| Jouni Kaipainen: Tenebrae, Op. 39 Guitare Wilhelm Hansen
Guitar SKU: HL.14017586 For Guitar. Composed by Jouni Kaipainen. M...(+)
Guitar SKU:
HL.14017586 For
Guitar. Composed by
Jouni Kaipainen. Music
Sales America. Classical.
Book [Softcover]. 20
pages. Edition Wilhelm
Hansen #KP01518.
Published by Edition
Wilhelm Hansen
(HL.14017586). ISBN
9788759879412.
English-Danish. Pre
face I Programme Note
TENEBRAE was commissioned
by the Turku (Abo) Music
Festival and composed for
Finnish guitarist Timo
Korhonen, whom I had
known and admired for a
long time. Timo gave a
brillant premiere of
TENEBRAE in Turku on
August 13, 1991 and has
played it several times
since then. The title is
Latin, and means darkness
or gloom, but it also
refers to the Roman
Catholic matins and lauds
services in Holy Week.
These are held as dusk
falls, and the idea is
that the sixteen candles
that are burning at the
beginning of the service
are gradually
extinguished until, after
sixteenprayers, the
church is in darkness.
The same development is
carried through
inTENEBRAE by musical
means, so that we have
not yet had to resort to
acandlelit setting -
although it is by no
means out of the
question. The piece makes
extensive use of the
guitar's properties for
revealing quiet, intimate
feelings, although
naturally in a work of
this scope there is
contrasting material
included. Jouni
Kaipainen, 1993. $25.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Tener Tenebrum I & II Guitare Fennica Gehrman
Guitar solo SKU: FG.55011-159-2 Composed by Tommi Karkkainen. Published b...(+)
Guitar solo SKU:
FG.55011-159-2
Composed by Tommi
Karkkainen. Published by
Fennica Gehrman
(FG.55011-159-2). ISBN
979-0-55011-159-2.
Karkkainen has written
several chamber works
which include guitar, and
his work list also
includes a concerto for
silent guitar. Tener
Tenebrum dates from 2007
and it was commisioned by
the Helsinki Guitar
Society. $16.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Go for Guitar Vol.2 MDS (Music Distribution Services) (+)
-
Russian Dance
-
Troika
-
Katibim
-
Swedish Farewell Song
-
Viking Shanty
-
The Galway Piper
-
Oh Susanna
-
Hit the Bass
-
Lady Guitarra
-
The Streets Of Laredo
-
Tropical Strings
-
Skip to My Lou (Flies
in the Buttermilk)
-
Scottish Dance
-
Preview
-
There is a hole in my
Bucket
-
Major to Minor
-
A Major in Second
Position
-
Study in II
-
Run For Your Life
-
Simi Jardech
-
Can Can
(Offenbach)
-
Catch Question
-
A Little Rhapsody
-
Mayas Amigos
-
A Glorious Day
-
Danza Constanza
-
Buffalo Gals
-
Trentum
-
Ma Bella Bimba
-
Chansonette
-
Dark Eyes
-
Tarantella
-
Un Petit Peu
-
Go Down Moses
-
Midnight Moscow
-
Gay Gordon
-
Cap Criollo
(Calypso) Open D
-
Little Brown Jug
-
Glory Hallelujah
-
Mexican Hat Dance
-
Danza Oriental
-
Go for the Blues
-
Tapas por Guitarras
-
Balkan Dance
-
Er is een Kindeke
-
Es Nadal
-
Joy To The World
-
O Denneboom
-
Jingle Bells
-
Silent Night
-
Away in A Manager
-
Ding Dong Merrily On High
-
We Wish You a Merry
Christmas
-
Used Chords
| | |
| Lieder und Tanze aus alten Tabulaturen Guitare [Conducteur] Deutscher Verlag für Musik
Guitar solo SKU: BR.DV-32094 Easy Guitar Music from the 16th-18th Cent...(+)
Guitar solo SKU:
BR.DV-32094 Easy
Guitar Music from the
16th-18th Century.
Composed by Adalbert
Quadt. Edited by Adalbert
Quadt. Arranged by
Adalbert Quadt. Solo
instruments; Softbound.
Deutscher Verlag.
Renaissance/early
Baroque; Baroque. Score.
72 pages. Deutscher
Verlag fur Musik #DV
32094. Published by
Deutscher Verlag fur
Musik (BR.DV-32094).
