FLUTE A BEC

By Antonio Vivaldi. Arranged by Peter Varga. EMB. Size 9x12 inches. 29 pages. Published by Editio Musica Budapest.

By Antonio Vivaldi. Edited by Ulrich Hermann. For SATB Recorder Ensemble. Published by Heinrichshofen Verlag.

Recorder

SKU: HL.48188497

Recorder Solo Part. Composed by Antonio Vivaldi. Leduc. CD. Heugel & Cie #HE32623. Published by Heugel & Cie (HL.48188497).

UPC: 888680872571. 9.0x12.0x0.126 inches.

Vivaldi Concertos Vol 1 Rec Solo Pt.

6 Sonatas from Barsanti, Bitti, Marcello, Vivaldi, Mancini and Veracini or Treble Recorder or other Melodie Instruments and Basso continuo. For Alto recorder (f,g)/ Violin/ Flute/ Oboe, Basso continuo. Hortus Musicus. Playing Score; Single Part. Published by Hortus Musicus (German import).

Classical Play-Along Volume 13. By Antonio Vivaldi. Classical Play-Along. Play Along. Softcover with CD. 8 pages. Published by Hal Leonard.

Recorder and piano

SKU: BR.EB-8609

Urtext. Composed by Antonio Vivaldi. Edited by Martin Nitz. Solo instruments; stapled. Edition Breitkopf.

Vivaldi's only oboe sonata requires an interpretation, since the thoroughbass part is not figured. Thanks to Martin Nitz's stylistically authentic realization and careful editorial work, this rather neglected piece is sure to find many new friends.

Sonata; Baroque. Score. 28 pages. Breitkopf and Haertel #EB 8609. Published by Breitkopf and Haertel (BR.EB-8609).

ISBN 9790004179956. 9 x 12 inches.

It is generally quite easy to adapt sonatas for Baroque oboe (and continuo) to the soprano recorder since both instruments have an identical range. Yet considering the great popularity of the previously published works, it is strange that Antonio Vivaldi's only sonata for this instrument has received little attention to date. This edition is based on a manuscript preserved in the Sachsische Landesbibliothek Dresden under the class. no. Mus. 2389-S-1. The preparation of the edition entailed the adjustment of the accidentals to present-day practice, and the realization of the (unfigured) thoroughbass part. No slurs were added to those already contained in the manuscript so as to allow the performer to find his own solutions. Otherwise the virtually error-free manuscript was reproduced without change. We wish to thank the directors of the Sachsische Landesbibliothek Dresden for their authorization to publish the work. (Hamburg, Fall 1995 - Martin Nitz)

Vivaldi's only oboe sonata requires an interpretation, since the thoroughbass part is not figured. Thanks to Martin Nitz's stylistically authentic realization and careful editorial work, this rather neglected piece is sure to find many new friends.