Woodbrass
Brand:
Dave Smith Instruments
Description from Woodbrass :
OSCILLATORS Two discrete VCOs per voice Continuously variable wave shape (sawtooth and variable-width pulse, plus triangle on oscillator 2) per oscillator Pulse width per oscillator Hard sync: oscillator 1 syncs to oscillator 2 Square wave sub-octave generator (oscillator 1) per voice Low frequency mode (oscillator 2) Keyboard tracking on/off (oscillator 2) Oscillator detune amount for increased tuning instability, from subtle to extreme MIXER Oscillator 1 amount Oscillator 1 sub-octave amount Oscillator 2 amount White noise amount STATE-VARIABLE FILTER Two-pole, resonant, filter per voice with low-pass, high-pass, band-pass, and notch functionality inspired by the original Oberheim SEM filter Bi-polar filter envelope amount Velocity modulation of envelope amount Keyboard tracking: off, half, full FILTER ENVELOPE Four-stage (ADSR) envelope generator Velocity modulation of envelope amount AMPLIFIER ENVELOPE Four-stage (ADSR) envelope generator Velocity modulation of envelope amount LOW FREQUENCY OSCILLATOR Five wave shapes: sine, sawtooth, reverse sawtooth, square, and random (sample and hold) Clock sync (internal or external MIDI clock) Initial amount Mod destinations: oscillator 1 frequency, oscillator 2 frequency, oscillator 1 and 2 pulse width, filter cutoff, filter mode, amp X-MOD Sources: filter envelope (bi-polar) and oscillator 2 (bi-polar) Destinations: oscillator 1 frequency, oscillator 1 shape, oscillator 1 pulse width, filter cutoff, filter mode, normal to bandpass filter AFTERTOUCH Source: channel (mono) aftertouch with bi-polar amount Destinations: oscillator 1 frequency, oscillator 2 frequency, LFO amount, amplifier envelope amount, filter envelope amount, filter mode CLOCK Master clock with tap tempo BPM control and display MIDI clock sync ARPEGGIATOR Selectable note value: 16th note, 8th note triplet, 8th note, dotted 8th note, quarter note One, two, or three octave range Up, down, up/down, random, and assign modes SEQUENCER Polyphonic step sequencer with up to 64 steps and rests EFFECTS Stereo analog distortion Dual, 24-bit, 48 kHz digital effects, including: reverb (room, hall, plate, spring), delay (full bandwidth digital delay and emulated bucket brigade), chorus, flanger, phase shifters, and ring modulator Delay sync True bypass maintains fully analog signal path when digital effects are off PERFORMANCE CONTROLS Full-sized, semi-weighted, 4-octave keyboard with velocity and aftertouch Backlit pitch and mod wheels Spring-loaded pitch wheel with selectable range per program (1 to 12 semitones up and down) Transpose controls for an 8-octave range Hold switch latches held notes on Polyphonic portamento Unison (monophonic) mode with configurable voice count, from one to all six voices, chord memory, and key modes Manual switch: when on, the front panel is live; what you see is what you hear PATCH MEMORY 500 user and 500 factory programs in 10 banks of 100 programs each Direct program access, including single-button access to the current set of 10 programs IN/OUT Left/mono and right audio outputs (2 x 1/4 phone jack) Headphone output (stereo, 1/4 phone jack) MIDI in, out, and thru ports USB for bidirectional MIDI communication Filter cutoff expression pedal input Volume expression pedal input Sustain footswitch input Sequencer start/stop footswitch input POWER IEC AC power inlet for internal power supply Operates worldwide on voltages between 100 and 240 volts at 50 to 60 Hz; 30 watts maximum power consumption PHYSICAL SPECS 31.8 L x 12.7 W x 4.6 H (80.7 cm x 32.3 cm x 11.7 cm) 20 lbs (9.5 kg)
OSCILLATORS Two discrete VCOs per voice Continuously variable wave shape (sawtooth and variable-width pulse, plus triangle on oscillator 2) per oscillator Pulse width per oscillator Hard sync: oscillator 1 syncs to oscillator 2 Square wave sub-octave generator (oscillator 1) per voice Low frequency mode (oscillator 2) Keyboard tracking on/off (oscillator 2) Oscillator detune amount for increased tuning instability, from subtle to extreme MIXER Oscillator 1 amount Oscillator 1 sub-octave amount Oscillator 2 amount White noise amount STATE-VARIABLE FILTER Two-pole, resonant, filter per voice with low-pass, high-pass, band-pass, and notch functionality inspired by the original Oberheim SEM filter Bi-polar filter envelope