FLUTEBach, Johann Sebastian
"Sonate en trio" Mouvement II, Andante en mi mineur (BWV 528) pour flûte et piano
Bach, Johann Sebastian - "Trio Sonata" in E Minor Movement II Andante (BWV 528) for Flute & Piano
Flute and Piano
ViewPDF : Sonata en trio IV (2-Andante) (8 pages - 154.85 Ko)2,861x
ViewPDF : JS Bach -- Sonata en trio IV (2-Andante) Piano Part (116.01 Ko)
ViewPDF : JS Bach -- Sonata en trio IV (2-Andante) Flute Part (104.73 Ko)
MP3 : principal audio (104.73 Ko)739x 6,215x
Andante de la
MP3 (3.61 Mo) : (by Magatagan, Michael)298x 585x
Andante de la
MP3 (3.6 Mo) : (by Magatagan, Michael)287x 364x
MP3
Vidéo :
Composer :
Johann Sebastian Bach
Bach, Johann Sebastian (1685 - 1750)
Instrumentation :

Flute and Piano

  3 other versions
Style :

Baroque

Arranger :
MAGATAGAN, MICHAEL (1960 - )
Publisher :MAGATAGAN, MICHAEL
Copyright :Public Domain
Other title :Triosonate IV In E-Molll (BWV 528)
Added by magataganm, 17 Mar 2012

The trio sonata is a musical form that was popular in the 17th and early 18th centuries.

A trio sonata is written for two solo melodic instruments and basso continuo, making three parts in all, hence the name trio sonata. However, because the basso continuo is usually made up of at least two instruments (typically a cello or bass viol and a keyboard instrument such as the harpsichord).

It is generally accepted that Johann Sebastian Bach wrote his six Sonatas for Organ for his eldest son, Wilhelm Friedemann Bach, as the not always reliable W.F. often asserted. There is no strong reason to disbelieve it, for they appeared at about the right time and, moreover, are teaching pieces par excellence. There is a world of difference between the familiar Bach organ works in the mold of the various preludes or toccatas and fugues and the Six Sonatas. Compared to those works, these Sonatas are light, transparent in texture, never concerned with display or Baroque flamboyance. They are Trio-Sonatas, works in three voices, irrespective of how many actual players were needed. The voices in these works are independent: one in either hand, the third on the pedals. Ordinarily, each hand plays on its own manual. Thus, the Sonatas test and cultivate the student's physical and mental ability to coordinate all these separate motions of hands and feet, the interpretive ability to project each voice equally and clearly to the audience, and the musical ability to make them meaningful.

Although originally created for organ, I adapted this work for alto flute and piano. This (fourth) Sonata is written in the form of a concerto for organ and is a transcription of a sinfonia of the cantata Die Himmel erzählen die Ehre Gottes, BWV 76 (1723). The slow (second) movement seems to have originated as a separate piece.
Sheet central :Sonate en trio No.4 en mi mineur (18 sheet music)
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By flamen, at 23:37
flamen

Beautiful arrangement, as always!
magataganm Owner , 16 Jul 2019 at 12:11
Thank you!

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