VIOLIN - FIDDLEBach, Johann Sebastian
Sonata IV in E Minor for String Trio
Bach, Johann Sebastian - Sonata IV in E Minor for String Trio
BWV 528
String Trio: Violon, Viola, Cello
ViewPDF : Sonata IV in E Minor (BWV 528) for String Trio (12 pages - 317.19 Ko)887x
MP3 : Sonata IV in E Minor (BWV 528) for String Trio 157x 1,245x
MP3
Vidéo :
Composer :
Johann Sebastian Bach
Bach, Johann Sebastian (1685 - 1750)
Instrumentation :

String Trio: Violon, Viola, Cello

Style :

Baroque

Arranger :
MAGATAGAN, MICHAEL (1960 - )
Publisher :MAGATAGAN, MICHAEL
Copyright :Public Domain
Added by magataganm, 15 Mar 2015

It is generally accepted that Johann Sebastian Bach wrote his six Sonatas for Organ for his eldest son, Wilhelm Friedemann Bach, as the not always reliable W.F. often asserted. There is no strong reason to disbelieve it, for they appeared at about the right time and, moreover, are teaching pieces par excellence. There is a world of difference between the familiar Bach organ works in the mold of the various preludes or toccatas and fugues and the Six Sonatas. Compared to those works, these Sonatas are light, transparent in texture, never concerned with display or Baroque flamboyance. They are Trio-Sonatas, works in three voices, irrespective of how many actual players were needed. The voices in these works are independent: one in either hand, the third on the pedals. Ordinarily, each hand plays on its own manual. Thus, the Sonatas test and cultivate the student's physical and mental ability to coordinate all these separate motions of hands and feet, the interpretive ability to project each voice equally and clearly to the audience, and the musical ability to make them meaningful.

This (fourth) Sonata is written in the form of a concerto for organ. The first movement is a Vivace preceded by a short slow introduction. It is a transcription of a sinfonia of the cantata Die Himmel erzählen die Ehre Gottes, BWV 76 (1723). This number was already a trio for oboe d'amore, viola, and bass line. It is in a ritornello form, with a lively main episode interspersed with contrasting sections. The slow (second) movement seems to have originated as a separate piece. The concluding (Un Poco Allegro) section is vigorous and tests coordination by throwing in triplets that cross hands on Keyboard as well as on flute.

Source: Almusic.com (http://www.allmusic.com/composition/trio-sonata-for-or gan-no-4-in-e-mino...).

I created this arrangement for String Trio (Violin, Viola & Cello).
Sheet central :Sonate en trio No.4 en mi mineur (18 sheet music)
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