| Madrigal Pavane / Timburibá [Conducteur] - Avancé Productions OZ
Guitar solo - Advanced SKU: DZ.DZ-4287 Composed by Francisco Braga. Arran...(+)
Guitar solo - Advanced
SKU: DZ.DZ-4287
Composed by Francisco
Braga. Arranged by
Luciano Lima. Score. Les
Productions d'OZ #DZ
4287. Published by Les
Productions d'OZ
(DZ.DZ-4287). ISBN
9782898522048. AntÃ
´nio Francisco Braga
(1868-1945) belongs to
the generation of
Brazilian composers of
the first republican
period, aesthetically
tied to romanticism,
alongside Henrique Oswald
(1852-1931), Leopoldo
Miguez (1850-1902),
Glauco Velásquez
(1884-1914), and Barrozo
Neto (1881-1941). Born in
Rio de Janeiro, on April
15th, 1868, he began his
musical studies at the
Asilo dos Meninos
Desvalidos, in 1876. In
1883, he enrolled at the
Imperial Conservatório
de Música where he
studied harmony and
counterpoint with Carlos
de Mesquita – a former
student of César Franck,
Durand, and Massenet –
and clarinet with
Antônio LuÃs de Moura.
Braga's first
compositions date from
this period: Sonho de
Dante (1885), Dolce far
niente (1886), the first
Valse Romantique for
piano (1886), among
others. In 1887, he
premiered his first
symphonic work,
Fantasia-Abertura. In
1890, being one of the
finalists in a
competition to choose the
new Brazilian national
anthem, Braga was awarded
a scholarship to study in
Europe, where he took
classes with Jules
Massenet at the Paris
Conservatory. During this
period, he wrote some of
his most important
symphonic works, Paysage,
Cauchemar, Episódio
Sinfônico, and Marabá
(which was performed by
Richard Strauss and the
Vienna Philharmonic in
1920, in Brazil). His
opera Jupyra is
considered one of the
greatest Brazilian
compositions of that
genre. Back in Brazil,
he was appointed
professor of
counterpoint, fugue, and
composition at the
Instituto Nacional de
Música, in 1902. There,
some of the finest
Brazilian composers
studied with him, like
Glauco Velásquez and
Lorenzo
Fernândez. Braga
wrote operas, symphonic
works, songs, sacred
music, two Masses, music
for piano, different
chamber formations, band,
and choir. He is the
author of many patriotic
hymns, the most popular
of which is Hino Ã
Bandeira (with lyrics by
Olavo Bilac). He explored
Brazilian nationalist
elements in some of his
works, as in Variações
sobre um Tema Brasileiro
and in the Trio for
violin, cello and piano,
whose third movement is
based on a lundu (a
musical genre and dance
of Afro-Brazilian
origin). In addition
to being a composer,
Braga was one of the most
active conductors of his
time, having been ahead
of three orchestras in
Rio de Janeiro: Instituto
Nacional de Música,
Sociedade de Concertos
Sinfônicos, and Theatro
Municipal. Braga
conducted the Brazilian
premiere of major
symphonic works such as
La Mer (Debussy), Pacific
231 (Honegger) besides
other numerous Brazilian
compositions. In 1938,
he retired from Instituto
Nacional de Música. He
passed away on March
14th, 1945, in Rio de
Janeiro. Unfortunately
, Francisco Braga never
wrote for the guitar.
However, over a century
ago his music had already
been incorporated to its
repertoire. According to
information found in
newspapers of the time,
Spanish guitarist
Josefina Robledo included
transcriptions of pieces
by Braga in her programs
when she performed in
Brazil: Gavota e Minuete
(from the melodrama
Contratador de
Diamantes), in 1919, in
São Paulo, and the
waltz-caprice Corrupio,
in 1921, in Rio de
Janeiro. The piano
score of Madrigal Pavane
was dedicated to Alexina
Leitão and published by
Casa Vieira Machado, in
1901. According to the
composer’s catalogue,
there are two other
versions of this piece:
strings orchestra (1901)
and quartet (which is
still in manuscript).
Dedicated to Braga’s
childhood friend José de
Souza Rocha, Timburibá
(the name of a Brazilian
tree) is a tango for
piano from 1886,
published by Narciso &
Arthur
Napoleão.
