CHANT - CHORALE
Partitions gratuites de Christoph Willibald Gluck

Composed by Christoph Willibald von Gluck (1714- 1787). Edited by Benoît Dratwicki. Arranged by Hans Schellevis, Michael Töpel, Heinz Moehn, Jurgen Sommer, and Hans Vogt. This edition: urtext edition. Paperback. Christoph Willibald Gluck. Airs d'opera francais / French Operatic Arias \| BARENREITER URTEXT. Baritone. Vocal Score, anthology. 106 pages. Baerenreiter Verlag #BA08169. Published by Baerenreiter Verlag

Tragedie Opera (Drama heroique) in 3 Akten. Pariser Fassung 1774 (franzosisch/deutsch). Klavierauszug nach dem Urtext der Gluck-Gesamtausgabe. By Christoph Willibald von Gluck. Edited by Finscher, Ludwig;Sommer, Jurgen. For 2 Soprano solo, Tenor solo, Mixed Choir-Ball, 2 Flute, 2 Oboe, 2 Clarinet (b flat), 2 Bassoon, 2 Horn, 2 Trumpet, 3 Trombone, Kettledrum, Harp, Strings. Piano Reduction/Vocal Score (paperbound). Published by Baerenreiter-Ausgaben (German import).

Soloists, Piano (Sg-S-solo,piano)

SKU: BA.BA08166

Composed by Christoph Willibald Von Gluck. Edited by Benoît Dratwicki. Arranged by Hans Schellevis, Heinz Moehn, Jurgen Sommer, Konrad Rötscher, and Michael Töpel. This edition: urtext edition. Paperback. Christoph Willibald Gluck. Airs d'opera francais / French Operatic Arias | BARENREITER URTEXT. Soprano. Vocal Score, anthology. 148 pages. Baerenreiter Verlag #BA08166. Published by Baerenreiter Verlag (BA.BA08166).

ISBN 9790006563340. 29.7 x 21 cm inches. Text Language: French.

This edition contains French arias for soprano from operas composed by the opera reformer Christoph Willibald Gluck for the Paris Opera:

Iphignie en Aulide (1774)
Orphe et Euridice (1774)
L’arbre enchant (1775)
Cythère assige (1775)
Armide (1777)
Écho et Narcisse (1779)

The edition includes an informative text section containing a Foreword (Fr/Eng), a brief account of the dramatic situation as well as a literal English translation of every aria.


About the series:
Christoph Willibald Gluck. Airs d’opra français / French Operatic Arias

In collaboration with the Centre de musique baroque de Versailles (CMBV), all arias from Christoph Willibald Gluck’s French operas will be published for the first time in a collection of four volumes, ordered by voice type.

With their wide variety of arias and informative texts, these volumes constitute a valuable resource of works by one of the preeminent opera composers of the 18th century. They are suitable for opera singers and voice students and can be used in lessons, auditions and recitals.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

By Christoph Willibald von Gluck (1714-1787). Single piece for alto voice and piano. From the opera Orfeo ed Euridice. C Major. 5 pages. Published by Ricordi.

Solo voices, choir, orchestra (2 Soprano Voice Solo, Tenor Voice Solo, SATB Choir, ballet, 2 Fl, 2 Ob, 2 clarinet, 2 bassoon, 2 Hn, 2 Trp, 3trombone, timpani, harp, 2 Violin, Viola, Cello, Double Bass)

SKU: BA.BA02282

Tragédie-opéra (Drame héroïque) in three acts. Composed by Christoph Willibald Von Gluck. Edited by Ludwig Finscher. This edition: complete edition, urtext edition. Linen. Christoph Willibald Gluck. Complete Works. Series I, Volume 6. Paris Version 1774. Complete edition, Score. Composed 1774. Duration 2 hours. Baerenreiter Verlag #BA02282_00. Published by Baerenreiter Verlag (BA.BA02282).

ISBN 9790006419555. 33 x 26.5 cm inches. Text Language: French, German. Preface: Ludwig Finscher. Text: Pierre-Louis Moline.

Christoph Willibald Gluck’s most popular opera “Orphe et Euridice” was performed in 1774 in Paris to sensational success. This new adaption followed the original Viennese version with Italian text that was first performed in 1762 under the direction of the composer in the Burgtheater. For the Paris version Gluck changed the leading part Orpheus from an alto to a tenor role and composed new recitatives.

Both versions of Gluck’s reform drama are based on a libretto by Ranieri de’ Calzabigi and revolutionised metastasian opera of the 18th century. Solo and choral music, instrumental music, pantomime and dance are all closely connected; the myth replaces a historical plot surrounded by intrigue; where there would have been a da-capo aria there are now simple song forms and coloratura is largely abandoned. These meticulously revised vocal scores of both versions are also newly set.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

By Christoph Willibald Gluck, ed. and arr. Patrick M. Liebergen. Choir Secular. For 2 Opt. Flutes (Women's Choir). Choral Octavo; Masterworks. Choral Designs. Classical; Masterwork Arrangement. 12 pages. Published by Alfred Music