Micheline Cumant (1948 - ) France , Courbevoie I am cellist, and began by composing for the teaching. I worked for research in early and baroque music and practised the recorder then the viola da gamba, and was brought to write arrangements of ancient works. As said it Arnold Schoenberg (at the end of his life): " there is some more of good music to be written in major C "... Of course, it is a joke! But, as for me, although having practised the contemporary music and having been a fan of the IRCAM, I compose in a "less cerebral" style and prefer that we find it "attractive" rather than "innovator". I like particularly the music of the XVIe century, the organ and the theme music (after Bach-Beethoven-Brahms, Ennio Morricone, John Williams and Nino Rota ...). (Hide extended text) ... (Read all) More information
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Informations of Micheline Cumant
My scores on "Sheet Music Plus"
My last novel
Mozart - 2 Small Sonatas K46 d-e for violin and cello
Dédicace au salon Livre Paris
Written on 2017-03-20 by micheline Le Dimanche 26 Mars à
partir de 14 heures, je
dédicacerai mon roman
https://michelinecumant.blogsp
ot.fr/
Violoncello Method 1 & 2
Written on 2016-11-02 by micheline Recently published :
"Cahiers du Jeune
Violoncelliste" de
Micheline Cumant. Volume 1 :
First position without
extensions, Volume 2 : First
Position with extensions.
Editions Books On Demand
My blog
Sonate pour 2 violoncelles en ut Majeur
Classical Music-Small Guide of Great Composers
Written on 2015-03-02 by micheline "I like this music ! But
who is this composer ? When
did he live ?" For all
persones who want to have a
very small dictionary on
Tablet, PC, reader,
smartphone, iPhone ... and who
don't want to carry
always a big dictionary ...
Amazon - Oeuvres de Micheline
Cumant - Kindle
The violin in 18th century
Written on 2015-02-01 by micheline This score contains the method
by Michel Corrette and
pièces extracts from
studies by the composers of
the same period. The pupils
may learn the style of the
barock and classic music
during the first years. www.bod.com
Publication
Written on 2014-06-21 by micheline Henry Purcell (1659-1695)
leaves a very important work
whose five entitled
"Pavanes" above for
2 or 3 treble and bass. They
follow a particular pattern,
analyzed here. In addition,
their performance must obey
the rules of interpretation of
baroque music, which should
not be played as it is
written, the notation is not
really fixed. Rhythms and
ornamentation obey rules but
are not immutable: the musical
sense prevails.
France, Courbevoie
micheline
