Woodbrass
 |  |  |
Brand:
Tascam
Description from Woodbrass :
Four XLR Inputs and a Stereo Mic for Versatile Audio Production The DR-70D from TASCAM is the ultimate audio recording solution for filmmakers. Four balanced XLR mic inputs meet the requirements of production sound, from professional users to indie DSLR shooters. The compact format can be mounted either above or below a camera, and a pair of built-in microphones can capture sound on-set. The interface is designed for quick adjustment, with additional features to keep recording levels under control. Four XLR mic inputs with phantom power are included on the DR-70D, enough to cover busy scenes. The High-Quality HDDA(High Definition Discrete Architecture) Mic Preamps include 64dB of gain for quiet performances, and all four inputs have individual gain controls. Each input has a limiter and low cut filter available for controlling volume. Also included is Dual Recording mode, which records a safety copy of your audio at a lower level to prevent distorted takes. Quality components like 5532 op amps are used throughout for the clearest audio possible. Tracks on the DR-70D are captured to SD card, SDHC or SDXC media up to 128GB cards are supported. The recorder has tripod mounts on the top and bottom of the unit, allowing it to be mounted on a camera, a follow-focus cage, or used standalone. Other production friendly features include a slate tone, low-noise buttons, a powerful headphone output, and standard AA battery power. Uniquely designed for the needs of filmmakers, television producers, advertisers, and documentarians, the DR-70D packs multitrack recording into a package compact enough to use with any camera. Main Features Two built-in omnidirectional mics Two omnidirectional microphones allow easy recording of natural stereo sound without using external mics. Used in combination with one or two other mics, the DR-70D becomes a compact setup for recording interviews and ambient sound at the same time. 4 XLR/TRS combo jacks allow a variety of setups (4) XLR/TRS inputs are built-into the DR-70D. The four-channel design enables combinations of shotgun microphones, lavaliere mics, and the built-in stereo mic to be recorded individually. Channels 1 and 2 can be set to stereo input and channels 3 and 4 can be set to the built-in mics, making a variety of mic configurations possible. MONO/DUAL MONO : Best for recording the audio of a single performer. STEREO/DUAL STEREO : Best for recording with the built-in microphones or a stereo mic. 2MIX/DUAL 2MIX : Creates stereo files of two or more mixed inputs. Dual Recording mode can be used to create a backup file that is simultaneously recorded at a different level to prevent clipping when levels exceed the maximum input. The second track is recorded up to 12dB lower as a safety track to prevent distortion if your input signal overloads, you have a backup that isn't distorted. Built-in 4-in/2-out Mixer Enables 4-channel and Stereo Recording Each fo the four inputs is sent to a stereo mixer. This allows each input to be recorded individually for post production while a stereo mix is sent to headphones and the camera guide track. In addition to pan and level parameters, each input includes a limiter, a low-cut filter, and a delay to adjust for distances between mics. In addition, a mid-side decoding function enables the use of a MS stereo mics. HDDA (High Definition Discrete Architecture) mic preamps Microphone preamps do a lot of work to convert your mic-level signals to recordable levels, so they have a big impact on the quality of the audio that is recorded. The DR-70D uses TASCAM HDDA microphone preamps - created through careful selection of parts. An NE5532 op-amp was selected for its outstanding effect on audio quality. Through a mix of discrete architecture and hand-picked components, TASCAM has achieved an equivalent input noise level of 120 dBu. The A/D converter is made by CIRRUS LOGIC, similar to those used in the TASCAM DR series of linear PCM recorders. This high-quality converter miles better than those included in DSLR cameras ensures quiet, clean audio recording. Audio resolutions up to 96kHz/24-bit are supported. Compact, Rugged Design Can Be Attached Above or Below the Camera The DR-70Ds design is as compact as possible to stay out of the way while filming. The bottom of the unit has tripod screw threads for mounting under your camera or on a follow-focus cage. A removable camera attachment screw and hot shoe for the top of the unit are also included. The DR-70D can be attached in the way most convenient for the user by placing it between a tripod and the camera, or on top of the camera with a hot shoe mount. * Shoe mount adapter included in AK-DR70C (sold separately) is needed when mounting DR-70D on top of the camera. Custom-designed for Video Recording on DSLR cameras To TOP Camera Out Jack for Audio Recording on Both The DR-70D and Camera A