PARTITIONS GRATUITES : VIOLON, HARPE
- One Direction

Fantasia on the Rondo from the Piano Sonata in A major K. 331 by Wolfgang Amadeus Mozart, arranged for harp by Ekaterina Afanasieva (2015). Composed by Fazil Say. Arranged by Ekaterina Afanasieva. This edition: Saddle stitching. Sheet music. Der Finalsatz der Sonate A-Dur KV 331 von Wolfgang Amadeus Mozart, das Rondo Alla Turca, ist eines der bekanntesten Klavierstucke uberhaupt. An diese Popularitat knupft das als effektvolle Zugabe entstandene Stuck von Faz?l Say in der Bearbeitung fur Harf. Classical. Single sheet. Composed 1993. Op. 5b. 8 pages. Duration 4'. Schott Music #ED22797. Published by Schott Music

By Claude Debussy (1862-1918). Edited by Peter Jost. For Flute, Harp, Viola (Score and Parts). Henle Music Folios. 76 pages. G. Henle #HN1026. Published by G. Henle

For Oboe d'Amore and Harp. Composed by Lynn Plowman. Instrumental. Concert, Recital. Softcover. Cadenza Music #CAZLPFTS01. Published by Cadenza Music

For Harp. Composed by Lynne Plowman. Instrumental. Concert, Recital. Softcover. Composed 2018. Cadenza Music #CAZLPMER01. Published by Cadenza Music

Harp

SKU: HL.14007563

Harp Solo. Composed by Per Norgard. Music Sales America. Classical. Book [Softcover]. 6 pages. Music Sales #KP01320. Published by Music Sales (HL.14007563).

ISBN 9788759867587. UPC: 888680753047. 10.5x14.0x0.033 inches.

Consolation - Like A Roselike Flower (Consolazione - Flos Ut Rosa) for Harp solo by Per Norgard (2002). Written for and dedicated to Tine Rehling. Programme note by the composer: The concept of Mary has a depth that transcends all religious persuasions. All over the earth symbols of the gentle and maternal are known. But the word 'Maria' is also associated - in sound - with the Latin word for the sea, mare, and she thus become the Star of the Sea, Maris Stella.  In my 3rd Symphony the Maria motif is used in a hymn section in the second, and last, part of the work. The choral song “Flos ut rosa floruit” was composed directly in the context of the symphony, and themelody had a 'stamina' that carried it over into many later vocal and choral compositions, for instance the “Concerto for Harp No. 2 - through thorns” (2003) and the present Consolazione for harp solo , both works dedicated to Tine Rehling. .