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| Early Start on the Double Bass, Volume 2 / Fruher Anfang auf dem Kontrabass, Band 2
Contre Basse
Barenreiter
By J. Peter Close / Holger Sassmannshaus. For contrabass. This edition: Stapled....(+)
By J. Peter Close /
Holger Sassmannshaus. For
contrabass. This edition:
Stapled. Barenreiter's
Sassmannshaus.
Instructional Method.
Performance score,
Teaching material. Text
Language: English/German.
72 pages. Published by
Baerenreiter Verlag
(1)$24.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | | |
| New Technique For The Double Bass - Vol. 4 (double Bass)
Leduc, Alphonse
Nouvelle technique de la contrebasse, Vol. 4 is the fourth book of a method for ...(+)
Nouvelle technique de la
contrebasse, Vol. 4 is
the fourth book of a
method for Double Bass by
Francois Rabbath.
Following the three
previous volumes, it can
be used by upper
beginners or intermediate
players and requires some
basic musical knowledge
in theory and reading. It
also includes a DVD and
provides full
explanations, including
pictures for all the
technical points in
French, English, German
and Spanish. This book is
divided into five
chapters: exercises,
studies, scales and
arpeggios, orchestral
figures and pieces for
solo Double Bass. In term
of technical points, it
features the different
positions, the double
chords, the pivot and
some highlight on the bow
and the wrist positions
among others. This
helpful method is
definitely one of the
most complete. It will
help all Double Bass
beginners to get the
necessary basic skills.
Born in Syria in 1931,
Francois Rabbath has been
playing the Double Bass
from a really young age.
He later settled in Paris
when he was the main
Double Bass accompaniment
for renowned French
artists including Edith
Piaf, Georges Moustaki
and Serge Gainsbourg. He
recorded some CDs and
DVDs, did some touring
and was offered the
possibility of writing
his own Double Bass
method in which he
describes his ?crab
technique?.
$13.50 - Voir plus => AcheterDélais: 2 to 3 weeks | | | |
| Kontrabass!
Contre Basse [Conducteur]
Breitkopf & Härtel
Double bass solo SKU: BR.EB-8813 Eine Schule fur Kinder und Jugendlich...(+)
Double bass solo SKU:
BR.EB-8813 Eine
Schule fur Kinder und
Jugendliche. Composed
by Thomas Schlink.
Arranged by Thomas
Blomenkamp. Solo
instruments; Softbound.
Edition Breitkopf. Music
pedagogy. Score. 116
pages. Breitkopf and
Haertel #EB 8813.
Published by Breitkopf
and Haertel (BR.EB-8813).
ISBN 9790004183588. 9
x 12 inches. First
steps with the double
bass It's not by chance
that Kontrabass! (Double
Bass!) has an exclamation
mark in its title, for
Thomas Schlink's method
begins from scratch, i.e.
it requires no practical
knowledge of the
instrument. The
Kontrabass! concept is so
broad that all teachers
can proceed from their
own playing techniques
and methods, and can
teach them without
difficulty. In Book 1,
the student goes from
plucked and bowed playing
on open strings to the
first position. In order
to let the student
interact with others from
the very start, the book
often includes an
accompanying part for
bass, piano or melody
instrument. Of course,
such a well-planned
instrumental method
offers more yet: work
materials, exercises,
suggestions in a word,
double-bass lessons are
rounded off perfectly
with
Kontrabass!
The
Kontrabass! concept is so
broad that all teachers
can proceed from their
own playing techniques
and methods, and can
teach them without
difficulty.. $31.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | | |
| The Improvisor's Bass Method
Contre Basse [Partition]
Sher Music Company
By Chuck Sher . For Bass. A complete method book, over 200 pages, filled with in...(+)
By Chuck Sher . For Bass.
A complete method book,
over 200 pages, filled
with information and
exercises on all aspects
of bass playing, for both
acoustic and electric
bass. Method. Published
by Sher Music Company.
(1)$34.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | | |
| Trombes D'eau
Contre Basse
Leduc, Alphonse
Double Bass SKU: HL.48186481 Composed by Rabbath Francois. Leduc. Softcov...(+)
Double Bass SKU:
HL.48186481 Composed
by Rabbath Francois.
Leduc. Softcover. 10
pages. Alphonse Leduc
#AL30748. Published by
Alphonse Leduc
(HL.48186481). UPC:
888680828264.
