 | Haendel, Georg Friedrich - "Utrecht Te Deum" in D Major for Winds & Strings HWV 278 Part 1 Vents & Orchestre Cordes |
VoirPDF : "Utrecht Te Deum" in D Major (HWV 278 Part 1) for Winds & Strings (73 pages - 1.46 Mo)416x⬇ VoirPDF : Basson (133.65 Ko) VoirPDF : Violoncelle (163.39 Ko) VoirPDF : Alto (148.16 Ko) VoirPDF : Violon 1 (182.57 Ko) VoirPDF : Violon 2 (168.69 Ko) VoirPDF : Flûte (130.09 Ko) VoirPDF : French Cor (138.38 Ko) VoirPDF : Hautbois (128.18 Ko) VoirPDF : Conducteur complet (767.31 Ko) MP3 : "Utrecht Te Deum" in D Major (HWV 278 Part 1) for Winds & Strings 92x⬇ 1077x
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| Compositeur : | Haendel, Georg Friedrich (1685 - 1759) | ||||
| Instrumentation : | Vents & Orchestre Cordes | ||||
| Genre : | Baroque | ||||
| Tonalité : | Ré majeur | ||||
| Arrangeur : Editeur : | MAGATAGAN, MICHAEL (1960 - ) | ||||
| Droit d'auteur : | Public Domain | ||||
| Ajoutée par magataganm, 08 Janv 2018 George Frideric (or Frederick) Handel (1685 – 1759) was a German, later British, baroque composer who spent the bulk of his career in London, becoming well known for his operas, oratorios, anthems, and organ concertos. Handel received important training in Halle and worked as a composer in Hamburg and Italy before settling in London in 1712; he became a naturalised British subject in 1727. He was strongly influenced both by the great composers of the Italian Baroque and by the middle-German polyphonic choral tradition. Born the same year as Johann Sebastian Bach and Domenico Scarlatti, Handel is regarded as one of the greatest composers of the Baroque era, with works such as Water Music, Music for the Royal Fireworks and Messiah remaining steadfastly popular. One of his four Coronation Anthems, Zadok the Priest (1727), composed for the coronation of George II, has been performed at every subsequent British coronation, traditionally during the sovereign's anointing. Another of his English oratorios, Solomon (1748), has also remained popular, with the Sinfonia that opens act 3 (known more commonly as "The Arrival of the Queen of Sheba") featuring at the 2012 London Olympics opening ceremony. Handel composed more than forty operas in over thirty years, and since the late 1960s, with the revival of baroque music and historically informed musical performance, interest in Handel's operas has grown. Utrecht Te Deum and Jubilate is the common name for a sacred choral composition in two parts, written by George Frideric Handel to celebrate the Treaty of Utrecht, which established the Peace of Utrecht in 1713, ending the War of the Spanish Succession. He composed a Te Deum, HWV 278, and a Jubilate Deo (Psalm 100), HWV 279. The combination of the two texts in English follows earlier models. The official premiere of the work was on 13 July 1713 in a service in St Paul's Cathedral in London. Handel's composition was written to celebrate the Peace of Utrecht in 1713. It was his first commission from the British royal family and established his career in London. It was also his first major sacred work to English texts. Handel followed the models of Henry Purcell's 1694 Te Deum and Jubilate with strings and trumpets, which was regularly performed for official functions in St Paul's even after the composer's death, and a 1709 setting by William Croft. As in these models, Handel composed a combination of two liturgical texts, the Ambrosian Hymn Te Deum, We praise thee, O God, and a setting of Psalm 100, O be joyful in the Lord, all ye lands, which is a regular canticle of the Anglican Morning Prayer. He followed the version of the Book of Common Prayer. Handel's work was first performed in a public dress rehearsal on 5 March 1713 in St Paul's Cathedral. The official premiere took place after the tedious peace negotiations had finished, in a solemn thanksgiving service on 7 July 1713. The Te Deum and Jubilate, along with another composition As Pants the Hart, earned Handel a yearly income from Queen Anne's Court. Donald Burrows writes in "Handel and the English Chapel Royal" that "his close association with the Court, reinforced by his musical contribution to events that were personal to the royal family, gave him both the benefits and the disadvantages of identification with the Hanoverian establishment." However, at the time his annual pension was granted it would not have been obvious that he was going to continue to enjoy the favour of the future George I, who was in fact opposed to the Treaty of Utrecht. Handel arranged the Jubilate in about 1717/18 for the Duke of Chandos. Te Deum and Jubilate was performed in St Paul's for the annual Festival of the Sons of the Clergy, alternating with Purcell's work, until 1743 when Handel's Dettingen Te Deum was first performed. Utrecht Te Deum and Jubilate was first published in full score during the 1730s. It was published by the Deutsche Händelgesellschaft in 1870 in Leipzig as HWV 278 and 279 in the attempted complete edition of Handel's works. Friedrich Chrysander edited it as volume 31 of "G.F. Händel's Werke: Ausgabe der Deutschen Händelgesellschaft", titled Utrechter Te Deum und Jubilate, with the texts in both English and German. Chrysander mentions in his preface a score published in 1731 by John Walsh: Te Deum and Jubilate, for Voices and Instruments performed before the Sons of the Clergy at the Cathedral-Church of St. Paul. Compos'd by George Frederick Handel. London. Printed for & sold by John Walsh. Source: Wikipedia (https://en.wikipedia.org/wiki/Utrecht_Te_Deum_and_Jubi late). Although originally written for Pipe Organ and Baroque Orchestra, I created this Arrangement of the Utrecht Te Deum (HWV 278 Part 1) for Winds (Flute, Oboe, French Horn & Bassoon) & Strings (2 Violins, Viola & Cello). Partition centrale : | Te Deum (Utrecht) in D major (5 partitions) | | |||
