Rodrigo de Ceballos (c.1525 - c.1581) was a Spanish
composer. He was born in Aracena (Huelva), and was
ordained a priest in Seville in 1556. He was named
maestro di cappella in Málaga in 1554, in the
cathedral of Córdoba in 1556, and in Royal Chapel of
Granada in 1561 until is death in 1581.
He is among the composers of the Andalusian school,
alongside better-known composers such as Francisco
Guerrero (who, with Pedro Fernández de Castilleja,
gave him his holy orders) or Cristobal de...(+)
Rodrigo de Ceballos (c.1525 - c.1581) was a Spanish
composer. He was born in Aracena (Huelva), and was
ordained a priest in Seville in 1556. He was named
maestro di cappella in Málaga in 1554, in the
cathedral of Córdoba in 1556, and in Royal Chapel of
Granada in 1561 until is death in 1581.
He is among the composers of the Andalusian school,
alongside better-known composers such as Francisco
Guerrero (who, with Pedro Fernández de Castilleja,
gave him his holy orders) or Cristobal de Morales. His
polyphonic works, preserved in various Spanish and
Latin American cathedrals and monasteries, are often
confused with those of Francisco de Ceballos, who was
maestro at Burgos Cathedral from 1535 to his death in
1571.
79 works of Rodrigo's are known to survive; these
include 39 motets, three masses, eight psalms for
Vespers, six hymns, eight settings of the Magnificat, a
set of complets, and seven secular pieces.
Source: Wikipedia
(https://en.wikipedia.org/wiki/Rodrigo_de_Ceballos)
Although originally written for Chorus (ATTB), I
created this Interpretation of the "Clamabat autem
mulier Chananaea" for Woodwind Quartet (Flute, Oboe,
English Horn & Bassoon).