PARTITIONS GRATUITES : VIOLON, VIOLE (ALTO), CLAVECIN
- Piano, Flute, Cor

By Friedrich Daniel Rudolf Kuhlau. For flute, violin, 2 violas and cello. Winds and Strings. Quintets. Classical. Score and set of parts. Published by Rosewood Publications

By Louis Spohr (1784-1859). Arranged by Schwenke. For clarinet (violin 2), violin, viola, cello, double bass ad lib. and piano. Facsimile Editions - Winds, Strings and Piano. Unusual instrumentation, but enjoyable to play and perform. Fine arrangement of Spohr's Octet. Schwenke was a masterful arranger. Classical

Flute, clarinet - Level 5

SKU: BA.BA11060

Composed by Dieter Ammann. In a folder. Performance score. Composed 2011. 14/4 pages. Duration 12 hours. Baerenreiter Verlag #BA11060_00. Published by Baerenreiter Verlag (BA.BA11060).

ISBN 9790006559022. 42 x 29.5 cm inches.

... she stood leering hideously, and much dust sodden with tears lay upon her shoulders.

These snippets from Johann Heinrich Voss's translation of Hesiod's Shield of Hercules, where the din of battle is brought to a standstill for the wink of an eye, made me think of music that describes the 'inwardness' of a particular feeling, close to the much-cited metaphor of an entire life flitting past the inner eye in the space of a second, when, as in Hesiod, Atropos severs the thread of life. Viola and piano join forces on an equal basis to inscribe ever more lines and shapes which, however, relate in their inmost essence to intertwining circles laden with melancholy.
(Philipp Maintz)

Viola, piano

SKU: FG.55011-906-2

Composed by Harri Wessman. Classical, contemporary. Score and part. Fennica Gehrman #55011-906-2. Published by Fennica Gehrman (FG.55011-906-2).

ISBN 9790550119062.

Harr i Wessman's Summer Variations for viola and piano (1998) exploites the rich and romantic sound of the viola and enjoys the many shades of summer days. It is dedicated to violist Yuri Gandelsman, who premiered the suite with Risto Lauriala 15th June 1998.

Duration: c. 11'

Movements:
1. Summer theme
2. What is this?
3. Pizzicato
4. Con sordino
5. Stile concitato ostinato
6. Tango
7. Finale

Harri Wessman (b. 1949) is interested in all aspects of music that may be expressive, without in any way ignoring the possibilities of melody. He himself describes his harmonic method as a kind of contrapuntally treated jazz harmony. Wessman is particularly preoccupied with the ability of music to express emotions, an interest which has led him to study the so-called doctrine of the affections and the musical rhetoric of the baroque era. His Eine kleine Figurenlehre for wind quartet and piano is a playful application of a set of baroque musical figures.

His output is dominated by chamber and vocal music as well as a number of concertos for various instruments such as the Concerto for Trumpet and Orchestra and the Serenade for Piano and String Orchestra. During recent years pedagogic music has become a more and more central area in his output with an emphasis on creating repertoire for budding musicians, from beginners to young professionals. He has even tailored some solo and chamber works for young musicians that he personally knows: e.g. Five Trombone Pieces for Minna Kajander (1992), Five Horn Pieces for Jenni Kuronen (1993), Five Piano Etudes for Tiina Karakorpi, Five Trumpet Pieces for Alevtina Parland and Five Double Bass Pieces for Amanda Thieme. Other chamber and solo pieces include Pan and the Nymph Pitys (1979) for flute and guitar, Three Caprices for Konstantin Weitz (1994) for solo violin and Capriccio for wind ensemble (1989).

Flute & String Quartet

SKU: SU.27060280

For Flute & String Quartet. Composed by Mark Carlson. Chamber Music, String Trio/Quartet/Quintet, Woodwinds, Flute/Piccolo, Chamber Music, Mixed Ensemble. Score & Parts. Subito Music Corporation #27060280. Published by Subito Music Corporation (SU.27060280).

Six Bagatelles is a set of whimsical character pieces which, in my own composer’s perception, provided balance to some of the heavier works I had written over the previous several years. The first movement, Humming, not only hums along like a well-tuned engine, but it also evokes a melody that someone might actually hum. Let Evening Come is an arrangement of a song, for baritone or mezzo-soprano, flute, and piano, on Jane Kenyon’s poem of the same name—part of a cycle from 1994 called Night Will Blossom. The title Melancholy speaks for itself, as does that of the fifth movement, Solace. Skirmish started out as a march, but when changes of meter emerged in the composing of the piece, I realized it was no longer marchable, though still martial in character. The final movement is a Mosaic in two senses: the accompaniment in the strings in the outer sections of the piece is made up of small bits of material, combining to create an overall texture; and its middle section is made up of fragments of material heard in earlier movements. —Mark Carlson Flute & String Quartet Composed: 1995 Published by: Pacific Serenades.

Composed by Andrew March. Score and parts. Composed 2001; 2016. Duration 5'40 . Published by Alea Publishing (A7.ALEA1154).

(For Alto Flute (Doubling Flute), Viola, Cello, and Piano - Full Score (Piano)). By Lee Hyla. Chamber ensemble. For Flute, Alto Flute, Viola, Cello, Piano. Full score (large). Standard notation. 21 pages. Published by Carl Fischer