stereo mix of your audio is sent to the camera output for later synchronization in your editing software. Simply drop your audio and video into the multi-camera feature of most editing software and audio will be automatically synced. Alternatively, software such as Red Giant Pluraleyes can be used to automatically sync audio and video. The camera output jack can be attenuated down to mic level to prevent overloading the audio input of DSLR cameras. Slate tone generator makes alignment with video files easy The built-in generator can produce slate tones that can be used as references when aligning audio and video. Line up the waveforms when you need perfect sync between audio and video. In addition to being able to produce slate tones when recording starts or when it starts and stops, the SLATE button can be used to add slate tones at any desired point. Automatic insertion : OFF/HEAD (start of recording only)/HEAD TAIL (start and end of recording) Manual insertion : Press and hold the SLATE button to produce a slate tone. 3.5mm Stereo Mini Jack Input Accepts Video Camera Mics The 3.5mm stereo 1-2 input mini jack allows the connection of consumer video camera mics. For example, connect a video camera mic for ambiance to jack 1-2, and shotgun mics to the XLR 3-4 jacks. This unit can supply plug-in power to the microphone and has a maximum input level of 10 dBV. Camera In Jack for Monitoring and Playback The Camera In jack allows playback from your camera to evaluate a take. Either the camer signal or DR-70D can be monitored through the headphones. Features at a glance To TOP - Supports SD/SDHC/SDXC cards - Maximum number of tracks recorded simultaneously: (4) - Recording modes: MONO, STEREO, 2MIX, DUAL MONO, DUAL ST, DUAL 2MIX - Recording formats: 16/24-bit, 44.1k/48k/96k Hz (WAV/BWF) - TASCAM HDDA microphone preamps provide legendary audio performance - Input levels can be adjusted independently - XLR/TRS inputs support 4dBu line level and phantom power (24V/48V) - Supports mics requiring plug-in power, and mics with high output (1-2) - CAMERA OUT jack enables audio mixed on the DR-70D to be output to the camera - CAMERA IN jack allows the DSLR camera audio to be monitored through the DR-70D - High-quality audio output through the line output jack that is independent of the headphones jack - Headphone jack with 20mW 20mW maximum output - Tripod mounting threads (bottom), camera screw attachment and a shoe mount that can be attached and removed with a coin (top) - Handles on the front left and right sides protect the screen and can be used to attach a shoulder strap - Transport and SLATE buttons are made of rubber to prevent handling noise during use - HOLD switch prevents accidental operation - 128x64-pixel graphic LCD with backlight - High-speed transfer of files to a computer using USB 2.0 - Micro-B USB cable included - Operates on (4) AA batteries, with an optional AC adapter (TASCAM PS-P515U) or USB cable provided with the unit (USB bus power). - BP-6AA external battery pack (sold separately) makes operation for even longer times possible - RC-3F footswitch or RC-10 wired remote control (both sold separately) for remote control - Built-in mixer can be used to adjust Pan and Level to mix output of (4) channels - Low-cut filter with five settings (40/80/120/180/220 Hz) to be used to reduce unwanted air-conditioning noise and other low-frequency sounds - Limiter function can automatically adjust excessive input levels (stereo-linking possible for 1/L and 2/R) - Delay function to adjust for distances between mics ( / 150 ms) - Mid-side decoding function enables the use of mid-side stereo mics - Slate tone functions (automatic/manual) - Selectable slate tone insertion points (recording start or recording start and finish when using the automatic slate function) - File name format can be set to use a user-defined word or date - Dual recording function allows two files to be recorded simultaneously at different levels (second file at between 1 dB and 12 dB) - Can start a new file automatically when a maximum file size set in advance is reached to continue recording - Track incrementing function allows a file to be split by creating a new file during recording when desired - Resume function remembers the playback position when the unit is turned off - Mark function allows up to 99 points to be added to a single recording (mark information can be used in software that supports the BWF format)