amount Velocity modulation of envelope amount Keyboard tracking: off, half, full FILTER ENVELOPE Four-stage (ADSR) envelope generator Velocity modulation of envelope amount AMPLIFIER ENVELOPE Four-stage (ADSR) envelope generator Velocity modulation of envelope amount LOW FREQUENCY OSCILLATOR Five wave shapes: sine, sawtooth, reverse sawtooth, square, and random (sample and hold) Clock sync (internal or external MIDI clock) Initial amount Mod destinations: oscillator 1 frequency, oscillator 2 frequency, oscillator 1 and 2 pulse width, filter cutoff, filter mode, amp X-MOD Sources: filter envelope (bi-polar) and oscillator 2 (bi-polar) Destinations: oscillator 1 frequency, oscillator 1 shape, oscillator 1 pulse width, filter cutoff, filter mode, normal to bandpass filter AFTERTOUCH Source: channel (mono) aftertouch with bi-polar amount Destinations: oscillator 1 frequency, oscillator 2 frequency, LFO amount, amplifier envelope amount, filter envelope amount, filter mode CLOCK Master clock with tap tempo BPM control and display MIDI clock sync ARPEGGIATOR Selectable note value: 16th note, 8th note triplet, 8th note, dotted 8th note, quarter note One, two, or three octave range Up, down, up/down, random, and assign modes SEQUENCER Polyphonic step sequencer with up to 64 steps and rests EFFECTS Stereo analog distortion Dual, 24-bit, 48 kHz digital effects, including: reverb (room, hall, plate, spring), delay (full bandwidth digital delay and emulated bucket brigade), chorus, flanger, phase shifters, and ring modulator Delay sync True bypass maintains fully analog signal path when digital effects are off PERFORMANCE CONTROLS Full-sized, semi-weighted, 4-octave keyboard with velocity and aftertouch Backlit pitch and mod wheels Spring-loaded pitch wheel with selectable range per program (1 to 12 semitones up and down) Transpose controls for an 8-octave range Hold switch latches held notes on Polyphonic portamento Unison (monophonic) mode with configurable voice count, from one to all six voices, chord memory, and key modes Manual switch: when on, the front panel is live; what you see is what you hear PATCH MEMORY 500 user and 500 factory programs in 10 banks of 100 programs each Direct program access, including single-button access to the current set of 10 programs IN/OUT Left/mono and right audio outputs (2 x 1/4 phone jack) Headphone output (stereo, 1/4 phone jack) MIDI in, out, and thru ports USB for bidirectional MIDI communication Filter cutoff expression pedal input Volume expression pedal input Sustain footswitch input Sequencer start/stop footswitch input POWER IEC AC power inlet for internal power supply Operates worldwide on voltages between 100 and 240 volts at 50 to 60 Hz; 30 watts maximum power consumption PHYSICAL SPECS 31.8 L x 12.7 W x 4.6 H (80.7 cm x 32.3 cm x 11.7 cm) 20 lbs (9.5 kg)
Mixer
Niveau Oscillateur 1
Niveau Sub-octave oscillateur 1
Niveau Oscillateur 2
Niveau Bruit blanc
FILTRE
Deux pôles, résonance, filtre passe-bas, passe-haut, passe-bande et notch inspiré par le filtre Oberheim SEM originale
Niveau de l'enveloppe de filtre Bi-polaire
Velocity modulation du montant de l'enveloppe
Keyboard : off, Half, Full
Enveloppe du filtre
Enveloppe ADSR
Velocity modulation du niveau de l'enveloppe
Enveloppe d'amplification
ADSR
Velocity modulation du niveau de l'enveloppe
oscillateur basse fréquence (LFO)
Cinq formes d'ondes: sinusoïdale, en dents de scie, en dents de scie incersées, carrée et aléatoire (échantillonnage et de maintien) Inverser
Horloge de synchronisation (horloge MIDI interne ou externe)
Destinations Mod: oscillateur 1 fréquence, oscillateur 2 fréquence, Pulse width de l'oscillateur 1 et 2, cutoff, mode de filtre, ampli.
X-MOD
Sources: enveloppe de filtre (bi-polaire) et oscillateur 2 (bi-polaire)
Destination: oscillateur 1 fréquence, oscillateur 1 forme, oscillateur 1 Pulse width, cutoff, mode de filtre
AFTERTOUCH
Source: canal (mono) aftertouch
Destination: oscillateur 1 fréquence, oscillateur 2 fréquence, intensité de LFO, montant de l'enveloppe de'amplification, niveau de l'enveloppe de filtre, mode de filtre
HORLOGE
Horloge maître avec tap tempo
Contrôle et affichage BPM
MIDI Clock Sync
ARPEGGIATOR
Valeur sélectionnable de la note: 16 note 8 triolet, 8ème note 8 pointée, quart de note
Un, deux, ou trois octaves en étendue.
Mode Haut, bas, haut / bas, aléatoire.
