2 partitions trouvées ordonnées par :
Partitions (expédition des USA)
Serenade Carl Fischer
Full orchestra Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabass, Crash C...(+)
Full orchestra Bassoon 1,
Bassoon 2, Clarinet 1,
Clarinet 2, Contrabass,
Crash Cymbals, Flute 1,
Flute 2, Glockenspiel,
Harp, Horn 1, Horn 2,
Horn 3, Oboe 2,
Percussion 1, Percussion
2, Piccolo, Suspended
Cymbal, Timpani, Trombone
1, Trombone 2, Trumpet 1
and more.
SKU:
CF.SC88
Composed by
William Grant Still. Full
score. 32 pages. Duration
9 minutes, 20 seconds.
Carl Fischer Music #SC88.
Published by Carl Fischer
Music (CF.SC88).
ISBN
9781491158845. UPC:
680160917563.
Willi
am Grant Stillas catalog
of works comprises over
200 pieces, including
five symphonies, nine
operas, four ballets and
numerous works for
chamber ensembles. He
initially found
employment as an oboist
in pit orchestras in New
York City, later as an
arranger of popular music
for various ensembles,
including those by
William C. Handy, James
P. Johnson and Paul
Whiteman. His career as a
composer was launched
with a performance in
1931 of his Symphony No.
1 aAfro-Americana by the
Rochester Philharmonic,
conducted by Howard
Hanson, who would remain
a life-long champion of
Stillas orchestral works.
By the 1950s the symphony
had been performed in New
York, Chicago, Los
Angeles and various
European capitals. This
notoriety earned Still a
Guggenheim Fellowship in
1934, after which he
moved to Los Angeles. He
is credited as the first
African-American to
conduct a major orchestra
(the Los Angeles
Philharmonic Orchestra),
the first to have an
opera performed by a
major company (Troubled
Island by the New York
City Opera in 1949), and
one of the first
composers to write for
radio, films and
television. So numerous
were his awards and
accolades, including
three Guggenheim
Fellowships and a variety
of honorary doctorates,
that he was designated as
the aDean of
Afro-American Composers.a
Still composed his
Serenade for Orchestra in
1957 on a commission by
the Great Falls High
School in Great Falls,
Montana. He later
transcribed the work for
a chamber ensemble of
flute, clarinet, harp and
strings. The piece
reflects Stillas interest
in American folk idioms,
with conventional
melodies and harmonies
that nonetheless express
a fresh and individual
compositional
voice. William Grant
Still's catalog of works
comprises over 200
pieces, including five
symphonies, nine operas,
four ballets and numerous
works for chamber
ensembles. He initially
found employment as an
oboist in pit orchestras
in New York City, later
as an arranger of popular
music for various
ensembles, including
those by William C.
Handy, James P. Johnson
and Paul Whiteman. His
career as a composer was
launched with a
performance in 1931 of
his Symphony No. 1
Afro-American by the
Rochester Philharmonic,
conducted by Howard
Hanson, who would remain
a life-long champion of
Still's orchestral works.
By the 1950s the symphony
had been performed in New
York, Chicago, Los
Angeles and various
European capitals. This
notoriety earned Still a
Guggenheim Fellowship in
1934, after which he
moved to Los Angeles. He
is credited as the first
African-American to
conduct a major orchestra
(the Los Angeles
Philharmonic Orchestra),
the first to have an
opera performed by a
major company (Troubled
Island by the New York
City Opera in 1949), and
one of the first
composers to write for
radio, films and
television. So numerous
were his awards and
accolades, including
three Guggenheim
Fellowships and a variety
of honorary doctorates,
that he was designated as
the Dean of Afro-American
Composers. Still composed
his Serenade for
Orchestra in 1957 on a
commission by the Great
Falls High School in
Great Falls, Montana. He
later transcribed the
work for a chamber
ensemble of flute,
clarinet, harp and
strings. The piece
reflects Still's interest
in American folk idioms,
with conventional
melodies and harmonies
that nonetheless express
a fresh and individual
compositional
voice. William Grant
Still’s catalog of
works comprises over 200
pieces, including five
symphonies, nine operas,
four ballets and numerous
works for chamber
ensembles. He initially
found employment as an
oboist in pit orchestras
in New York City, later
as an arranger of popular
music for various
ensembles, including
those by William C.
