| Got Those Position Blues? Violin/Piano Violon et Piano Faber Music Limited
For Violin and Piano. Composed by Edward Huws Jones. Strings, Repertoire, Co...(+)
For Violin and Piano.
Composed
by Edward Huws Jones.
Strings,
Repertoire, Collections.
Got
those Position Blues?
Softcover Book. 32 pages.
Faber Music #F0571515347.
Published by Faber Music
$17.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Praktische Instrumentenkunde Orchestre, Violon Barenreiter
SKU: BA.BVK01950 Composed by Andreas N. Tarkmann and Johannes Kohlmann. P...(+)
SKU: BA.BVK01950
Composed by Andreas N.
Tarkmann and Johannes
Kohlmann. Paperback.
Book. 240 pages.
Baerenreiter Verlag
#BVK01950_00. Published
by Baerenreiter Verlag
(BA.BVK01950). ISBN
9783761819500. 19 x 12.5
cm inches. Language:
German. Preface:
Tarkmann, Andreas
N. Mendelssohn's
Violin Concerto op. 64,
is a key work of the 19th
century, adhering to the
classical style of
Beethoven while pointing
the way to the romantic
ethos of Brahms. It has
long been known that
Mendelssohn performed the
work with three soloists
in succession: Ferdinand
David, who worked closely
with the composer during
its composition and
played it at the
premiere; the 'child
prodigy' Joseph Joachim;
and Hubert Leonard, a
young Belgian virtuoso
about whom little is
known.
As proof
sheets for the Violin
Concerto in E minor were
long considered lost, it
could be described as
somewhat of a sensation
when proofs for the solo
violin part resurfaced
together with a letter
from Mendelssohn to
Leonard.
The
letter informs us that
the composer invited
Leonard to his home in
Frankfurt in order to
make his acquaintance. It
was already known that
Mendelssohn had given
proof sheets to David;
now we know that he also
gave some to
Leonard.
The
recently discovered
proofs reveal how Leonard
played the concerto with
Mendelssohn on that
memorable evening in
February 1845. Besides
containing bowing marks
and fingering, they also
show how Leonard executed
shifts of position and
where he employed open
strings. Furthermore
modifications made to
dynamic markings and
additional legato bowing
are shown.
It is
safe to assume that all
of this was done with
Mendelssohn's approval.
That the young violinist
made a positive
impression on the
composer is confirmed in
the latter's
correspondence following
their joint performance.
Mendelssohn is full of
praise for Leonard's
playing and offers to
lend his support in
finding employment in
Germany.
This
revised edition of the
Mendelssohn Violin
Concerto (only the
orchestral parts remain
unchanged) includes a
separate booklet on
performance practice.
The editor, Clive
Brown, is an acknowledged
expert on Romantic
performance
practice.
- New
source situation owing to
recently rediscovered
proofs - Revised
Urtext edition - With
a separate booklet on
performance practice
(Eng/Ger). $22.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Und Doch... Quatuor à cordes: 2 violons, alto, violoncelle Bote and Bock
Score and Parts String Quartet (Score & Parts) SKU: HL.48025044 String...(+)
Score and Parts String
Quartet (Score & Parts)
SKU: HL.48025044
String Quartet Score
and Parts. Composed
by Iris ter Schiphorst.
Boosey & Hawkes Chamber
Music. Classical.
Softcover. 80 pages.
Duration 520 seconds.
Bote & Bock #M202535967.
Published by Bote & Bock
(HL.48025044). UPC:
196288021735. For
its farewell season after
35 years, the Nomos
Quartet from Hanover
created a concert series
in 2019 around the works
by Ludwig van Beethoven,
who had set standards in
the field of string
quartets. For this event,
the ensemble commissioned
a new work from Irister
Schiphorst, in which the
composer at first studied
Beethoven's first
contribution to the
genre. However, her
distance from the
reference piece became
greater than initially
planned, and the question
that moved centre-stage
was: 'How does
Beethoven's music
resonate in me at all? Is
it musical gestures,
themes or moods?' The
tonal result of this
composing
self-exploration is -
rich in contrast, often
noise-like and pushing
the dynamic range to its
limits - the personal
reformulation of
Beethovian 'pathos
formulas',i. e. signs of
passionate experience
embodied in the universal
cultural heritage. $90.00 - Voir plus => Acheter | | |
| String Quartet No. 1 op 32 c (1974) Quatuor à cordes: 2 violons, alto, violoncelle [Conducteur] Fennica Gehrman
String quartet SKU: FG.042-08402-1 Composed by Paavo Heininen. Score. Pub...(+)
String quartet SKU:
FG.042-08402-1
Composed by Paavo
Heininen. Score.
Published by Fennica
Gehrman (FG.042-08402-1).
ISBN
979-0-042-08402-1.
