| Largo Piano Quintette: piano, 2 violons, alto, violoncelle Imagine Music
Composed by Peter Nostrand. For "2 violins, viola, cello, bass, piano&q...(+)
Composed by Peter
Nostrand.
For "2 violins,
viola, cello,
bass, piano". Score
and set of
parts. Duration "4
minutes, 15
seconds". Published
by Imagine
Music
$35.00 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Subject Quatuor à cordes: 2 violons, alto, violoncelle Carl Fischer
Chamber Music String Quartet SKU: CF.BE11F Composed by Jason Eckardt. Ful...(+)
Chamber Music String
Quartet SKU:
CF.BE11F Composed by
Jason Eckardt. Full
score. 78 pages. Duration
16 minutes. Carl Fischer
Music #BE11F. Published
by Carl Fischer Music
(CF.BE11F). ISBN
9780825888595. UPC:
798408088590. 8.5 x 11
inches. Beginning
in the 1950s, the CIA
became very interested in
psychological research
beingconducted on the
effects of sensory
deprivation on humans.
The research, that
suggestedrapid regression
in those tested, provided
a framework for sections
of what would later
beknown as the KUBARK
manual, the first a
series of US-government
documents thatprovided
techniques for
interrogating detainees.
These methods involved
radicallyaltering a
detainee’s sense
of time and
environment.Among these
techniques, some
developed independently
of the manuals by
interrogators,were the
manipulation of light and
sound. In order to weaken
the resolve of a
detaineeand prolong
“capture
shock,†complete
sensory deprivation
followed by blasts of
light ornoise, or very
loud music, proved
effective. So much so
that variations and
combinationsof these
techniques were widely
used by the United States
as well as both its
allies andenemies in
Vietnam, Latin America,
Northern Ireland, and the
Middle East.Though the
idea of sound as a weapon
is at least as old as the
account of
Joshua’s siegeof
Jericho, it was only
recently deemed
“inhuman and
degrading†for the
purposes ofinterrogation
by the European Court of
Human Rights in the 1978
case “Ireland v.
theUnited
Kingdom.â€. Accid
entals apply only to the
notes they precede with
the exception of tied or
consecutively repeated
notes.Tempi are
consistent throughout the
meter changes (Le.,
~'=),)=)l, etc.).Grace
notes are always to be
played as fast as
possible. Each grace note
in a group should be of
the same duration.
Gracenotes curtail the
previous measured note's
duration with the
exception noted
below.Approximate
duration: 16 minutes. $41.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Sonata For Cello And Piano Violoncelle, Piano Carl Fischer
Composed by Samuel Jones. For cello, piano. Score and part. Standard notation. P...(+)
Composed by Samuel Jones.
For cello, piano. Score
and part. Standard
notation. Published by
Carl Fischer
$37.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| String Quartet No. 5 Quatuor à cordes: 2 violons, alto, violoncelle [Conducteur d'étude / Miniature] Praha
By Bohuslav Martinu. Czech title: Smy covy kvartet 5. Published by Praha (Czech ...(+)
By Bohuslav Martinu.
Czech title: Smy covy
kvartet 5. Published by
Praha (Czech import).
$34.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| String Quartet in A Minor, Op. 29, D. 804 Rosamunde Quatuor à cordes: 2 violons, alto, violoncelle G. Henle
Composed by Franz Schubert (1797-1828). Henle Study Scores. Classical. Softcover...(+)
Composed by Franz
Schubert (1797-1828).
Henle Study Scores.
Classical. Softcover. 56
pages. G. Henle #HN9849.
Published by G. Henle
(HL.51489849).
$13.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Grand Duo, Op..26 Violoncelle, Piano Edition HH
Cello & piano SKU: HH.HH286-FSP Composed by Anton Eberl. Edited by Christ...(+)
Cello & piano SKU:
HH.HH286-FSP Composed
by Anton Eberl. Edited by
Christopher Hogwood.
Cello & Piano. This is a
very interesting sonata
as it bridges the gap
between the
cello/continuo sonatas
and the ones by
Beethoven. Eberl's part
for violin is also
included. Full score and
parts. Edition HH Music
Publishers #HH286-FSP.
Published by Edition HH
Music Publishers
(HH.HH286-FSP). ISBN
9790708092254. A
true Grand Duo for cello
and piano to provide a
much needed connection
between the first sonatas
for this combination --
by Beethoven -- and the
later 19th century
repertoire. Eberl's
heroic style provides a
masterly alternative to
the over familiar works,
with the balance of power
between the two players
scrupulously maintained
throughout, and ingenious
formal innovations. The
Rhapsodie finale in
particular, with sections
in varying metres and
moods, resolves in an
elegant Pastorale, an
entirely new format for
this combination. The
composer thoughtfully
provided an adaptation of
the cello part for violin
containing many
differences which will be
of interest to players of
both instruments; both
string parts are included
in this publication. $30.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| John Joubert: String Quartet No.2 Op.91 (Parts) Quatuor à cordes: 2 violons, alto, violoncelle Music Sales
String Quartet SKU: HL.14031816 Composed by Jean Joubert. Music Sales Ame...(+)
String Quartet SKU:
HL.14031816 Composed
by Jean Joubert. Music
Sales America. Classical.
