano SKU: IS.VLP6039EM Composed by Charles Camilleri. Strings...(+)
Violin and Piano SKU:
IS.VLP6039EM Composed
by Charles Camilleri.
Strings - Violin. Jenny
Spanoghe Series.
Metropolis Music
Publishers #VLP6039EM.
Published by Metropolis
Music Publishers
(IS.VLP6039EM). ISBN
9790365060399. Char
les Camilleri (1931 -
2009) was a Maltese
composer. As a teenager,
he composed a number of
works based on folk music
and legends of his native
Malta. He moved from his
early influences by
Maltese folk music to a
musical form in which
nothing is fixed and his
compositions evolve from
themselves with a sense
of fluency and
inevitability. He
composed over 100 works
for orchestra, chamber
ensemble, voice and solo
instruments. Camilleri's
work has been performed
throughout the world and
his research of folk
music and improvisation,
the influences of the
sounds of Africa and
Asia, together with the
academic study of
European music, helped
him create a universal
style. Camilleri is
recognized in Malta as
one of the major
composers of his
generation. He died on 3
January 2009 at the age
of 77. His funeral took
place two days later at
Naxxar, his long-time
town of residence. Flags
across Malta were flown
at half-mast in tribute
to him. Just like Bach's
6 suites for cello solo,
these 6 arabesques are
composed of a number of
distinct movements which
follow the suite
principle. The melodies
in these 6 arabesques are
influenced by
Mediterranean folk
music. $23.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Fantasie Bolero for Violin and Piano Violon et Piano SATB, Orchestre Metropolis Music Publishers
Violin and Piano SKU: IS.VLP6539EM Composed by Charles Camilleri. Strings...(+)
Violin and Piano SKU:
IS.VLP6539EM Composed
by Charles Camilleri.
Strings - Violin.
Metropolis Music
Publishers #VLP6539EM.
Published by Metropolis
Music Publishers
(IS.VLP6539EM). ISBN
9790365065394. Char
les Camilleri (1931 -
2009) was a Maltese
composer. As a teenager,
he composed a number of
works based on folk music
and legends of his native
Malta. He moved from his
early influences by
Maltese folk music to a
musical form in which
nothing is fixed and his
compositions evolve from
themselves with a sense
of fluency and
inevitability. He
composed over 100 works
for orchestra, chamber
ensemble, voice and solo
instruments. Camilleri's
work has been performed
throughout the world and
his research of folk
music and improvisation,
the influences of the
sounds of Africa and
Asia, together with the
academic study of
European music, helped
him create a universal
style. Camilleri is
recognized in Malta as
one of the major
composers of his
generation. He died on 3
January 2009 at the age
of 77. His funeral took
place two days later at
Naxxar, his long-time
town of residence. Flags
across Malta were flown
at half-mast in tribute
to him. Just like Bach's
6 suites for cello solo,
these 6 arabesques are
composed of a number of
distinct movements which
follow the suite
principle. The melodies
in these 6 arabesques are
influenced by
Mediterranean folk
music. $20.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| 3 Folk-Songs from Malta for Violin and Piano Violon et Piano SATB, Orchestre Metropolis Music Publishers
Violin and Piano SKU: IS.VLP6034EM Composed by Charles Camilleri. Strings...(+)
Violin and Piano SKU:
IS.VLP6034EM Composed
by Charles Camilleri.
Strings - Violin.
Metropolis Music
Publishers #VLP6034EM.
Published by Metropolis
Music Publishers
(IS.VLP6034EM). ISBN
9790365060344. Char
les Camilleri (1931 -
2009) was a Maltese
composer. As a teenager,
he composed a number of
works based on folk music
and legends of his native
Malta. He moved from his
early influences by
Maltese folk music to a
musical form in which
nothing is fixed and his
compositions evolve from
themselves with a sense
of fluency and
inevitability. He
composed over 100 works
for orchestra, chamber
ensemble, voice and solo
instruments. Camilleri's
work has been performed
throughout the world and
his research of folk
music and improvisation,
the influences of the
sounds of Africa and
Asia, together with the
academic study of
European music, helped
him create a universal
style. Camilleri is
recognized in Malta as
one of the major
composers of his
generation. He died on 3
January 2009 at the age
of 77. His funeral took
place two days later at
Naxxar, his long-time
town of residence. Flags
across Malta were flown
at half-mast in tribute
to him. Just like Bach's
6 suites for cello solo,
these 6 arabesques are
composed of a number of
distinct movements which
follow the suite
principle. The melodies
in these 6 arabesques are
influenced by
Mediterranean folk
music. $19.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Variations for Cello and Orchestra op. 5 Violoncelle, Orchestre [Conducteur] Fennica Gehrman
Cello and orchestra SKU: FG.55011-608-5 Variaatioita sellolle ja orkes...(+)
Cello and orchestra
SKU:
FG.55011-608-5
Variaatioita sellolle
ja orkesterille op 5.
Composed by Aulis
Sallinen. Score. Fennica
Gehrman #55011-608-5.
Published by Fennica
Gehrman (FG.55011-608-5).
ISBN
9790550116085. Auli
s Sallinen (b. 1935) is
one of the most famous
Finnish contemporary
composers. In his early
instrumental works,
Sallinen was still
seeking to establish a
style of his own. He had
studied at the Sibelius
Academy in the late
1950s, first with Aarre
Merikanto - a composer
representing a national
brand of Neoclassicism -
and then with Joonas
Kokkonen, at that time
just transitioning from
Neoclassicism to
dodecaphony. Twelve-tone
music had won fairly
widespread acceptance in
contemporary Finn-ish
music, and Sallinen was
influenced, too. The
Variations are Sallinen's
first real work for the
cello - an instrument
that would later be one
of his favourites, its
warm, deep voice
corres-ponding to his
music's often dark
undercurrent.
The Variations for Cello
and Orchestra, Op. 5 were
composed in 1961-1962 and
premiered in October
1962. The basic motif
consists of a set of
three descending
intervals stated by the
cello at the beginning:
D-D flat-F, C-B-G and B
flat-A-F sharp. Their use
as basic material is a
ref-lection of the
composer's
dodecaphony-oriented
period, and variation of
this material provides
the framework for the
piece.
Variations for Cello and
Orchestra are now
published for the first
time. Available are a
reduction for cello and
piano, study score and
complete performance
material with
orchestra. $34.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
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