Four XLR Inputs and a Stereo Mic for Versatile Audio Production The DR-70D from TASCAM is the ultimate audio recording solution for filmmakers. Four balanced XLR mic inputs meet the requirements of production sound, from professional users to indie DSLR shooters. The compact format can be mounted either above or below a camera, and a pair of built-in microphones can capture sound on-set. The interface is designed for quick adjustment, with additional features to keep recording levels under control. Four XLR mic inputs with phantom power are included on the DR-70D, enough to cover busy scenes. The High-Quality HDDA(High Definition Discrete Architecture) Mic Preamps include 64dB of gain for quiet performances, and all four inputs have individual gain controls. Each input has a limiter and low cut filter available for controlling volume. Also included is Dual Recording mode, which records a safety copy of your audio at a lower level to prevent distorted takes. Quality components like 5532 op amps are used throughout for the clearest audio possible. Tracks on the DR-70D are captured to SD card, SDHC or SDXC media up to 128GB cards are supported. The recorder has tripod mounts on the top and bottom of the unit, allowing it to be mounted on a camera, a follow-focus cage, or used standalone. Other production friendly features include a slate tone, low-noise buttons, a powerful headphone output, and standard AA battery power. Uniquely designed for the needs of filmmakers, television producers, advertisers, and documentarians, the DR-70D packs multitrack recording into a package compact enough to use with any camera. Main Features Two built-in omnidirectional mics Two omnidirectional microphones allow easy recording of natural stereo sound without using external mics. Used in combination with one or two other mics, the DR-70D becomes a compact setup for recording interviews and ambient sound at the same time. 4 XLR/TRS combo jacks allow a variety of setups (4) XLR/TRS inputs are built-into the DR-70D. The four-channel design enables combinations of shotgun microphones, lavaliere mics, and the built-in stereo mic to be recorded individually. Channels 1 and 2 can be set to stereo input and channels 3 and 4 can be set to the built-in mics, making a variety of mic configurations possible. MONO/DUAL MONO : Best for recording the audio of a single performer. STEREO/DUAL STEREO : Best for recording with the built-in microphones or a stereo mic. 2MIX/DUAL 2MIX : Creates stereo files of two or more mixed inputs. Dual Recording mode can be used to create a backup file that is simultaneously recorded at a different level to prevent clipping when levels exceed the maximum input. The second track is recorded up to 12dB lower as a safety track to prevent distortion if your input signal overloads, you have a backup that isn't distorted. Built-in 4-in/2-out Mixer Enables 4-channel and Stereo Recording Each fo the four inputs is sent to a stereo mixer. This allows each input to be recorded individually for post production while a stereo mix is sent to headphones and the camera guide track. In addition to pan and level parameters, each input includes a limiter, a low-cut filter, and a delay to adjust for distances between mics. In addition, a mid-side decoding function enables the use of a MS stereo mics. HDDA (High Definition Discrete Architecture) mic preamps Microphone preamps do a lot of work to convert your mic-level signals to recordable levels, so they have a big impact on the quality of the audio that is recorded. The DR-70D uses TASCAM HDDA microphone preamps - created through careful selection of parts. An NE5532 op-amp was selected for its outstanding effect on audio quality. Through a mix of discrete architecture and hand-picked components, TASCAM has achieved an equivalent input noise level of 120 dBu. The A/D converter is made by CIRRUS LOGIC, similar to those used in the TASCAM DR series of linear PCM recorders. This high-quality converter miles better than those included in DSLR cameras ensures quiet, clean audio recording. Audio resolutions up to 96kHz/24-bit are supported. Compact, Rugged Design Can Be Attached Above or Below the Camera The DR-70Ds design is as compact as possible to stay out of the way while filming. The bottom of the unit has tripod screw threads for mounting under your camera or on a follow-focus cage. A removable camera attachment screw and hot shoe for the top of the unit are also included. The DR-70D can be attached in the way most convenient for the user by placing it between a tripod and the camera, or on top of the camera with a hot shoe mount. * Shoe mount adapter included in AK-DR70C (sold separately) is needed when mounting DR-70D on top of the camera. Custom-designed for Video Recording on DSLR cameras To TOP Camera Out Jack for Audio Recording on Both The DR-70D and Camera A stereo mix of your audio is sent to the camera output for later synchronization in your editing software. Simply drop your audio and video into the multi-camera feature of most editing software and audio will be automatically synced. Alternatively, software such as Red Giant Pluraleyes can be used to automatically sync audio and video. The camera output jack can be attenuated down to mic level to prevent overloading the audio input of DSLR cameras. Slate tone generator makes alignment with video files easy The built-in generator can produce