Woodbrass
Brand:
AEA
Description from Woodbrass :
STEREO RIBBON MICROPHONE There is no easier way to track natural stereo than by using a stereo mic. From drum overheads to live concert recordings, the R88 is convenient to use and aesthetically pleasing. The natural soundstage and character of the R88 s Blumlein Stereo makes it a great main mic. An excellent orchestral and choral recording microphone, it shines on applications such as horn sections and drum overheads. The R88 accurately records complex tones such as woodwinds, strings and cymbals. The heart of the R88 are two matched native pressure-gradient ribbon transducers tuned to 16.5 Hz. They are 1.8 micron (7/100,000 inch) thin and match the air s acoustical impedance within 1 dB. This is a Pure Ribbon minimum path design. Only black technical-fabric and stainless steel separate the ribbons from the music. AEA Big Ribbons deliver extended highs and fast transient response without the high-frequency, high-Q resonances characteristic of tightly stretched condenser. They are native figure-8s with exceptional imaging, transient response, and sense of space. The figure-8 pattern is highly useful for controlling bleed and room tone. Appreciated for What You Hear Is What you Get, Blumlein stereo is the most three dimensional coincident recording system. The ribbons are 90 degrees to each other for convenient Blumlein and Mid/Side (M/S) stereo. M/S is an excellent technique for solo instruments and situations needing post-production stereo width control. FEATURES - Polar patterns are consistent at all frequencies whereas directional condenser mics become omnidirectional at lower frequencies - Low frequency response extends down to 20 Hz whereas directional condenser capsules and shorter ribbons roll off and/or eliminate lower frequencies - Blumlein intensity stereo delivers a solid, stable and in-phase soundstage from their front and rear quadrants, with an excellent sense of depth - A properly positioned Blumlein pair also conveys a strong sense of spaciousness, reminiscent of spaced omnis, which we attribute to the left and right and left quadrants being out-of-phase
STEREO RIBBON MICROPHONE There is no easier way to track natural stereo than by using a stereo mic. From drum overheads to live concert recordings, the R88 is convenient to use and aesthetically pleasing. The natural soundstage and character of the R88 s Blumlein Stereo makes it a great main mic. An excellent orchestral and choral recording microphone, it shines on applications such as horn sections and drum overheads. The R88 accurately records complex tones such as woodwinds, strings and cymbals. The heart of the R88 are two matched native pressure-gradient ribbon transducers tuned to 16.5 Hz. They are 1.8 micron (7/100,000 inch) thin and match the air s acoustical impedance within 1 dB. This is a Pure Ribbon minimum path design. Only black technical-fabric and stainless steel separate the ribbons from the music. AEA Big Ribbons deliver extended highs and fast transient response without the high-frequency, high-Q resonances characteristic of tightly stretched condenser. They are native figure-8s with exceptional imaging, transient response, and sense of space. The figure-8 pattern is highly useful for controlling bleed and room tone. Appreciated for What You Hear Is What you Get, Blumlein stereo is the most three dimensional coincident recording system. The ribbons are 90 degrees to each other for convenient Blumlein and Mid/Side (M/S) stereo. M/S is an excellent technique for solo instruments and situations needing post-production stereo width control. FEATURES - Polar patterns are consistent at all frequencies whereas directional condenser mics become omnidirectional at lower frequencies - Low frequency response extends down to 20 Hz whereas directional condenser capsules and shorter ribbons roll off and/or eliminate lower frequencies - Blumlein intensity stereo delivers a solid, stable and in-phase soundstage from their front and rear quadrants, with an excellent sense of depth - A properly positioned Blumlein pair also conveys a strong sense of spaciousness, reminiscent of spaced omnis, which we attribute to the left and right and left quadrants being out-of-phase
Caractéristiques :
•Capsule : Deux rubans de 2 pouces orientés à 90 degrés
•Sensibilité : -52 dBV/Pa
•Réponse en fréquence : 20 Hz-15 kHz ( /- 3 dB)
•Impédance de sortie : 270 Ohms
•Niveau SPL admissible : 165 dB SPL Ã 1 kHz
Caractéristiques générales :
•Deux micros à ruban de grande taille appairés à réponse en huit pour les applications stéréo Blumlein ou MS
•Réponse de 20 Hz à 20 kHz
•Structure antichoc intégrée et câble captif de 4 mètres terminé par deux connecteurs A3M
•Fourni avec pince adaptatrice de verrouillage d•angle pour un positionnement polyvalent
•Conçus pour la suspension en Overhead pour les installations et concerts de grande envergure
•1,4 kg plus le poids du câble
•Diamètre de 6,35 cm et hauteur de 35,5 cm
•Finition noire mat
•Capsule : Deux rubans de 2 pouces orientés à 90 degrés
•Sensibilité : -52 dBV/Pa
•Réponse en fréquence : 20 Hz-15 kHz ( /- 3 dB)
•Impédance de sortie : 270 Ohms
•Niveau SPL admissible : 165 dB SPL Ã 1 kHz
Caractéristiques générales :
•Deux micros à ruban de grande taille appairés à réponse en huit pour les applications stéréo Blumlein ou MS
•Réponse de 20 Hz à 20 kHz
•Structure antichoc intégrée et câble captif de 4 mètres terminé par deux connecteurs A3M
•Fourni avec pince adaptatrice de verrouillage d•angle pour un positionnement polyvalent
•Conçus pour la suspension en Overhead pour les installations et concerts de grande envergure
•1,4 kg plus le poids du câble
•Diamètre de 6,35 cm et hauteur de 35,5 cm
•Finition noire mat
| Seller information : | Woodbrass |
| Place : | Nantes, France |
| Shipping : | Livraison Mondiale |
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