PARTITIONS GRATUITES : HARPE
CLASSIQUE
- Let

Composed by Peter Ilich Tchaikovsky. Edited by Carl Simpson. This edition: Paperback. Ballet/Suites, Original Works, Suites. Romantic Period; Russian, Mythology/Legends. Study Score. 102 pages. Published by Edwin F. Kalmus (SA.40437).

Harp (Harp)

SKU: HL.48185326

Composed by Bruno Rossignol. Robert King. Classical. Softcover. Alphonse Leduc #AL28825. Published by Alphonse Leduc (HL.48185326).

Bruno Rossignol: Reflet orange and Reflet bleu (Harp solo).

By Michele Beaumont-Cholet. For harp. Classical. Score. 35 pages. Published by Editions Henry Lemoine

Arranged by Sylvia Woods. Harp. Size 8.5x11 inches. 80 pages. Published by Hal Leonard.

Composed by Monika Mandelartz. For harp. Saddle-stitched. Intermediate-Advanced. Book. 24 pages. Published by Mel Bay Publications, Inc

Fantasia on the Rondo from the Piano Sonata in A major K. 331 by Wolfgang Amadeus Mozart, arranged for harp by Ekaterina Afanasieva (2015). Composed by Fazil Say. Arranged by Ekaterina Afanasieva. This edition: Saddle stitching. Sheet music. Der Finalsatz der Sonate A-Dur KV 331 von Wolfgang Amadeus Mozart, das Rondo Alla Turca, ist eines der bekanntesten Klavierstucke uberhaupt. An diese Popularitat knupft das als effektvolle Zugabe entstandene Stuck von Faz?l Say in der Bearbeitung fur Harf. Classical. Single sheet. Composed 1993. Op. 5b. 8 pages. Duration 4'. Schott Music #ED22797. Published by Schott Music

Flute and Harp

SKU: HL.14021002

Composed by Sir Peter Maxwell Davies. Music Sales America. Classical. Book [Softcover]. Composed 1999. 10 pages. Chester Music #CH60938. Published by Chester Music (HL.14021002).

ISBN 9780711955103. 9.0x12.0x0.054 inches.

Two dances for flute and harp from Peter Maxwell Davies' ballet Caroline Mathilde. A new instrumentation restores this linked pair of dances from Davies's second full-length ballet, Caroline Mathilde based on the story of the eighteenth-century British princess sent in marriage to Denmark, to the eighteenth-century milieu of the work's setting and musical world. The period manners - a gavotte in the first dance, a gigue at the start of the second - are typically overlaid with the composer's Scottishness. In general the harp has an accompanying role, but it comes forward alone in the second movement, which ends with bravura from both instruments. These two dances were first performed in September 1993 at the Northlands Festival by David Nicholson and Eluned Pierce. Score and flute part. Duration c. 5mins. Harp part edited by Elune Pierce.