PARTITIONS GRATUITES : COR
POP
- We

Pour instrument avec pavillon fixe- Revêtement extérieur en Cordura DuPont- Coque en mousse rigide d'une épaisseur de 12 mm- Rembourrage intérieur d'une épaisseur de 25 mm- Renfort pour pavillon BIPS- Fermetures à glissière résistantes- Poches extérieures pour accessoires- Sangles sac à dos rembourrées- Poche pour embouchure- Diamètre du pavillon: 31 cm- Hauteur: 56 cm- Couleur: Noir

En chêne huilé- Tenue stable par deux pieds arqués- Design courbe moderne- Surfaces de pose recouvertes de flock souple- Protection optimale de l'instrument- Dimensions: 300 x 450 mm- Poids: 520 g- Fabriqué à la main

Pour cor- En wenge/frêne- Forme angulaire- Avec cordon- Pochette en tissu incl.- Fabriquée à la main en Espagne

With light resistance- To strengthen the respiratory muscles and increase strength and endurance- Adjustable resistance levels- Colour: Red- Incl. instruction manual, mouthpiece, bag and trial cleaning tablets

Bore: 8.5 mm diameter- Practical aid for musicians to learn or optimise breathing and embouchure for playing a wind instrument at the same time- With 4 balls of different weights and a basket with a sealing cork- First, the lightest ball is placed on the vertical part of the ASTRA and then blown into the horizontal part over its own mouthpiece - as far as the generated airflow is sufficient, the ball is brought into a hovering position over the vertical part - now one can move from the lighter to the heavier balls- The basket can be used to store the balls as well as a catch basket when blowing a ball upwards, if it is put over the vertical part of the ASTRA.- Material: Wood

Bruno Tilz Christoph Ess CE1; mouthpiece for French horn; rim inner diameter: 18.0 mm; bore: 4.4 mm; rim: medium wide; cup: medium deep; based on the Tilz model E.Schmid 115; the rim is slightly wider and rounder on the outside; the larger contact surface on the lip provides more grip and stability; the cup is slightly more open at the bottom of the bore than the model E. Schmid115; this leads to a better air flow and thus to a more centered sound, especially in the area around the break position, because you can switch more quickly between the registers; bindings can be designed very nicely; the back bore is also more open; 1mm more mass is applied to the outer body, which makes the mouthpiece about 4-5g heavier; this has a very nice tonal effect and makes the sound rounder, warmer and slightly darker, without losing the brilliance in the higher register; silver-plated

Convient aux étuis Protec IPAC des séries IP301D, IP301DWL, IP301T, IP301TWL et IP301QWL- Rembourrage en mousse avec doublure en Nylex- Attaches scratch pour fixation à l'intérieur de l'étui- Dimensions (L x P x H): 180 x 75 x 125 mm- Couleur: Noir

Protec A270CC MP Pouch Fr. Horn 4 pcs; mouthpiece pouch for four French horn mouthpieces; material: high-quality and robust synthetic leather; soft inner lining with padding; with belt loop; strong magnetic closure; dimensions (W x D x H): 140 x 46 x 83 mm; weight: 0.12 kg; color: cocoa

Neotech French Horn Grip; hand rest for French horn; fits most French horns without deeply bent leadpipe before third lever or triple horns; comfortable padding; adjustable strap; neoprene pad with leather; non-slip surface; stretchable to fit instrument; shifts weight from little finger to back of hand for more comfortable and sustained playing; pad dimensions (W x D x H): 125 x 95 x 6 mm; made in the USA; color: black

Die Flüsterei Synthetic Shell high C; synthetic snail horn in high C; length: approx. 13cm; weight: approx. 110g; a specially developed smoothing process gives the snail horns a unique high-gloss surface; precisely tuned basic tone; the blowing hole can be individually reworked; incl. high-quality transport bag and certificate; made of Reach and RoHS-certified ABS (acrylonitrile-butadiene-styrene copolymer); color: white; Made in Germany; the snail horn belongs to the brass family; the pitch can be changed by means of different hand positions in the opening and by overblowing the fundamental tone; with a little practice, the snail horn can be overblown in the same way as a natural tone trumpet or an alphorn, for example