| Peter and the Wolf Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor [Conducteur et Parties séparées] Trillenium Music Company
By Sergei Prokofiev (1891-1953). Arranged by Earl C. North. For woodwind quintet...(+)
By Sergei Prokofiev
(1891-1953). Arranged by
Earl C. North. For
woodwind quintet,
narrator and optional
percussion. Classical.
Score and parts
$95.00 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Klar/obskur Oboe,bassoon And Piano Performance Score Hautbois, Basson et Piano Schott
Oboe, bassoon and piano - difficult SKU: HL.49016219 Composed by Benjamin...(+)
Oboe, bassoon and piano -
difficult SKU:
HL.49016219 Composed
by Benjamin Schweitzer.
This edition: Saddle
stitching. Sheet music.
Misc. Score (also
performance score).
Composed 2006. 73 pages.
Duration 10'. Schott
Music #ED 20121.
Published by Schott Music
(HL.49016219). ISBN
9790001146449. UPC:
884088202538.
9.0x12.0x0.195
inches. The
chiaroscuro-technique
developed by painters of
the Italian renaissance
served to intensify
contrasts and effects of
optical depth. In
Klar/Obskur, I tried to
transfer the general idea
of this technique on the
rather unusual
instrumentation of two
double-reed woodwinds and
piano. On the one hand, a
clear, well articulated
playing is characteristic
for these instruments, on
the other hand, they have
an often underestimated
potential of 'twilight':
air-sounds and fragile,
shady colours have a
especially attractive
when being produced by
double-reed instruments
(which are often, and
superficially regarded as
being less capable of
differentiated sounds
than flute or clarinet).
The piano, too, has a
broad bandwidth of
possibilities between
percussive and delicate
playing to complement the
woodwinds which, in
return, can absorb and
continue the fading piano
sounds.The beginning
introduces the two
contrasting elements that
form the basic material
for the piece: a clear,
sharp chord, followed by
fragile, dim sounds. The
changes between these
elements as well as their
combination and
amalgamation produce an
enormous spectrum of
colours and gesture.
After this 'motto-like'
opening follow four quite
clearly separated short
sections, each of them
being characterised by a
well-defined texture: a
partly almost
imperceptible air-sound
passage, a short sequence
of microintervallic
notes, a burst of
virtuosity and a recourse
to the fragile sounds of
the beginning.The second,
longer main part consists
of three sections merging
subtly into each other: a
short unisono-passage,
marked elastic [federnd],
is being dissolved into
its basic elements; from
these remainders, a
confrontation of low,
'arcane' bassoon and
piano sounds and a
strongly ornamented
melodic line of the oboe
emerges, leading to a
short but powerful
climax. The piece is
concluded by an extended,
relaxed epilogue,
containing a short piano
solo and a duet of oboe
and bassoon and, finally,
a quotation of the
'elastic' character of
the middle
section.Benjamin
Schweitzer. $40.00 - Voir plus => Acheter | | |
| The Trout Fantasy [Conducteur et Parties séparées] - Facile De Haske Publications
5-Part Flexible Ensemble and Percussion - early intermediate SKU: BT.DHP-1125...(+)
5-Part Flexible Ensemble
and Percussion - early
intermediate SKU:
BT.DHP-1125348-070
Based on Die Forelle,
Op. 32 by Franz
Schubert. Composed by
Robert van Beringen.
Music Box. Set (Score &
Parts). Composed 2013. De
Haske Publications #DHP
1125348-070. Published by
De Haske Publications
(BT.DHP-1125348-070).
9x12 inches. The
Austrian composer Franz
Schubert wrote his famous
song The Trout
(D550) in 1817. This
song reappeared as the
basis of a set of
variations for the fourth
movement of the renowned
Trout Quintet,
so-named as a reference
to the title of the song.
Robert van Beringen used
the lively theme for
The Trout Fantasy,
which he has written for
a variable wind
ensemble.The five-part
arrangement has optional
percussion parts added.
The set contains C, B
flat and E flat parts,
allowing for many
different
instrumentations.
In 1817 schreef de
Oostenrijkse componist
Franz Schubert het
bekende lied Die
Forelle (opus 32).
