SKU: BR.PB-5698
ISBN 9790004216354. 10 x 12.5 inches.
Joachim Raff's Fifth Symphony Lenore op. 177, composed in 1872, reveals the composer as a representative of the middle ground between Neo-German aesthetics and the symphonic tradition. It owes its name to G. A. Burger's ballade, which is the programmatic basis of the final movement. Using this literary model, Raff oriented himself to the Berlioz program symphonies and the Liszt symphonic-poem concept, on the one hand, but on the other, he let the three preceding movements follow traditional symphonic form. Raff conducted the Lenore symphony's premiere in December 1872 in a concert by the Furstliche Hofkapelle in Sondershausen. The concert went to his satisfaction, although the audience evidently did not know what to make of the work: [...] and the symphony [...] was played before this faintly musical party. Essentially for the greater glory of God and my edification, less for that of the said public, which seems to have been rather horrified by it. His friend Hans von Bulow had, however, a great pleasure in hearing the symphony the following year in Berlin. In her preface, the editor Iris Eggenschwiler provides detailed information about the work's genesis, documents Raff's ideas and intentions, and facilitates a comprehensive orientation within the historical context. Breitkopf & Hartel is now presenting for the first time with this symphony an orchestral work by Raff in a modern Urtext edition, thus also continuing its collaboration with the Joachim-Raff-Gesellschaft .In collaboration with the Joachim-Raff-Archiv Lachen (CH).
SKU: BR.PB-5715
ISBN 9790004216521. 10 x 12.5 inches.
Joachim Raff's celebrated first cello concerto is only gradually being rediscovered today. This is astounding, taking into account both the quality of the composition as well as its enthusiastic reception in the past. All renowned cellists of the time performed the work, but the history of op. 193 is still more closely linked to Friedrich Grutzmacher, its commissioner, co-editor, and soloist in its world premiere, than to any other musician. Grutzmachers wish for a concerto to free us poor cellists from our situation that is becoming truly unbearable and driving us to the utmost discontent was certainly fulfilled by Raff.The extensive preface of this first Urtext-Edition documents the close collaboration between composer and interpreter, as well as performance practice of the time. The corresponding piano reduction includes not only an Urtext-solo part, but also a part with the markings by the Zurich cellist Jonas Kreienbuhl. In collaboration with the Joachim-Raff-Archiv Lachen (CH).
SKU: TM.13846SET
SKU: BR.OB-4815-16
ISBN 9790004322178. 10 x 12.5 inches.
The prelude to the opera Die Meistersinger von Nurnberg was given its world premiere in Leipzigs Gewandhaus on 11 November 1862 in a concert that Wagner organized in conjunction with Hans von Bulow and the composer Wendelin Weissheimer. Wagner personally conducted his own work. The concert was a financial flop; artistically, however, it seems to have been an extraordinary success, for Wagner reported the following day to Joachim Raff: My Meistersinger was excellently played, and the DaCapo demanded with great sincerity. It sounded very fine. Since then and increasingly after its publication in 1866, two years before the world premiere of the opera the prelude has been a beloved concert piece that impressively exposes the major themes of the Meistersinger.The prelude is a beloved concert piece that impressively exposes the major themes of the Meistersinger..
SKU: TM.01724SET
Org in sc. Ed. by Klaus.
SKU: TM.01722SET
SKU: TM.01723SC
Cem in sc.
A propos & Témoignages de membres
© 2000 - 2024 Accueil - Nouveautés - Compositeurs
Mentions légales - Version intégrale
JavaScript is required.