ISBN 9790200426397. 9
x 12 inches. Die
vorliegende Ausgabe
beinhaltet eine Vielzahl
verhaltnismassig leicht
spielbarer Stucke -
uberwiegend Lieder und
Tanze - und wendet sich
daher besonders an
Spieler, die ihr
technisches Konnen noch
weiter vervollkommnen
mochten, aber schon
Freude und Interesse an
der Wiederbelebung alter
Musik haben. Die
Kompositionen und
Bearbeitungen fur Lauten-
und Gitarreninstrumente
wurden bis gegen Ende des
18. Jahrhunderts in einer
Griffzeichenschrift - der
Tabulatur -
aufgezeichnet. Diese
Griffnotation ist in
verschiedenen Arten, auf
Buchstaben oder Zahlen
bzw. auf Buchstaben und
Zahlen basierend,
uberliefert. Man
unterscheidet deutsche,
italienische, spanische
und franzosische
Tabulaturen. Sie
bestanden lange Zeit
nebeneinander, wobei sich
schliesslich die
franzosische Tabulatur,
der ein Liniensystem (fur
die Saiten), auf dem die
Bunde durch Buchstaben
gekennzeichnet wurden,
zugrunde lag, als die
praktischste erwies. Um
die in diesen
verschiedenen
Griffzeichenschriften
niedergeschriebenen
Kompositionen allgemein
zuganglich zu machen, ist
es zweckmassig, sie in
die heute gultige
Notenschrift umzusetzen.
Da aber die
Tabulaturdrucke und
-manuskripte leider oft
sehr fehlerhaft und
unvollstandig sind,
verlangt die Ubertragung
grosse Sachkenntnis;
zuweilen ist die Auslese
an wirklich guter Musik
im Verhaltnis zur
aufgewendeten Zeit recht
gering. Um aber dem
Anliegen, moglichst viele
qualitatsvolle und
dennoch auf der Gitarre
leicht spielbare
Kompositionen vorzulegen,
gerecht zu werden, sind
in die Sammlung neben
Ubertragungen aus
Tabulaturen fur Gitarre
auch solche aus
Tabulaturen fur Calichon,
Mandora und
Renaissancelaute
aufgenommen worden. Von
einem grossen Teil der
Stucke sind die
Komponisten unbekannt, da
sie in den Quellen nicht
genannt werden - eine
Erscheinung, die in fast
allen Tabulaturen zu
beobachten ist. Die
alteste uns bekannte
Gitarrenmusik (Anfang des
16. Jahrhunderts) stammt
aus Uberlieferungen fur
die viersaitige
(doppelchorig) spanische
Gitarre. Gegen Ende des
16. Jahrhunderts wurde
die Gitarre funfsaitig
(doppelchorig) und erst
etwa 200 Jahre spater
erhielt sie die sechste
Saite - jedoch einchorig
- und hat sich so bis
heute erhalten. Die
Stimmung von Calichon und
Mandora war die gleiche
wie die der Gitarre,
allerdings waren sie
bereits seit der Wende
vom 17. zum 18.
Jahrhundert sechssaitig.
Es ist durchaus legitim,
die fur Calichon und
Mandora uberlieferten
Kompositionen auf der
Gitarre zum Klingen zu
bringen -dies um so mehr,
da kaum mit der
Wiedererweckung und
Verbreitung der beiden
Instrumente zu rechnen
ist. Anders verhalt es
sich mit der
Renaissancelaute, die
heute wieder haufiger
gespielt wird. Sie hat
die gleichen
Saitenintervalle (Quarten
und Terz) wie die
Gitarre, lediglich dass
das Terzintervall
zwischen der dritten und
vierten Saite liegt. Im
Interesse der weitaus
grosseren Zahl von
Gitarrespielern wurden
fur die vorliegende
Sammlung nur solche
Stucke ausgewahlt, die
auf der Gitarre bequem zu
greifen sind. Dem
Lautenspieler werden sie
infolge ihres geringen
Schwierigkeitsgrades
ebenfalls sehr willkommen
sein. Den im
Quellenverzeichnis
genannten Bibliotheken,
in denen ich zum Teil
schon vor mehr als 50
Jahren begonnen habe,
alte Lauten- und
Gitarrentabulaturen fur
diese und andere Ausgaben
zu sichten und zu
sammeln, sei bestens fur
die Uberlassung von
Handschriften, Drucken
und Filmen zur
Ubertragung oder zum
Vergleich gedankt. Die
Wiedergabe der Stucke
folgt so weit wie moglich
den Originalquellen,
lediglich offensichtliche
Fehler wurden
stillschweigend
korrigiert. Adalbert
Quadt, Berlin, im
Fruhjahr 1985. $30.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Encyclopedia of Irish and American Fiddle Tunes-for Fingerstyle Guitar Guitare notes et tablatures [Partition + Accès audio] - Intermédiaire Mel Bay
Fingerstyle guitar - Intermediate SKU: MB.98545M For Fingerstyle Guita...(+)
Fingerstyle guitar -
Intermediate SKU:
MB.98545M For
Fingerstyle Guitar.