Hij hergebruikte het in
1819 voor het vierde deel
van zijn beroemde
Forellenkwintet,
waarvan de titel op het
lied is gebaseerd. Robert
van Beringen gebruikte
het levendige thema voor
The Trout Fantasy,
een stuk voor variabel
blazersensemble.Naast de
vijfstemmige
instrumentatie zijn ook
optionele slagwerkstemmen
toegevoegd. De set wordt
geleverd met C-, Bb- en
Eb-stemmen, zodat het
werk in allerlei
samenstellingen kan
worden gespeeld.Part 1
fluit hobo kl Bb kl Eb
s-sax trp Part 2 fluit
althobo kl Bb alt-kl
a-sax trp hrn Part 3
alt-kl althobo t-sax
fagothrn tromb euph Part
4 tromb euph Part 5
bas-kl b-sax fagot tromb
euph tuba Opt. kl. sp.
pauk perc 1 perc 2
Im Jahre 1817
schrieb der
österreichische
Komponist Franz Schubert
das bekannte Lied Die
Forelle (opus 332).
1819 verwendete er dieses
Lied erneut im vierten
Satz seines berühmten
Forellenquintetts,
dessen Name auf den Titel
des Liedes zurückgeht.
Robert van Beringen
verwendete das lebhafte
Thema für The Trout
Fantasy
(Forellen-Fantasie), die
er für ein variables
Bläserensemble mit
Schlagzeug schrieb.Der
fünfstimmigen
Instrumentierung wurden
optionale
Schlagzeugstimmen
hinzugefügt. Das Set
enthält C-, B- und
Es-Stimmen, sodass dieses
Stück in vielerlei
Besetzungen gespielt
werden kann.Part 1 Fl Ob
Kl B/Es S-Sax Trp Part 2
Fl Cor Ang Kl B A-Kl
A-Sax TrpHrn Part 3 A-Kl
Cor Ang T-Sax Fg Hn Pos
Euph Part 4 Pos Euph Part
5 B-Kl B-Sax Fg Pos Euph
Tuba Opt. Gl.sp. Timp
Perc 1 Perc 2
Quintette vent
instrumentation variable
(avec percussion)Le
compositeur autrichien
Franz Schubert a écrit
sa célèbre
mélodie Die
Forelle D 550 (La
Truite) en 1817. Ce lied
est cependant pleinement
mis en évidence dans
les variations du
quatrième mouvement
extrait du Quintette
de la Truite, ainsi
nommé en
référence au titre
initial. Robert van
Beringen a repris ce
thème pétillant
dans un arrangement,
The Trout Fantasy
, écrit pour quintette
vent instrumentation
variable.Cette version
contient les parties pour
instruments en Ut, Si
bémol, Fa et Mi
bémol, ce qui rend cet
arrangement accessible de
nombreuses
instrumentations. De
plus, elle contient
unepartie optionnelle de
percussion.Voix 1 Fl Htb
Cl. Si b Sax. S. TrpVoix
2 Fl Cl. Si b Cl. Alto
Sax. A. Trp CorVoix 3 Cl.
Alto Sax. T. Basson Cor
Trb Euph.Voix 4 Sax. T.
Basson Trb Euph.Voix 5
Cl. Basson Sax. B. Basson
Trb Euph. Tuba C. Cordes
Opt. GlockenspielTimb.
Perc. 1 Perc. 2
Nel 1817, il
compositore austriaco
Franz Schubert compose il
noto lied La Trota
(opus 32). Schubert lo
utilizzò nuovamente
nel 1819 nel quarto
movimento del suo famoso
Quintetto della
trota. Robert van
Beringen ha utiizzato
questo vivace tema per la
sua fantasia.Voce 1
Flauto Oboe Cl. Sib/Mib
Sax S. Tromba Voce 2
Flauto Cor. Ing Cl. Sib
Cl. Alto Sax A. Tromba
Corno Voce 3 Cl. Alto
Cor. Ing Sax T. Fg Corno
Tbn Euf. Voce 4 Tbn Euf.
Voce 5 Cl. Bas Sax B. Fg
Tbn Euf. Tuba Opt.
Mallets Timp Perc 1 Perc
2 The five-part
arrangement has optional
percussion parts added.
The set contains C, B
flat and E flat parts,
allowing for many
differentinstrumentations
. $42.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
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