PARTITIONS GRATUITES : TROMPETTE
- AM: a work for solo oboe

(Trumpet Feature). Composed by Gary Ziek. For Soloist(s) with Concert Band (Solo Trumpet, Piccolo, Flute 1-2, Oboe 1-2, Clarinet in Bb 1-3, Bass Clarinet, Bassoon 1-2, Alto Saxophone 1-2, Tenor Saxophone, Baritone Saxophone, Trumpet in Bb 1-3, Horn in F 1-4, Trombone 1-3, Euphonium, Tuba, Timpani (brake drum, cabasa, wind chimes)). Grade 5. Score and parts. Duration 15:00. Published by C. Alan Publications

Trumpet and piano

SKU: P2.60013

Composed by Tomaso Giovanni Albinoni. Arranged by Joseph Ardovino. Solo music. Published by Potenza Music (P2.60013).

Arranger Joseph Ardovino says, Despite the fact that Tomaso Albinoni appears to have enjoyed a large following among his contemporaries, few details of his life are known. This work begins with an Allegro, typical of the model established in Albinoni's late period. It maintains the typical three movement form, fast-slow-fast. Accompanying the trumpet in the original version is a small wind ensemble with continuo consisting of three oboes, bassoon and continuo... This offers a modern performance edition of an important piece from one of the great composers of the Baroque period..

By Camille Saint-Saens (1835-1921). Edited by Renaud Escriva. Bb Clarinet Solo and Piano Accompaniment. For Bb Clarinet solo and Piano. The Must-Haves for Clarinet. Classical, Educational. Grade 5. Score and set of parts. 8 pages (score); 3 pages (parts). Published by FLEX Editions

SKU: HL.48024944

Trumpet and Piano. Composed by Jonathan Freeman-Attwood and Thomas Oehler. Boosey & Hawkes Chamber Music. Softcover. 114 pages. Boosey & Hawkes #M060136528. Published by Boosey & Hawkes (HL.48024944).

ISBN 9781784545543. UPC: 840126946819. 9.25x12.0x0.337 inches.

If there was ever a composer in the modern era from whom instrumentalists would hanker for a sonata or concerto, Richard Strauss must be right up there. His wide-ranging orchestral and operatic creations bleed with gloriously idiomatic writing for every instrument, and yet only the piano, violin, clarinet (in tandem with the bassoon), oboe and horn can really claim to have bespoke solo works from the composer's seamlessly productive pen, and collectively they form only a small proportion of the composer's output. No mere transcription, this three-movement Sonata after Richard Strauss extends well beyond a redeployment of the composer's music to fit a new idiom, filling the gaping chasm of 'serious' late-Romantic recital material for trumpet players, to be performed in toto or as Drei Konzertstücke. Thomas Oehler and Jonathan Freeman-Attwood have drawn on a wide range of Strauss's works to create the new offering, including the Violin Sonata, Von den Hinterweltlern (Also sprach Zarathustra), the Serenade for Winds ('From an invalid's workshop') and Zerbinetta's Aria (Ariadne auf Naxos).