slate tones that can be used as references when aligning audio and video. Line up the waveforms when you need perfect sync between audio and video. In addition to being able to produce slate tones when recording starts or when it starts and stops, the SLATE button can be used to add slate tones at any desired point. Automatic insertion : OFF/HEAD (start of recording only)/HEAD TAIL (start and end of recording) Manual insertion : Press and hold the SLATE button to produce a slate tone. 3.5mm Stereo Mini Jack Input Accepts Video Camera Mics The 3.5mm stereo 1-2 input mini jack allows the connection of consumer video camera mics. For example, connect a video camera mic for ambiance to jack 1-2, and shotgun mics to the XLR 3-4 jacks. This unit can supply plug-in power to the microphone and has a maximum input level of 10 dBV. Camera In Jack for Monitoring and Playback The Camera In jack allows playback from your camera to evaluate a take. Either the camer signal or DR-70D can be monitored through the headphones. Features at a glance To TOP - Supports SD/SDHC/SDXC cards - Maximum number of tracks recorded simultaneously: (4) - Recording modes: MONO, STEREO, 2MIX, DUAL MONO, DUAL ST, DUAL 2MIX - Recording formats: 16/24-bit, 44.1k/48k/96k Hz (WAV/BWF) - TASCAM HDDA microphone preamps provide legendary audio performance - Input levels can be adjusted independently - XLR/TRS inputs support 4dBu line level and phantom power (24V/48V) - Supports mics requiring plug-in power, and mics with high output (1-2) - CAMERA OUT jack enables audio mixed on the DR-70D to be output to the camera - CAMERA IN jack allows the DSLR camera audio to be monitored through the DR-70D - High-quality audio output through the line output jack that is independent of the headphones jack - Headphone jack with 20mW 20mW maximum output - Tripod mounting threads (bottom), camera screw attachment and a shoe mount that can be attached and removed with a coin (top) - Handles on the front left and right sides protect the screen and can be used to attach a shoulder strap - Transport and SLATE buttons are made of rubber to prevent handling noise during use - HOLD switch prevents accidental operation - 128x64-pixel graphic LCD with backlight - High-speed transfer of files to a computer using USB 2.0 - Micro-B USB cable included - Operates on (4) AA batteries, with an optional AC adapter (TASCAM PS-P515U) or USB cable provided with the unit (USB bus power). - BP-6AA external battery pack (sold separately) makes operation for even longer times possible - RC-3F footswitch or RC-10 wired remote control (both sold separately) for remote control - Built-in mixer can be used to adjust Pan and Level to mix output of (4) channels - Low-cut filter with five settings (40/80/120/180/220 Hz) to be used to reduce unwanted air-conditioning noise and other low-frequency sounds - Limiter function can automatically adjust excessive input levels (stereo-linking possible for 1/L and 2/R) - Delay function to adjust for distances between mics ( / 150 ms) - Mid-side decoding function enables the use of mid-side stereo mics - Slate tone functions (automatic/manual) - Selectable slate tone insertion points (recording start or recording start and finish when using the automatic slate function) - File name format can be set to use a user-defined word or date - Dual recording function allows two files to be recorded simultaneously at different levels (second file at between 1 dB and 12 dB) - Can start a new file automatically when a maximum file size set in advance is reached to continue recording - Track incrementing function allows a file to be split by creating a new file during recording when desired - Resume function remembers the playback position when the unit is turned off - Mark function allows up to 99 points to be added to a single recording (mark information can be used in software that supports the BWF format)
Deux microphones intégrés
Les deux microphones omnidirectionnels permettent d•enregistrer en stéréo avec un grand naturel sonore, sans rien ajouter à l•appareil. En ajoutant de petits micros canon, vous pouvez même enregistrer simultanément des personnes en interview et le son d•ambiance, sur différentes pistes, avec une configuration très compacte.
Les quatre connecteurs Combo (XLR/jack TRS) utilisés en entrée assurent une grande polyvalence de configuration.
Les quatre pistes disponibles permettent d•utiliser simultanément deux micros canon et le couple stéréo intégré afin d•enregistrer séparément l•ambiance et chaque personne qui parle. Comme les canaux d•entrée 1 et 2 peuvent être affectés à une entrée stéréo et les canaux 3 et 4 au micro intégré, vous pouvez utiliser une grande diversité de configurations de microphones.
• Mode MONO/DUAL MONO : Le plus adapté à l•enregistrement d•un seul musicien.
• Mode STEREO/DUAL STEREO : Le plus adapté à l•enregistrement avec le microphone intégré ou un microphone stéréo.