Handy, James P. Johnson
and Paul Whiteman. His
career as a composer was
launched with a
performance in 1931 of
his Symphony No. 1
“Afro-American” by
the Rochester
Philharmonic, conducted
by Howard Hanson, who
would remain a life-long
champion of Still’s
orchestral works. By the
1950s the symphony had
been performed in New
York, Chicago, Los
Angeles and various
European capitals.This
notoriety earned Still a
Guggenheim Fellowship in
1934, after which he
moved to Los Angeles. He
is credited as the first
African-American to
conduct a major orchestra
(the Los Angeles
Philharmonic Orchestra),
the first to have an
opera performed by a
major company (Troubled
Island by the New York
City Opera in 1949), and
one of the first
composers to write for
radio, films and
television. So numerous
were his awards and
accolades, including
three Guggenheim
Fellowships and a variety
of honorary doctorates,
that he was designated as
the “Dean of
Afro-American
Composers.”Still
composed his Serenade for
Orchestra in 1957 on a
commission by the Great
Falls High School in
Great Falls, Montana. He
later transcribed the
work for a chamber
ensemble of flute,
clarinet, harp and
strings. The piece
reflects Still’s
interest in American folk
idioms, with conventional
melodies and harmonies
that nonetheless express
a fresh and individual
compositional voice.
$25.00 - Voir plus => Acheter Délais: 1 to 2 weeks
Stride and Swing Piano Piano seul [Partition + Accès audio] - Intermédiaire Hal Leonard
Hal Leonard Keyboard Style Series. Hal Leonard Keyboard Style Series. Jazz, Inst...(+)
Hal Leonard Keyboard
Style Series. Hal Leonard
Keyboard Style Series.
Jazz, Instructional,
Swing and Stride.
Instructional book
(softcover) and online
audio. With instructional
text. 96 pages. Published
by Hal Leonard
(1) $22.99 - Voir plus => Acheter Délais: 24 hours - In Stock
From the Black Belt Carl Fischer
Orchestra Bass Clarinet, Bassoon, Clarinet 1, Clarinet 2, Contrabass, Flute 1, F...(+)
Orchestra Bass Clarinet,
Bassoon, Clarinet 1,
Clarinet 2, Contrabass,
Flute 1, Flute 2, Harp,
Horn 1, Horn 2, Horn 3,
Oboe, Percussion,
Timpani, Trumpet 1,
Trumpet 2, Trumpet 3,
Viola, Violin 1, Violin
2, Violoncello
SKU:
CF.SC89L
Seven
Little Pieces .
Composed by William Grant
Still. Large Score. 36
pages. Duration 12
minutes. Carl Fischer
Music #SC89L. Published
by Carl Fischer Music
(CF.SC89L).
William Grant
Still’s catalog of
works comprises over 200
pieces, including five
symphonies, nine operas,
four ballets and numerous
works for chamber
ensembles. He initially
found employment as an
oboist in pit orchestras
in New York City, later
as an arranger of popular
music for various
ensembles, including
those by William C.
Handy, James P. Johnson
and Paul Whiteman. His
career as a composer was
launched with a
performance in 1931 of
his Symphony No. 1
“Afro-American” by
the Rochester
Philharmonic, conducted
by Howard Hanson, who
would remain a life-long
champion of Still’s
orchestral works. By the
1950s the symphony had
been performed in New
York, Chicago, Los
Angeles and various
European capitals.This
notoriety earned Still a
Guggenheim Fellowship in
1934, after which he
moved to Los Angeles. He
is credited as the first
African-American to
conduct a major orchestra
(the Los Angeles
Philharmonic Orchestra),
the first to have an
opera performed by a
major company (Troubled
Island by the New York
City Opera in 1949), and
one of the first
composers to write for
radio, films and
television. So numerous
were his awards and
accolades, including
three Guggenheim
Fellowships and a variety
of honorary doctorates,
that he was designated as
the “Dean of
Afro-American
Composers.”The “Black
belt” refers to a
region in the southern
United States that was
distinguished by the
color of its fertile
soil. It was an area
whose rich economy was
based on cotton and
tobacco plantations that
were controlled by rich
white people and worked
by poor black laborers.
