PIANO

By George Rochberg. For Piano. Duration 28:. Published by Theodore Presser Company.

For Piano Solo. Composed by William Bolcom. E.B. Marks. Softcover. 16 pages. Published by Edward B. Marks Music

By George Rochberg. For piano. Duration 5:30. Published by Theodore Presser Company.

For Piano. By George Rochberg. For Piano Solo. Classical. Performance score. Composed 1956. 32 pages. Duration 23:00. Published by Theodore Presser Company.

For B-Flat Clarinet, F Horn, and Piano. By George Rochberg. Mixed chamber ensemble. For Clarinet, Horn, Piano. Score and parts. Composed 1980. 80 pages. Duration 20:00. Published by Theodore Presser Company.

Suite for Piano Solo. By George Rochberg. Solo piano. For Piano Solo. Solo part. 39 pages. Published by Theodore Presser Company.

Keyboard

SKU: HH.HH451-SOL

Composed by George Berg. Edited by Michael Talbot. Keyboard. Playing score. Edition HH Music Publishers #HH451-SOL. Published by Edition HH Music Publishers (HH.HH451-SOL).

ISBN 9790708146582.

At the heart of George Berg's oeuvre are his seven collections of keyboard music. His sonatinas for harpsichord were a by-product of his teaching, appearing in three volumes between 1759 and 1762. Technically fairly simple, these are lively, inventive and finely polished works. Berg's sonatinas are as well suited to the piano as the harpsichord sonatas of Domenico Scarlatti from which they draw so much inspiration, provided that the player makes sparing (or no) use of the sustaining pedal and avoids over-fussy dynamic variation.

Keyboard

SKU: HH.HH450-SOL

Composed by George Berg. Edited by Michael Talbot. Keyboard. Playing score. Edition HH Music Publishers #HH450-SOL. Published by Edition HH Music Publishers (HH.HH450-SOL).

ISBN 9790708146575.

At the heart of George Berg’s oeuvre are his seven collections of keyboard music. His sonatinas for harpsichord were a by-product of his teaching, appearing in three volumes between 1759 and 1762. Technically fairly simple, these are lively, inventive and finely polished works. Berg’s sonatinas are as well suited to the piano as the harpsichord sonatas of Domenico Scarlatti from which they draw so much inspiration, provided that the player makes sparing (or no) use of the sustaining pedal and avoids over-fussy dynamic variation.