Woodbrass
Brand:
Schoeps
Description from Woodbrass :
The CMIT 5 is SCHOEPS' shotgun microphone which has set a new standard for shotgun microphones since its release. The CMIT 5's directionality increases smoothly with higher frequencies, which results in a very balanced sonic character. In addition to this, the microphone's sound level decreases softly yet steadily for off-axis sounds, allowing these to be recorded neutrally as well as reducing the effects of movement during boom operation. The CMIT 5 also has a much stronger directionality than one might expect from a microphone of its length. If required, the CMIT 5 can also be used for music recordings, for example opera recordings. - unusually low coloration of off-axis sound - suitable for music recording as well as dialogue - rotationally symmetrical polar pattern - even greater immunity to wind noise than a SCHOEPS supercardoid - very lightweight, robust all-metal housing The sound quality of the CMIT 5 remains consistent even if the microphone is rotated on its axis, since its directional pattern is the same in both the vertical and horizontal planes. Three pushbutton-activated filters allow the microphone to adapt to the recording situation: High-frequency emphasis ( 5 dB at 10 kHz) enhances speech intelligibility, and compensates for high-frequency loss caused by windscreens; A steep low-cut filter (18 dB/oct. below 80 Hz) suppresses wind and boom noise; A gentle low-frequency rolloff (6 dB/oct. below 300 Hz) compensates for proximity effect. Pairs of LEDs next to each pushbutton indicate the status of the filters. Even in darkness the user can read the settings and see that the microphone is operational. The settings are retained when the microphone is switched off. The capsule and amplifier of the CMIT 5 are built as a single unit, unlike microphones of the SCHOEPS Colette series.
The CMIT 5 is SCHOEPS' shotgun microphone which has set a new standard for shotgun microphones since its release. The CMIT 5's directionality increases smoothly with higher frequencies, which results in a very balanced sonic character. In addition to this, the microphone's sound level decreases softly yet steadily for off-axis sounds, allowing these to be recorded neutrally as well as reducing the effects of movement during boom operation. The CMIT 5 also has a much stronger directionality than one might expect from a microphone of its length. If required, the CMIT 5 can also be used for music recordings, for example opera recordings. - unusually low coloration of off-axis sound - suitable for music recording as well as dialogue - rotationally symmetrical polar pattern - even greater immunity to wind noise than a SCHOEPS supercardoid - very lightweight, robust all-metal housing The sound quality of the CMIT 5 remains consistent even if the microphone is rotated on its axis, since its directional pattern is the same in both the vertical and horizontal planes. Three pushbutton-activated filters allow the microphone to adapt to the recording situation: High-frequency emphasis ( 5 dB at 10 kHz) enhances speech intelligibility, and compensates for high-frequency loss caused by windscreens; A steep low-cut filter (18 dB/oct. below 80 Hz) suppresses wind and boom noise; A gentle low-frequency rolloff (6 dB/oct. below 300 Hz) compensates for proximity effect. Pairs of LEDs next to each pushbutton indicate the status of the filters. Even in darkness the user can read the settings and see that the microphone is operational. The settings are retained when the microphone is switched off. The capsule and amplifier of the CMIT 5 are built as a single unit, unlike microphones of the SCHOEPS Colette series.
On l•utilise aussi pour la prise de son musicale, par exemple à l•opéra, lorsqu•une directivité plus forte est nécessaire (p. ex. si l•espace est réduit).
- décoloration du son incident latéral remarquablement faible
- convient aussi à la prise de son musicale
- diagramme polaire symétrique en rotation
- moins sensible au vent que la supercardioïde SCHOEPS
- corps en métal très léger
Lorsque qu•on modifie l•orientation du CMIT par rapport à son axe, sa sonorité reste la même du fait de son diagramme polaire identique dans la direction verticale et horizontale (symétrie de rotation).
Trois filtres activés par boutons-poussoirs permettent d•adapter le microphone à tout type de situation:
Le filtre de présence ( 5 dB à 10 KHz) améliore l•intelligibilité des voix et compense la perte d•aigus lors que le microphone est placé dans une bonnette anti-vent.
Le filtre de coupure de basses à pente raide (18 dB/octave en dessous de 80 Hz) supprime les bruits de vent et de perche.
Le filtre de coupure de basse à pente douce (6dB/octave en dessous de 300 Hz) compense l•effet de proximité.
Des DELs situées près des boutons-poussoirs indiquent clairement l•état des filtres, même dans l•obscurité. Les réglages sont mémorisés quand le microphone est débranché.
La capsule (convertisseur acoustique) n•est pas dissociable de l•amplificateur microphonique du CMIT.
- décoloration du son incident latéral remarquablement faible
- convient aussi à la prise de son musicale
- diagramme polaire symétrique en rotation
- moins sensible au vent que la supercardioïde SCHOEPS
- corps en métal très léger
Lorsque qu•on modifie l•orientation du CMIT par rapport à son axe, sa sonorité reste la même du fait de son diagramme polaire identique dans la direction verticale et horizontale (symétrie de rotation).
Trois filtres activés par boutons-poussoirs permettent d•adapter le microphone à tout type de situation:
Le filtre de présence ( 5 dB à 10 KHz) améliore l•intelligibilité des voix et compense la perte d•aigus lors que le microphone est placé dans une bonnette anti-vent.
Le filtre de coupure de basses à pente raide (18 dB/octave en dessous de 80 Hz) supprime les bruits de vent et de perche.
Le filtre de coupure de basse à pente douce (6dB/octave en dessous de 300 Hz) compense l•effet de proximité.
Des DELs situées près des boutons-poussoirs indiquent clairement l•état des filtres, même dans l•obscurité. Les réglages sont mémorisés quand le microphone est débranché.
La capsule (convertisseur acoustique) n•est pas dissociable de l•amplificateur microphonique du CMIT.
| Seller information : | Woodbrass |
| Place : | Nantes, France |
| Shipping : | Livraison Mondiale |
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