Book [Softcover]. Music
Sales #NOV12053901.
Published by Music Sales
(HL.14031816).
8.5x11.75x0.3
inches. Though
conceived as four
separate movements, my
second string quartet has
a single motif which is
common to them all. This
is the three-note Muss es
sein? from Beethoven's
last quartet, Op. 135.
But whereas Beethoven's
theme is notated G E A
flat, thus giving it an F
minor connotation, I have
sued an alternative
spelling - G E G sharp -
which suggests an
ambiguous E minor-major.
This ambiguity, in fact,
becomes the tonal basis
of the whole work, only
to be resolved at the end
of the final movement.
Each movement begins with
a variant of the basic
motif on the cello. The
first has the original
form of the theme, while
the second has a
majorised version which
is also expressed as a
chord. The third
movement, with its
scherzoid middle section,
reverts to the
major-minor ambiguity of
the first, and the finale
begins with the majorised
version as an ostinato
accompaniment on
pizzicato cello. The slow
movement is sub-titled In
memoriam DSCH and
concludes with a
quotation of
Shostakovich's motto - D
E flat C B - which is
basically the same as
Beethoven's with the
addition of one note.
This is not to imply that
the work contains no
other thematic material.
One important theme, a
rising fifth and a
second, is also common to
three of the movements,
and is ultimately derived
from my first quartet,
Op. 1 of 27 years
earlier, to which this
second contribution to
the form is in many ways
like a sequel. Like the
earlier work, too, this
quartet is dedicated to
my wife. $60.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| String Quartet No. 8 Quatuor à cordes: 2 violons, alto, violoncelle Merion Music
Chamber Music String Quartet SKU: PR.144407270 Composed by Sydney F. Hodk...(+)
Chamber Music String
Quartet SKU:
PR.144407270 Composed
by Sydney F. Hodkinson.
Sws. Set of Score and
Parts. 44+16+16+16+16
pages. Duration 22
minutes. Merion Music
#144-40727. Published by
Merion Music
(PR.144407270). UPC:
680160681891. 9 x 12
inches. My Eighth
and Ninth String
Quartets, begun in late
2017, are sonic cousins.
Akin to real cousins,
each piece exhibits
differing natures. They
were requested by two
ensembles that have
become asecond familiesa
to me: The Jupiter
Quartet of Urbana,
Illinois and the Amernet
Quartet based in Miami,
Florida. Their collective
dedication to, and care
for, our art remains a
personal and constant
are-fuelinga for me. The
quartets were
commissioned by, and
dedicated to, Margaret
and Philip Verleger of
Denver, Colorado.
Additional financial
support was provided by
the School of Music at
Stetson University,
Timothy Peter, Dean.
Quartet No.8 is laid out
in a classical
four-movement design. The
work does break somewhat
from conventional
tradition by often
placing quartet members
into soloistic roles as
the movement titles note.
individual The opening
piece presents at the
outset a three-note motto
which is turned over,
tumbled, and
energetically discussed,
primarily by a violin
duet. It is a duel. The
two players part company
only infrequently during
the movement's progress,
pausing briefly for other
commentary by their
alower cohortsa, the
Viola and Cello do not
argue, but abet their
friends' aeffortsa. The
piece's overall character
is fairly bright and
dancelike, closing in an
unresolvedastandoffa. not
Two principal
asound-objectsa stitch
the second movement
scherzo together: sliding
hands (glissandos) and a
plucked ashufflea
(pizzicato) - both
instigated by the (solo)
cellist. The others are
influenced - or are not -
by their aleadera, and
follow - or interrupt -
the cello throughout
their four-voiced
conversation. The third
movement (longest of the
set) is an elegy
dedicated to the memory
of a close personal
friend, the American
composer David Maslanka
(1943 - 2017). Its'
genesis is a simple
5-note melody derived
from my own name
(SaC/DaC/EaC/H). This
line commences in the
(solo) viola and is
obsessively uttered
without relief during the
movement's lamentations.
The closing movement
revisits much of that
opening three-note
material, but now dressed
up for the full quartet
to view. It is a slowly
accelerating romp which -
twice - cannot avoid a
nod to the Amernet and
Jupiter performers by
offering a humble bow to
the 4th movement of
Gustav Holst's PLANETS -
Jupiter: The Bringer of
Jollity. My quartet
serves as an honouring
salute of thanks for the
talent, respect, and
friendship of these two
young quartets. STRING
QUARTET No. 8 is roughly
22 minutes in duration.
It was written as an
homage to Franz Joseph
Haydn, my
adesert-island-composera,
and completed in Holly
Hill, Florida in early
April of 2019. S.H. $70.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
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