9.0x12.0x0.065
inches. Francois
Rabbath : Trombes d?eau
for double bass (AL 30
748) The international
fame of bass player
Francois Rabbath
acknowledges both the
untiring teacher, author
of a Nouvelle technique
de la contrebasse, which
a whole generation of
students, desirous of
freeing themselves from
the fetters of
traditional teaching, has
taken up, and the
inspired soloist,
unsparing of himself in
concert. For several
years now, he has become
accustomed to spending a
few days in the summer in
Kansas City (Missouri) to
give master classes and a
concert there, in the
framework of the ?KC
BassFest?. In July 2016,
a moving surprise awaited
him: on the stage of the
American Jazz Museum a
full-length portrait was
unveiled, painted by
local artist Ruthie
Ingram from photos taken
during his recital the
previous year. By way of
thanks, Rabbath dedicated
Trombes d?eau to her, a
solo piece lasting
approximately six
minutes, composed at the
instigation of the
International Society of
Bassists for the 2017
edition of the
International Double Bass
Competition. Conceived as
a series of short
variations on an
impassioned theme, the
work emphasises evocative
glissandi and explores
double stopping and
artificial harmonics
without ever sacrificing
the essential: the
pleasure of musical
expression.. $12.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | | |
| Symphony in G Major, Opus 88, No. 8
Contre Basse
Barenreiter
Double bass SKU: BA.BA10418-85 Composed by Antonin Dvorak. Edited by Jona...(+)
Double bass SKU:
BA.BA10418-85
Composed by Antonin
Dvorak. Edited by
Jonathan Del Mar. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. Opus
88. 12 pages.
Baerenreiter Verlag
#BA10418_85. Published by
Baerenreiter Verlag
(BA.BA10418-85). ISBN
9790006564699. 32.5 x
25.5 cm inches. Key: G
major. Mendelssohn'
s Violin Concerto op. 64,
is a key work of the 19th
century, adhering to the
classical style of
Beethoven while pointing
the way to the romantic
ethos of Brahms. It has
long been known that
Mendelssohn performed the
work with three soloists
in succession: Ferdinand
David, who worked closely
with the composer during
its composition and
played it at the
premiere; the 'child
prodigy' Joseph Joachim;
and Hubert Leonard, a
young Belgian virtuoso
about whom little is
known.
As proof
sheets for the Violin
Concerto in E minor were
long considered lost, it
could be described as
somewhat of a sensation
when proofs for the solo
violin part resurfaced
together with a letter
from Mendelssohn to
Leonard.
The
letter informs us that
the composer invited
Leonard to his home in
Frankfurt in order to
make his acquaintance. It
was already known that
Mendelssohn had given
proof sheets to David;
now we know that he also
gave some to
Leonard.
The
recently discovered
proofs reveal how Leonard
played the concerto with
Mendelssohn on that
memorable evening in
February 1845. Besides
containing bowing marks
and fingering, they also
show how Leonard executed
shifts of position and
where he employed open
strings. Furthermore
modifications made to
dynamic markings and
additional legato bowing
are shown.
It is
safe to assume that all
of this was done with
Mendelssohn's approval.
That the young violinist
made a positive
impression on the
composer is confirmed in
the latter's
correspondence following
their joint performance.
Mendelssohn is full of
praise for Leonard's
playing and offers to
lend his support in
finding employment in
Germany.
This
revised edition of the
Mendelssohn Violin
Concerto (only the
orchestral parts remain
unchanged) includes a
separate booklet on
performance practice.
The editor, Clive
Brown, is an acknowledged
expert on Romantic
performance
practice.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts - Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions
- With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm
- With
cues, rehearsal letters,
and page turns where
players need them
-
Clearly presented divisi
passages so that players
know exactly what they
have to play
-
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
| | | |
| Introduzione and Allegro
Yorke Edition
Good work for examinations and recitals by an important British composer. Durati...(+)
Good work for
examinations and recitals
by an important British
composer. Duration c.6'.
AMEB (Australian
Syllabus) 2004. Programme
notes as
follows:
Lennox
Berkeley was born in 1903
and died in 1989. After
reading modern languages
at Oxford he had no
intention of becoming a
composer until he met
Ravel in 1926, who
encouraged him to study
in Paris with Nadia
Boulanger. He stayed in
Paris until 1932,
developing his own
musical language. In
1936, after the death of
his mother, he went to
Barcelona for the
International Society for
Contemporary Music
festival where he met
Benjamin Britten. The two
lived together at Snape
in Suffolk for a while
until the outbreak ofwar,
before Berkeley moved
back to London to work
for the BBC. Here he met
his future wife Freda
Bernstein. He taught at
the Royal Academy of
Music in London from 1946
until 1968, where his
pupils included Richard
Rodney Bennett, Nicholas
Maw and John Tavener,
among others. He was
knighted in 1974.
In early
February 1971 I was
playing in a concert at
St. John's Smith Square,
London, then only
relatively recently
restored as a superb
venue for music. The
programme, which I
believe was being
broadcast, included
Berkeley's Serenade
Op.12. It was a work I
had always enjoyed
playing and was standard
string orchestra
repertoire at the time.
There was initially no
platform at St. John's
and so the audience sat
virtually on top of the
performers. So close were
they on this occasion
that I had to ask for a
little more room in order
to play. At the end of
the piece the orchestra
acknowledged the applause
and the gentleman who I
had all but practically
decapitated with my
over-enthusiastic
playing, stood up and
took a bow. I had been
almost playing in Lennox
Berkeley's lap! The
opportunity was too good
to miss and I wasted
little time in
introducing myself. Mr
Berkeley said that he had
been fascinated by my
playing and asked me to
write to him about a
possible
commission.
This
I did on 6 February,
mentioning that
$13.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | | |
| Nouvelle Technique De La Contrebasse (livre Avec Dvd Al30608) Volume 4 (texte
Contre Basse [DVD]
Leduc, Alphonse
| | |
|
From The Edge