Still’s piece From the
Black Belt from 1926 is
presumably a musical
representation of these
laborers. He described
its seven parts in the
following ways: William
Grant Still’s catalog
of works comprises over
200 pieces, including
five symphonies, nine
operas, four ballets and
numerous works for
chamber ensembles. He
initially found
employment as an oboist
in pit orchestras in New
York City, later as an
arranger of popular music
for various ensembles,
including those by
William C. Handy, James
P. Johnson and Paul
Whiteman. His career as a
composer was launched
with a performance in
1931 of his Symphony No.
1 “Afro-American” by
the Rochester
Philharmonic, conducted
by Howard Hanson, who
would remain a life-long
champion of Still’s
orchestral works. By the
1950s the symphony had
been performed in New
York, Chicago, Los
Angeles and various
European capitals.This
notoriety earned Still a
Guggenheim Fellowship in
1934, after which he
moved to Los Angeles. He
is credited as the first
African-American to
conduct a major orchestra
(the Los Angeles
Philharmonic Orchestra),
the first to have an
opera performed by a
major company (Troubled
Island by the New York
City Opera in 1949), and
one of the first
composers to write for
radio, films and
television. So numerous
were his awards and
accolades, including
three Guggenheim
Fellowships and a variety
of honorary doctorates,
that he was designated as
the “Dean of
Afro-American
Composers.”The “Black
belt” refers to a
region in the southern
United States that was
distinguished by the
color of its fertile
soil. It was an area
whose rich economy was
based on cotton and
tobacco plantations that
were controlled by rich
white people and worked
by poor black laborers.
Still’s piece From the
Black Belt from 1926 is
presumably a musical
representation of these
laborers. He described
its seven parts in the
following ways: Li’l
Scamp If one were to base
his judgment on the
volume of sound, he would
think this little fellow,
who delights in playing
childish pranks, a big
scamp. But the aptness of
the title is determined
by the brevity of the
piece rather than by the
volume of sound.
Honeysuckle A musical
suggestion of the
saccharine odor of the
honeysuckle. Dance This
title is
self-explanatory. Brown
GirlA tone picture of a
lovely girl. Mah Bones Is
Creakin’An old man,
afflicted with
rheumatism, complains
loudly. BlueThe lament of
a weary soul. Clap Yo’
Han’sThe participants
in a game for children
form a circle and clap
their hands at
intervals.
$48.99 - Voir plus => Acheter Délais: 2 to 3 weeks
From the Black Belt Carl Fischer
Orchestra chamber orchestra SKU: CF.SC89 Seven Little Pieces . Comp...(+)
Orchestra chamber
orchestra
SKU:
CF.SC89
Seven
Little Pieces .
Composed by William Grant
Still. Full score. 36
pages. Duration 12
minutes. Carl Fischer
Music #SC89. Published by
Carl Fischer Music
(CF.SC89).
ISBN
9781491158852. UPC:
680160917570.
Scori
ng: Bass Clarinet in Bb,
Bassoon, Clarinet 1 in
Bb, Clarinet 2 in Bb,
Contrabass, Flute 1,
Flute 2, Harp, Horn 1 in
F, Horn 2 in F, Horn 3 in
F, Oboe, Percussion,
Timpani, Trumpet 1 in Bb,
Trumpet 2 in Bb, Trumpet
3 in Bb, Viola, Violin 1,
Violin 2 and
more. William
Grant Stillas catalog of
works comprises over 200
pieces, including five
symphonies, nine operas,
four ballets and numerous
works for chamber
ensembles. He initially
found employment as an
oboist in pit orchestras
in New York City, later
as an arranger of popular
music for various
ensembles, including
those by William C.