• Mode 2MIX/DUAL 2MIX : Crée des fichiers stéréo à partir des signaux des différentes entrées mixées.
Mixeur intégré avec 4 entrées et 2 sorties
Le mixeur permet de gérer jusqu•Ã 4 canaux correspondant aux 4 entrées sur XLR compatibles Alimentation fantôme, l•entrée sur mini-jack stéréo et le micro stéréo intégré. Outre le réglage de panoramique et de niveau, l•enregistreur offre un limiteur, un filtre passe-bas à 5 positions et un délai permettant de compenser les distances entre micros. De plus, une fonction de décodage MS permet d•utiliser un couple de microphones dans cette configuration (Mid-Side).
Haute qualité audio grâce aux préamplis micro HDDA
Les circuits des préamplis micro, qui reçoivent et amplifient les signaux au niveau microphone, exercent une influence prépondérante sur la qualité audio de l•enregistrement final. Le DR-70D utilise des préamplis micro basés sur la technologie propriétaire Tascam HDDA (High Definition Discrete Architecture), implémentée avec des composants sélectionnés avec soin. Par exemple, nous avons choisi un circuit intégré Texas Instruments NE5532 comme amplificateur opérationnel, ce qui améliore considérablement la qualité audio. Le circuit de préamplification micro est basé sur une architecture discrète et utilise des composants sélectionnés avec soin, ce qui permet d•atteindre un niveau de bruit équivalent en entrée (EIN) de -120 dBu.
Les convertisseurs A/N sont de marque Cirrus Logic, et sont les équivalents de ceux utilisés dans nos enregistreurs PCM linéaires de la gamme DR, très appréciés des utilisateurs. Résolution maximale d•enregistrement : 96 kHz/24 bits.
Conception compacte et robuste
Les concepteurs du DR-70D ont mis l•accent sur la compacité, de façon à éviter toute gêne sur l•appareil photo lorsqu•il est fixé sur un support ou un stabilisateur. L•appareil dispose d•un insert fileté pour trépied sur sa base, et d•une fixation pour appareil photo amovible en haut. Un dispositif de montage sur sabot est également prévu : vous pouvez donc fixer l•enregistreur de la façon la plus pratique pour vous, en l•intercalant entre le trépied et la caméra ou en l•insérant dans un sabot en haut de l•appareil photo.
• Filetage pour pied (pas ¼ de pouce) sur le fond, pour fixation de l'appareil sur trépied
• Support spécial DSLR, pour mise en place et démontage facile sur l'appareil photo
• Montage sur sabot (accessible si le support DSLR n'est pas utilisé)
• Poignées sur les côtés avant gauche et droit, protégeant l'écran et utilisables pour fixer une sangle d'épaule
Entrée et sortie appareil photo
Le DR-70D offre une entrée pour appareil photo, permettant d•Ã©couter le signal audio provenant de l•appareil photo DSLR. La fonction de sélection d•Ã©coute du DR-70D permet de vérifier le signal audio provenant non seulement du DR-70D, mais aussi de l•appareil photo DSLR.
La sortie pour appareil photo renvoie le signal audio mixé à l•appareil photo : vous pouvez donc enregistrer le même signal sur le DR-70D et sur l•appareil photo. Comme le niveau nominal d•entrée de l•appareil photo varie d•une marque à l•autre, et que l•appareil photo lui-même ne dispose généralement pas de réglage facile de gain d•entrée, le DR-70D offre une molette de niveau de sortie, afin de faciliter le réglage.
Générateur de fréquences (Slate) pour alignement facile avec les fichiers vidéo
Le générateur intégré permet de produire des fréquences (Slate) de référence pour l•alignement ultérieur du son et de l•image. Ces fréquences sont générées en début et/ou en fin d•enregistrement, et la touche SLATE permet d•en ajouter à n•importe quel moment.
• Insertion automatique : en début d•enregistrement uniquement, ou en début et fin d•enregistrement
• Insertion manuelle : chaque appui sur la touche SLATE génère une fréquence Slate.