Composed by Duck Baker.
Tunebook, Perfect
binding, Tunebooks,
Solos, Celtic / Irish,
American Music, World.
Encyclopedia. Style. Book
and online audio. 152
pages. Mel Bay
Publications, Inc
#98545M. Published by Mel
Bay Publications, Inc
(MB.98545M). ISBN
9780786695737. 8.75 x
11.75 inches. This
volume is intended as a
folio of arrangements
from the repertoire of a
working musician. As
such, there is only a
minimum of discussion
about the technical
aspects of playing.
Students who have already
dealt with the American
style called
fingerpicking or
fingerstyle guitar, which
is quite distinct from
other kinds of guitar
playing, will be at an
advantage. The easiest
arrangements here are
early intermediate level,
while the other end of
the scale includes pieces
that may challenge even a
professional. Tunes
within each section are
presented generally in
order of difficulty. The
bulk of the tunes
presented are fiddle
tunes, with a couple of
banjo tunes and several
songs as well as tunes
originally played on
other instruments such as
harp, pipes, or
accordion. There are even
a small number composed
for the guitar. For the
most part, differences in
approach among the tunes
here are unrelated to the
instrumental sources. All
the tunes are presented
in notation and
tablature. Includes
access to online
audio. $24.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Parking Lot Picker's Play-Along: Guitar Guitare [Partition + Accès audio] Mel Bay
Guitar - Beginning-Intermediate SKU: MB.30115M Composed by Dix Bruce. Sad...(+)
Guitar -
Beginning-Intermediate
SKU: MB.30115M
Composed by Dix Bruce.
Saddle-stitched,
Tunebook, Bluegrass,
Tunebooks. Parking Lot
Pickers. Style. Book and
online audio. 52 pages.
Mel Bay Publications, Inc
#30115M. Published by Mel
Bay Publications, Inc
(MB.30115M). ISBN
9780786698929. 8.75 x
11.75 inches. The
best way to learn a
musical instrument is to
play it as much as
possible, and the most
enjoyable way is with
other musicians in a band
setting. Trading songs,
interacting with other
instrumentalists, and
building an ensemble
sound help you learn much
faster than approaching a
new instrument on your
own. This play- along
series of books and
companion audio promotes
a fun way of learning by
providing you with a band
to play along with. You
can practice chords and
rhythm, singing and
lyrics, melodies, solos,
licks, and back-up
playing along with a real
band. The companion audio
includes Dix Bruce on the
guitar, mandolin and
vocals, Bill Evans on the
banjo and vocals, Julie
Cline on vocals, and
Cindy Browne on the
string bass. The songs
are recorded just as they
would be played at a jam
session or performance,
with introductions
kickoffs , vocals and
solos. By playing
back-up/melody and
singing along, you will
have a lot of fun while
you learn. Open solo
spaces in the recordings
allow you to play the
chords and solos from the
book, create your own
improvised solos, or sing
the lyrics while the band
provides accompaniment.
The book includes fifteen
of the most popular
bluegrass, old-time and
gospel songs, recorded at
slow and regular tempos
in the audio. No matter
what your ability level
is on the guitar, you can
enjoy playing along with
the band. Includes access
to online audio. $19.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Guitar Picking Tunes - Jumpin' Guitar Jam Tunes Guitare notes et tablatures [Partition + Accès audio] - Intermédiaire Mel Bay
Guitar (flatpicking) - Intermediate SKU: MB.WBM45M Composed by William Ba...(+)
Guitar (flatpicking) -
Intermediate SKU:
MB.WBM45M Composed by
William Bay.
Saddle-stitched, Jazz,
Tunebook, Bluegrass,
Featured Products, Solos,
Tunebooks. Guitar Picking
Tunes. Style. Book and
online audio. 24 pages.
Mel Bay Publications, Inc
#WBM45M. Published by Mel
Bay Publications, Inc
(MB.WBM45M). ISBN
9780999698082. 8.75 x
11.75 inches. This collection of
24 original fun-to-play
compositions for guitar
includes swing, gypsy
jazz, bluegrass and even
Latin jazz written in
notation and tablature.
Jumpin' Guitar Jam
Tunes will enhance
technique and enable the
guitarist to develop a
â??swinging picking
style.â? The pieces
are scored in differing
keys in order to help
explore the nuances of
the guitar fingerboard.
Includes access to online
audio. $14.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
Plus de résultats boutique >> |