Free-scores.com : Haendel, Georg Friedrich - Chandos Anthem No. 2 in D Minor for Winds & Strings (Vents & Orchestre Cordes)

CRITÈRES : In the Lord put I my trust; Chandos Anthem No. 2, HWV 247 (1) (Haendel, Georg Friedrich)

ORCHESTRE › Haendel, Georg Friedrich

Chandos Anthem No. 2 in D Minor for Winds & Strings
HWV 247
Georg Friedrich Haendel
Vents & Orchestre Cordes

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VoirPDF : Chandos Anthem No. 2 in D Minor (HWV 247) for Winds & Strings (92 pages - 1.95 Mo)96x⬇

VoirPDF : Violoncelle (185.19 Ko)

VoirPDF : Alto (192.47 Ko)

VoirPDF : Basson (175.37 Ko)

VoirPDF : French Cor (178.67 Ko)

VoirPDF : Hautbois (194.84 Ko)

VoirPDF : Violon 1 (211.1 Ko)

VoirPDF : Violon 2 (208.69 Ko)

VoirPDF : Flûte (199.23 Ko)

VoirPDF : Conducteur complet (907.05 Ko)

MP3 : Chandos Anthem No. 2 in D Minor (HWV 247) for Winds & Strings 30x⬇ 54x

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Vidéo :

Compositeur	Haendel, Georg Friedrich (1685 - 1759)
Instrumentation	Vents & Orchestre Cordes
Genre	Baroque
Tonalité :	Ré mineur
Arrangeur Editeur	MAGATAGAN, MICHAEL (1960 - )
Droit d'auteur	Public Domain
	Ajoutée par magataganm, 24 Déc 2022
Georg Friedrich Händel (1685 – 1759) was a German, later British, baroque composer who spent the bulk of his career in London, becoming well known for his operas, oratorios, anthems, and organ concertos. Handel received important training in Halle and worked as a composer in Hamburg and Italy before settling in London in 1712; he became a naturalised British subject in 1727. He was strongly influenced both by the great composers of the Italian Baroque and by the middle-German polyphonic chora...(+) Georg Friedrich Händel (1685 – 1759) was a German, later British, baroque composer who spent the bulk of his career in London, becoming well known for his operas, oratorios, anthems, and organ concertos. Handel received important training in Halle and worked as a composer in Hamburg and Italy before settling in London in 1712; he became a naturalised British subject in 1727. He was strongly influenced both by the great composers of the Italian Baroque and by the middle-German polyphonic choral tradition. Chandos Anthems, HWV 246–256, is the common name of a set of anthems written by George Frideric Handel. These sacred choral compositions number eleven; a twelfth of disputed authorship is not considered here. The texts are psalms and combined psalm verses in English. Handel wrote the anthems as composer in residence at Cannons, the court of James Brydges, who became the First Duke of Chandos in 1719. His chapel was not yet finished, and services were therefore held at St Lawrence in Whitchurch. The scoring is intimate, in keeping with the possibilities there. Some of the anthems rely on earlier works, and some were later revised for other purposes. Ten of the anthems were published in 1748. With a leading Jubilate, an additional closing anthem in different scoring, and in different order, they were published in the Samuel Arnold edition of Handel's works. In the Hallische Händel-Ausgabe, anthems 1 to 11 are titled Anthems for Cannons. Carus-Verlag published an edition in 2009, calling them Cannons Anthems. No. 2 (HWV 247) "In the LORD put I my trust" was transcribed for orchestra by Edward Elgar in 1923 as the Overture in D minor, and by Stokowski in 1924. It is based on Psalms 9, 11, 12, & 13 (NVP). Source: Wikipedia (https://en.wikipedia.org/wiki/Chandos_Anthems). Although originally written for Voice (STB), Violins, Oboes & Basso Continuo (Cello, Bassoon & Bass), I created this Interpretation of the Chandos Anthem No. 2 in D Minor (HWV 247) for Winds (Flute, Oboe, French Horn & Bassoon) & Strings (2 Violins, Viola & Cello).

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