Fonctionnalités principales
• Enregistreur audio compact de qualité professionnelle, conçu pour une utilisation avec un appareil réflex numérique (DSLR)
• Utilise comme support d'enregistrement une carte SD/SDHC/SDXC (capacité : jusqu'à 128 Go)
• Circuits d'entrée assurant un enregistrement de haute qualité, grâce à la technologie de préamplis micro HDDA (High Definition Discrete Architecture), exclusivité Tascam
• Amplificateurs opérationnels NE5532 (identiques à ceux utilisés sur le DA-3000), pour des performances audio exceptionnelles
• En plus de l'enregistrement stéréo ordinaire, il est possible d'enregistrer simultanément quatre canaux
• Mixage des quatre canaux sous forme de signal stéréo
• Réglage de niveau d'enregistrement indépendant sur les entrées 1 à 4
• Fonction Dual Recording (« enregistrement en double »), permettant d'enregistrer simultanément le même signal à deux niveaux différents, sous la forme de deux fichiers distincts
• Enregistrement à une fréquence d'échantillonnage de 44,1/48/96 kHz, résolution numérique 16/24 bits, PCM linéaire (format WAV)
• Prise en charge du format BWF (Broadcast Wave Format) comme format d'enregistrement WAV
• Deux microphones omnidirectionnels intégrés
• Les 4 entrées sur Combo (XLR/jack) peuvent fournir une tension d'alimentation fantôme ( 24 V / 48 V)
• Niveau maximal d'entrée : 24 dBu (réserve dynamique : 20 dB)
• Entrée asymétrique supplémentaire pour les canaux 1 et 2 (sur mini-jack 3,5 mm), compatible avec les microphones demandant une tension d'alimentation de type « plug-in », ce qui permet d'utiliser des micros vidéo et autres microphones de niveau de sortie élevé
• Filtre passe-haut réglable (fréquence de coupure 40, 80 ou 120 Hz), afin d'atténuer les bruits parasites dans le grave
• Limiteur commutable afin d'éviter tout écrêtage
• Transmission du signal audio vers un appareil photo numérique, pour enregistrement
• Entrée « Camera », permettant d'enregistrer le son témoin provenant de l'appareil photo numérique
• Décodage MS commutable, pour utilisation avec couple de micros de type Mid-Side
• Fonction « Slate Tone » (automatique/manuelle) simplifiant la synchronisation des fichiers vidéo lors du montage
• Possibilité de créer un nouveau fichier pendant l'enregistrement, manuellement ou selon la taille du fichier audio
• Délai réglable, éliminant le décalage temporel provoqué par les différences de distance entre deux sources sonores
• Touche QUICK, facilitant l'accès à différentes fonctions
• Fonction Mark, pratique pour aller directement à tel ou tel emplacement du fichier
• Égaliseurs en lecture, et fonction d'alignement de niveau pour optimiser la sensation de niveau sonore subjectif
• Format de nom de fichier configurable pour utiliser un mot de base défini par l'utilisateur, ou la date
• Fonction Resume, mémorisant l'endroit où la lecture a été suspendue avant extinction de l'appareil
• Sortie ligne et sortie casque séparées, sur mini-jack 3,5 mm, avec réglages de niveaux distincts
• Jack Remote dédié, pour utilisation de télécommande RC-10 ou RC-3F (vendue séparément)
• Touche Hold, verrouillant les commandes afin d'éviter toute sollicitation accidentelle
• Touches silencieuses
• Affichage sur écran à cristaux liquides 128 x 64 pixels rétro-éclairé
• Port USB 2.0
• Filetage pour pied (pas ¼ de pouce) sur le fond, pour fixation de l'appareil sur trépied
• Support spécial DSLR, pour mise en place et démontage facile sur l'appareil photo
• Montage sur sabot (accessible si le support DSLR n'est pas utilisé)
• Poignées sur les côtés avant gauche et droit, protégeant l'écran et utilisables pour fixer une sangle d'épaule
• Alimentation par 4 piles de type AA (LR06), adaptateur secteur (référence TASCAM PS-P515U, vendu séparément), pack batterie externe (TASCAM BP-6AA, vendu séparément) ou tension d'alimentation via bus USB
Généralités
Support d•enregistrement Cartes SD (64 Mo • 2 Go)
Carte SDHC (4•32 Go)
Carte SDXC (64•128 Go)
Formats d•enregistrement/lecture WAV : 44,1/48/96 kHz, 16/24 bits
BWF : 44,1/48/96kHz, 16/24 bits
Nombre de canaux 4 max. (stéréo × 2)
| Seller information : | Woodbrass |
| Place : | Nantes, France |
| Shipping : | Livraison Mondiale |
SIMILAR ITEMS