Handy, James P. Johnson
and Paul Whiteman. His
career as a composer was
launched with a
performance in 1931 of
his Symphony No. 1
aAfro-Americana by the
Rochester Philharmonic,
conducted by Howard
Hanson, who would remain
a life-long champion of
Stillas orchestral works.
By the 1950s the symphony
had been performed in New
York, Chicago, Los
Angeles and various
European capitals. This
notoriety earned Still a
Guggenheim Fellowship in
1934, after which he
moved to Los Angeles. He
is credited as the first
African-American to
conduct a major orchestra
(the Los Angeles
Philharmonic Orchestra),
the first to have an
opera performed by a
major company (Troubled
Island by the New York
City Opera in 1949), and
one of the first
composers to write for
radio, films and
television. So numerous
were his awards and
accolades, including
three Guggenheim
Fellowships and a variety
of honorary doctorates,
that he was designated as
the aDean of
Afro-American Composers.a
The aBlack belta refers
to a region in the
southern United States
that was distinguished by
the color of its fertile
soil. It was an area
whose rich economy was
based on cotton and
tobacco plantations that
were controlled by rich
white people and worked
by poor black laborers.
Stillas piece From the
Black Belt from 1926 is
presumably a musical
representation of these
laborers. He described
its seven parts in the
following ways:
William Grant Stillas
catalog of works
comprises over 200
pieces, including five
symphonies, nine operas,
four ballets and numerous
works for chamber
ensembles. He initially
found employment as an
oboist in pit orchestras
in New York City, later
as an arranger of popular
music for various
ensembles, including
those by William C.
Handy, James P. Johnson
and Paul Whiteman. His
career as a composer was
launched with a
performance in 1931 of
his Symphony No. 1
aAfro-Americana by the
Rochester Philharmonic,
conducted by Howard
Hanson, who would remain
a life-long champion of
Stillas orchestral works.
By the 1950s the symphony
had been performed in New
York, Chicago, Los
Angeles and various
European capitals. This
notoriety earned Still a
Guggenheim Fellowship in
1934, after which he
moved to Los Angeles. He
is credited as the first
African-American to
conduct a major orchestra
(the Los Angeles
Philharmonic Orchestra),
the first to have an
opera performed by a
major company (Troubled
Island by the New York
City Opera in 1949), and
one of the first
composers to write for
radio, films and
television. So numerous
were his awards and
accolades, including
three Guggenheim
Fellowships and a variety
of honorary doctorates,
that he was designated as
the aDean of
Afro-American Composers.a
The aBlack belta refers
to a region in the
southern United States
that was distinguished by
the color of its fertile
soil. It was an area
whose rich economy was
based on cotton and
tobacco plantations that
were controlled by rich
white people and worked
by poor black laborers.
Stillas piece From the
Black Belt from 1926 is
presumably a musical
representation of these
laborers. He described
its seven parts in the
following ways: Lial
Scamp If one were to base
his judgment on the
volume of sound, he would
think this little fellow,
who delights in playing
childish pranks, a big
scamp. But the aptness of
the title is determined
by the brevity of the
piece rather than by the
volume of sound.
Honeysuckle A musical
suggestion of the
saccharine odor of the
honeysuckle. Dance This
title is
self-explanatory. Brown
Girl A tone picture of a
lovely girl. Mah Bones Is
Creakina An old man,
afflicted with
rheumatism, complains
loudly. Blue The lament
of a weary soul. Clap Yoa
Hanas The participants in
a game for children form
a circle and clap their
hands at intervals.
$30.00 - Voir plus => Acheter Délais: 1 to 2 weeks
Jazz, Blues, Boogie and Swing For Piano Piano seul [Partition] - Intermédiaire/avancé Hal Leonard
By Various Composers. Piano Solo Songbook (Intermediate to advanced piano arrang...(+)
By Various Composers.