This quartet forms part
of a major opus whose
different works make use
of the same tone row
matrix characterised by
the harmonic interval of
a third. Contrasting with
the aggressive, expansive
piano sonata which also
belongs to the opus, its
nostalgic tone is a mark
of respect for the
traditional ethos of
string music. Erkki
Salmenhaara compared the
work to a prism: As the
composer turns it, one
and the same shaft of
light gives birth over
and again to new patterns
and combinations of
colours. $39.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| String Quartet No. 1 op 32 c (1974) Quatuor à cordes: 2 violons, alto, violoncelle [Set de Parties séparées] Fennica Gehrman
String quartet SKU: FG.042-08403-8 Composed by Paavo Heininen. Parts. Pub...(+)
String quartet SKU:
FG.042-08403-8
Composed by Paavo
Heininen. Parts.
Published by Fennica
Gehrman (FG.042-08403-8).
ISBN
979-0-042-08403-8.
This quartet forms part
of a major opus whose
different works make use
of the same tone row
matrix characterised by
the harmonic interval of
a third. Contrasting with
the aggressive, expansive
piano sonata which also
belongs to the opus, its
nostalgic tone is a mark
of respect for the
traditional ethos of
string music. Erkki
Salmenhaara compared the
work to a prism: As the
composer turns it, one
and the same shaft of
light gives birth over
and again to new patterns
and combinations of
colours. $56.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Quartet for Heart and Breath Quatuor à cordes: 2 violons, alto, violoncelle Chester
String Quartet (Score & Parts) SKU: HL.14043527 String Quartet. Co...(+)
String Quartet (Score &
Parts) SKU:
HL.14043527 String
Quartet. Composed by
Richard Reed Parry. Music
Sales America. Classical,
Contemporary. Book
[Softcover]. Composed
2015. 12 pages. Chester
Music #CH83149. Published
by Chester Music
(HL.14043527).
9.25x12.0x0.091
inches.
English. Richard
Reed Parry 's Quartet For
Heart And Breath is an
innovative and original
piece based on the
performers' own bodily
rhythms. This sheet music
is for String Quartet
(Violin/Violin/Viola/Cell
o). Richard Reed Parry is
familiarto millions as
the lead singer of rock
band Arcade Fire, yet his
foray into classical
music is equally worthy
of attention. Quartet For
Heart And Breath is an
experiment into using the
performers' heartbeats
and breathing to dictate
the tempo. The performers
are instructed to wear
stethoscopes in order to
listen to their
heartbeats closely, while
one complete breath
corresponds to one bar
and two heartbeats equal
two crotchets. The result
is a quiet and subtle
piece, as each instrument
has to play softly so as
to be able to keep in
time. The piece also has
a naturally occurring
dynamism in that the
players' heart rates
constantly change as the
performance goes on, with
each instrument falling
in and out of sync
sometimes culminating in
a beautiful moment of all
heartbeats matching each
other. Interestingly,
this unique aspect means
that no performance will
ever be the same, meaning
to hear or play this
composition will be a
truly once in a lifetime
experience. Quartet For
Heart And Breath is a
superbly one-of-a-kind
composition by Richard
Reed Parry . Commissioned
by the Kronos Quartet,
this piece makes for a
wonderfully distinctive
performance, with
fascinating implications
for the connection
between the music and the
body. $15.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Concerto for Violin and Orchestra in E Minor, Op. 64 Violon et Piano Barenreiter
Violin-solo, piano (Violin solo, Piano) SKU: BA.BA09099-92 First Versi...(+)
Violin-solo, piano
(Violin solo, Piano)
SKU: BA.BA09099-92
First Version
1844. Composed by
Felix Bartholdy
Mendelssohn. Edited by R.
Larry Todd. This edition:
urtext edition. Stapled.
Barenreiter Urtext. Early
version 1844. Piano
reduction, Part. Opus 64.
Duration 12 hours.
Baerenreiter Verlag
#BA09099_92. Published by
Baerenreiter Verlag
(BA.BA09099-92). ISBN
9790006565733. 31 x 24.3
cm inches. Key: E minor.
Preface: Larry R.
Todd. Mendelssohn's
Violin Concerto op. 64,
is a key work of the 19th
century, adhering to the
classical style of
Beethoven while pointing
the way to the romantic
ethos of Brahms. It has
long been known that
Mendelssohn performed the
work with three soloists
in succession: Ferdinand
David, who worked closely
with the composer during
its composition and
played it at the
premiere; the 'child
prodigy' Joseph Joachim;
and Hubert Leonard, a
young Belgian virtuoso
about whom little is
known.
As proof
sheets for the Violin
Concerto in E minor were
long considered lost, it
could be described as
somewhat of a sensation
when proofs for the solo
violin part resurfaced
together with a letter
from Mendelssohn to
Leonard.