SEQUENCEUR
Séquenceur Polyphoniques pas à pas avec un maximum de 64 pas
EFFETS
Distorsion analogique stéréo
24 bits, effets numériques 48 kHz double, y compris: reverb (room, hall, plate, spring), delay (full bandwidth digital delay and emulated bucket brigade), chorus, flanger, phase shifters, and ring modulator
Retard de synchronisation
Delay sync
True bypass
CONTRÔLES DE PERFORMANCE
Clavier semi-lesté dynamique 4 octaves avec aftertouch
steps rétro-éclairé et molettes de modulation
Molette de pitch assignable de 1 Ã 12 demi tons
Transposition
Glide polyphoniques (portamento)
Mode Unisson
Interrupteur Preset: lorsqu'il est éteint, le panneau avant est en direct; ce que vous voyez est ce que vous entendez.
Mémoire de patch
500 programmes d'utilisateurs et 500 usines.
Le "Direct program Access" vous permet d'accéder à 10 patch en un seul bouton
IN / OUT
Sortie mono et stéréo
Sortie casque (stéréo)
MIDI IN, OUT.
USB pour la communication MIDI
Entrée pédale d'expression
Volume entrée de pédale d'expression
Entrée Pédale Sustain
Entrée Séquenceur start/stop footswitch
PHYSIQUES SPECS
80,7 cm x 32,3 cm x 11,7 cm
9,5 kg
Niveau Oscillateur 1
Niveau Sub-octave oscillateur 1
Niveau Oscillateur 2
Niveau Bruit blanc
FILTRE
Deux pôles, résonance, filtre passe-bas, passe-haut, passe-bande et notch inspiré par le filtre Oberheim SEM originale
Niveau de l'enveloppe de filtre Bi-polaire
Velocity modulation du montant de l'enveloppe
Keyboard : off, Half, Full
Enveloppe du filtre
Enveloppe ADSR
Velocity modulation du niveau de l'enveloppe
Enveloppe d'amplification
ADSR
Velocity modulation du niveau de l'enveloppe
oscillateur basse fréquence (LFO)
Cinq formes d'ondes: sinusoïdale, en dents de scie, en dents de scie incersées, carrée et aléatoire (échantillonnage et de maintien) Inverser
Horloge de synchronisation (horloge MIDI interne ou externe)
Destinations Mod: oscillateur 1 fréquence, oscillateur 2 fréquence, Pulse width de l'oscillateur 1 et 2, cutoff, mode de filtre, ampli.
X-MOD
Sources: enveloppe de filtre (bi-polaire) et oscillateur 2 (bi-polaire)
Destination: oscillateur 1 fréquence, oscillateur 1 forme, oscillateur 1 Pulse width, cutoff, mode de filtre
AFTERTOUCH
Source: canal (mono) aftertouch
Destination: oscillateur 1 fréquence, oscillateur 2 fréquence, intensité de LFO, montant de l'enveloppe de'amplification, niveau de l'enveloppe de filtre, mode de filtre
HORLOGE
Horloge maître avec tap tempo
Contrôle et affichage BPM
MIDI Clock Sync
ARPEGGIATOR
Valeur sélectionnable de la note: 16 note 8 triolet, 8ème note 8 pointée, quart de note
Un, deux, ou trois octaves en étendue.
Mode Haut, bas, haut / bas, aléatoire.
SEQUENCEUR
Séquenceur Polyphoniques pas à pas avec un maximum de 64 pas
EFFETS
Distorsion analogique stéréo
24 bits, effets numériques 48 kHz double, y compris: reverb (room, hall, plate, spring), delay (full bandwidth digital delay and emulated bucket brigade), chorus, flanger, phase shifters, and ring modulator
Retard de synchronisation
Delay sync
True bypass
CONTRÔLES DE PERFORMANCE
Clavier semi-lesté dynamique 4 octaves avec aftertouch
steps rétro-éclairé et molettes de modulation
Molette de pitch assignable de 1 Ã 12 demi tons
Transposition
Glide polyphoniques (portamento)
Mode Unisson
Interrupteur Preset: lorsqu'il est éteint, le panneau avant est en direct; ce que vous voyez est ce que vous entendez.
Mémoire de patch
500 programmes d'utilisateurs et 500 usines.
Le "Direct program Access" vous permet d'accéder à 10 patch en un seul bouton
IN / OUT
Sortie mono et stéréo
Sortie casque (stéréo)
MIDI IN, OUT.
USB pour la communication MIDI
Entrée pédale d'expression
Volume entrée de pédale d'expression
Entrée Pédale Sustain
Entrée Séquenceur start/stop footswitch
PHYSIQUES SPECS
80,7 cm x 32,3 cm x 11,7 cm
9,5 kg
| Seller information : | Woodbrass |
| Place : | Nantes, France |
| Shipping : | Livraison Mondiale |
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