Piano Solo Songbook
(Intermediate to advanced
piano arrangements with
no lyrics). Size 9x1
inches. 128 pages.
Published by Hal Leonard.
(4) $18.99 - Voir plus => Acheter Délais: 24 hours - In Stock
Die Evolution des Solo Jazz Pianos Teil 1-2 Piano seul Advance Music
Piano SKU: AP.1-ADV20072 Traditionelle Stile & Moderne Stile (German L...(+)
Piano
SKU:
AP.1-ADV20072
Traditionelle Stile &
Moderne Stile (German
Language Edition) .
Composed by Bill Dobbins.
Jazz DVD;
Method/Instruction;
Reference Textbooks;
Technique Musicianship.
Advance Music. Jazz. DVD.
Advance Music
#01-ADV20072. Published
by Advance Music
(AP.1-ADV20072).
UPC:
805095200720.
German.
Die
Evolution des Solo Jazz
Pianos ist eine Studie
über 24 der
einflussreichsten Solo
Jazz Piano Stile, von
1900 bis heute. Um die
spezifischen Beiträge
der einzelnen Pianisten
deutlich zu
veranschaulichen,
komponierte Bill Dobbins
ein Thema, das auf der
Akkordfolge des bekannten
Standards All of Me
basiert. Durch die
Übertragung der
stilistischen Eigenheiten
auf ein und dasselbe
Thema ist es möglich,
die subtilen aber
trotzdem einprägsamen
Elemente jedes Stiles
klar zu erkennen.
Gemeinsamkeiten zwischen
Waller, Ellington, Tatum,
Monk und Rowles, Tatum,
Hines und Wilson, Smith
und Ellington, Corea und
Beirach etc.
veranschaulichen, dass
musikalische
Individualität
größtenteils das
Ergebnis unbewusster
Bevorzugung bestimmter
musikalischer Elemente
ist, und nicht die
Kultivierung der
Originalität um ihrer
selbst willen. Wir hoffen
aufrichtig, daß diese
DVD das Interesse am Solo
Jazz Piano aber auch an
kreativer Musik im
allgemeinen anregt.
LEHR-Programm gemäß §
14 JuSchG Titles:
Teil 1: Traditionelle
Stile Scott Joplin *
Jelly Roll Morton * James
P. Johnson * Willie The
Lion Smith * Earl Fatha
Hines * Thomas Fats
Waller * Teddy Wilson *
Duke Ellington * Art
Tatum * Meade Lux Lewis *
Pete Johnson * Jimmy
Yancey * Teil 2: Moderne
Stile Thelonious Monk *
Bud Powell * Oscar
Peterson * Erroll Garner
* Lennie Tristano * Bill
Evans * Clare Fischer *
Jimmy Rowles * Cecil
Taylor * Chick Corea *
Keith Jarrett * Richie
Beirach.
$29.95 - Voir plus => Acheter Délais: 4 to 6 weeks
The Contemporary Jazz Pianist Vol. 4 Piano seul Charles Colin Music
Piano SKU: M7.AHW-3008 Composed by Bill Dobbins. Sheet music. Performance...(+)
Piano
SKU:
M7.AHW-3008
Composed
by Bill Dobbins. Sheet
music. Performance book.
Charles Colin Corp. #AHW
3008. Published by
Charles Colin Corp.
(M7.AHW-3008).
English.
Eine
einmalige und informative
Stilstudie von 24 der
einflussreichsten
Pianisten der
Jazzgeschichte. A
comprehensive approach to
keyboard
improvisation.Both a
continuation of the study
of styles in Volume 3 and
a representation of these
style as developed by 24
of the most influential
soloists ever, including
Jelly Roll Morton, Earl
Hines, Art Tatum, Monk,
Cecil Taylor, Oscar
Peterson, Chick Corea,
and Keith Jarrett.
$55.95 - Voir plus => Acheter Délais: 4 to 6 weeks
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