The
letter informs us that
the composer invited
Leonard to his home in
Frankfurt in order to
make his acquaintance. It
was already known that
Mendelssohn had given
proof sheets to David;
now we know that he also
gave some to
Leonard.
The
recently discovered
proofs reveal how Leonard
played the concerto with
Mendelssohn on that
memorable evening in
February 1845. Besides
containing bowing marks
and fingering, they also
show how Leonard executed
shifts of position and
where he employed open
strings. Furthermore
modifications made to
dynamic markings and
additional legato bowing
are shown.
It is
safe to assume that all
of this was done with
Mendelssohn's approval.
That the young violinist
made a positive
impression on the
composer is confirmed in
the latter's
correspondence following
their joint performance.
Mendelssohn is full of
praise for Leonard's
playing and offers to
lend his support in
finding employment in
Germany.
This
revised edition of the
Mendelssohn Violin
Concerto (only the
orchestral parts remain
unchanged) includes a
separate booklet on
performance practice.
The editor, Clive
Brown, is an acknowledged
expert on Romantic
performance
practice.
- New
source situation owing to
recently rediscovered
proofs - Revised
Urtext edition - With
a separate booklet on
performance practice
(Eng/Ger).
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
B�¤renreiter Urtext
Orchestral
Parts - Urtext
editions as close as
possible to the
composer�s
intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
$38.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| String Quartet No. 4 Quatuor à cordes: 2 violons, alto, violoncelle Carl Fischer
Chamber Music String Quartet SKU: CF.BE24 The Planet on the Table....(+)
Chamber Music String
Quartet SKU:
CF.BE24 The Planet
on the Table.
Composed by Martin
Bresnick. Folio. Set of
Score and Parts.
48+20+16+16+16 pages.
Duration 32 minutes. Carl
Fischer Music #BE24.
Published by Carl Fischer
Music (CF.BE24). ISBN
9781491156780. UPC:
680160915323. 9 x 12
inches. La. Based
on Wallace Stevens' poem
The Planet on the Table
this string quartet's
world is made of the
music and sounds of
remembered times or of
something heard that the
composer, Martin
Bresnick, liked. The
quartet has five
movements, each headed by
a quotation from one of
Stevens' poems as a point
of departure or pathway
into those remembered
sounds and music. What
matters is that my music,
like his (Stevens')
poetry, should bear some
lineament or character,
some affluence, if only
half perceived in the
poverty of its sounds, of
the planet of which it
was part.. Wallace
Stevens' poem The Planet
on the Table begins -
Ariel was glad he had
written his poems, They
were of a remembered time
Or of something seen that
he liked. In this string
quartet, also entitled
The Planet on the Table,
my planet is made of the
music and sounds of a
remembered time or of
something heard that I
liked. The quartet has
five movements, each
headed by a quotation
from one of Stevens'
poems* as a point of
departure or pathway into
those remembered sounds
and music: I. Mrs.
Anderson's Swedish Baby
II. She Measured the Hour
III. Scene 10 Becomes 11
IV. Someone Has Walked
Across the Snow V. His
Self and the Sun Like
Stevens, my self and the
sun are one, and my
music, like his poetry,
although makings of my
self, is also makings of
the sun. Stevens wrote it
was not important that
his poetry survive, which
is also true of my work.
What matters is that my
music, like his poetry,
should bear some
lineament or character,
some affluence, if only
half perceived in the
poverty of its sounds, of
the planet of which it
was part. *Sources for
the titles: I. The
Pleasures of Merely
Circulating II. The Idea
of Order at Key West III.
Chaos in Motion and Not
in Motion IV. Vacancy in
the Park V. The Planet on
the Table. Wallace
Stevens' poem The Planet
on the Table begins
-Ariel was glad he had
written his poems,They
were of a remembered
timeOr of something seen
that he liked.In this
string quartet, also
entitled The Planet on
the Table, my planet is
made of the music and
sounds of a remembered
time or of something
heard that I liked.The
quartet has five
movements, each headed by
a quotation from one of
Stevens' poems* as a
point of departure or
pathway into those
remembered sounds and
music:I. Mrs. Anderson's
Swedish BabyII. She
Measured the HourIII.
Scene 10 Becomes 11IV.
Someone Has Walked Across
the SnowV. His Self and
the SunLike Stevens, my
self and the sun are one,
and my music, like his
poetry, although makings
of my self, is also
makings of the sun.
Stevens wrote it was not
important that his poetry
survive, which is also
true of my work.What
matters is that my music,
like his poetry, should
bear some lineament or
character, some
affluence, if only half
perceived in the poverty
of its sounds, of the
planet of which it was
part.*Sources for the
titles:I. The Pleasures
of Merely CirculatingII.
The Idea of Order at Key
WestIII. Chaos in Motion
and Not in MotionIV.
Vacancy in the ParkV. The
Planet on the Table. $55.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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