Antôni
o Francisco Braga
(1868-1945) appartient Ã
la génération des
compositeurs brésiliens
de la première période
républicaine,
esthétiquement liés au
romantisme, aux côtés
de Henrique Oswald
(1852-1931), Leopoldo
Miguez (1850-1902),
Glauco Velásquez
(1884-1914) , et Barrozo
Neto (1881-1941). Né Ã
Rio de Janeiro, le 15
avril 1868, il commence
ses études musicales Ã
l'Asilo dos Meninos
Desvalidos, en 1876. En
1883, il s'inscrit au
Imperial Conservatório
de Música où il étudie
l'harmonie et le
contrepoint avec Carlos
de Mesquita – ancien
élève de César Franck,
Durand et Massenet – et
clarinette avec Antônio
LuÃs de Moura. De cette
période datent les
premières compositions
de Braga : « Sonho de
Dante » (1885), « Dolce
far niente » (1886), la
première « Valse
Romantique » pour piano
(1886), entre
autres. En 1887, il
crée sa première œuvre
symphonique, «
Fantasia-Abertura ». En
1890, étant l'un des
finalistes d'un concours
pour choisir le nouvel
hymne national
brésilien, Braga obtient
une bourse pour étudier
en Europe, où il suit
les cours de Jules
Massenet au Conservatoire
de Paris. Durant cette
période, il écrit
certaines de ses Å“uvres
symphoniques les plus
importantes, « Paysage
», « Cauchemar », «
Episódio Sinfônico »
et « Marabá »
(interprétée par
Richard Strauss et la
Philharmonie de Vienne en
1920, au Brésil). Son
opéra « Jupyra » est
considéré comme l'une
des plus grandes
compositions
brésiliennes de ce
genre. De retour au
Brésil, il fut nommé
professeur de
contrepoint, de fugue et
de composition Ã
l'Instituto Nacional de
Música, en 1902. Là ,
certains des meilleurs
compositeurs brésiliens
étudièrent avec lui,
comme Glauco Velásquez
et Lorenzo
Fernândez. Braga a
écrit des opéras, des
Å“uvres symphoniques, des
chansons, de la musique
sacrée, deux messes, de
la musique pour piano,
différentes formations
de chambre, un orchestre
et une chorale. Il est
l'auteur de nombreux
hymnes patriotiques, dont
le plus populaire est «
Hino à Bandeira » (avec
des paroles d'Olavo
Bilac). Il a exploré des
éléments nationalistes
brésiliens dans
certaines de ses Å“uvres,
comme dans « Variações
sobre um Tema Brasileiro
» et dans le Trio pour
violon, violoncelle et
piano, dont le troisième
mouvement est basé sur
un « lundu » (un genre
musical et une danse
afro-américaine).
Origine
brésilienne). En plus
d'être compositeur,
Braga a été l'un des
chefs d'orchestre les
plus actifs de son
époque, ayant dirigé
trois orchestres à Rio
de Janeiro : « Instituto
Nacional de Música »,
« Sociedade de Concertos
Sinfônicos » et «
Theatro Municipal ».
Braga a dirigé la
première brésilienne
d'Å“uvres symphoniques
majeures telles que « La
Mer » (Debussy), «
Pacific 231 » (Honegger)
ainsi que de nombreuses
autres compositions
brésiliennes. En
1938, il prend sa
retraite de l'Instituto
Nacional de Música. Il
est décédé le 14 mars
1945 Ã Rio de
Janeiro. Malheureuseme
nt, Francisco Braga n’a
jamais écrit pour la
guitare. Cependant, il y
a plus d'un siècle, sa
musique était déjÃ
incorporée à son
répertoire. Selon des
informations trouvées
dans les journaux de
l'époque, la guitariste
espagnole Josefina
Robledo incluait des
transcriptions de pièces
de Braga dans ses
programmes lorsqu'elle se
produisait au Brésil :
« Gavota e Minuete »
(du mélodrame «
Contratador de Diamantes
»), en 1919, à São
Paulo, et la
valse-caprice « Corrupio
», en 1921, à Rio de
Janeiro. La partition
pour piano de « Madrigal
Pavane » a été
dédiée à Alexina
Leitão et publiée par
« Casa Vieira Machado
», en 1901. Selon le
catalogue du compositeur,
il existe deux autres
versions de cette pièce
: orchestre à cordes
(1901) et quatuor (qui
est encore manuscrit).
Dédié à José de Souza
Rocha, ami d'enfance de
Braga, « Timburibá »
(nom d'un arbre
brésilien) est un tango
pour piano de 1886,
publié par « Narciso &
Arthur Napoleão
». Envoyer des
commentaires Panneaux
latéraux HistoriqueEnregistrées. $9.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Finale from Don Quixote [Conducteur] - Avancé Kunzelmann
12 celli - Level 5 SKU: KU.GM-1960 For 12 Celli. Composed by Richa...(+)
12 celli - Level 5
SKU: KU.GM-1960
For 12 Celli.
Composed by Richard
Strauss. Edited by
Korbinian Bubenzer.
Arranged by Korbinian
Bubenzer. Bach format
(230 x 302). Staple
Bound. Full score, parts.
Op. 35. 26 pages.
Duration 5 minutes.
Edition Kunzelmann
#GM-1960. Published by
Edition Kunzelmann
(KU.GM-1960). ISBN
9790206208515. Key: D
major. This
arrangement of the finale
from the tone poem Don
Quixote is aimed at very
ambitious cellists, cello
students and
professionals. It is
ideally suited as an
encore at concerts with a
cello ensemble or at
recital evenings at
conservatories. The first
violoncello part is
completely identical to
the original solo part by
Richard Strauss. Those
who are currently
rehearsing this work may
well enjoy playing its
finale with an
ensemble. $21.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Fantasia & Fugue in C minor BWV 537 for 8-part Trombone Choir Ensemble de Trombones [Conducteur et Parties séparées] - Avancé Cherry Classics
Trombone Octet - advanced SKU: CY.CC2824 Composed by Johann Sebastian Bac...(+)
Trombone Octet - advanced
SKU: CY.CC2824
Composed by Johann
Sebastian Bach. Arranged
by Ralph Sauer. Baroque.
Score and parts.
Published by Cherry
Classics (CY.CC2824).
Bach's Fantasia
& Fugue in C minor, BWV
537 is a work for Organ
written around the year
1723 while the composer
was in residence in
Weimar.
Bach
composed many of his
greatest organ works
during this
period.
The
music of the Fantasia is
lush and ornate. The
Fugue is an amazing 130
bars in
length.
Thi
s work was transcribed
for orchestra in 1921 by
Edward Elgar who mourned
after the death of his
wife. He was to
orchestrate the Fugue and
Richard Strauss agreed to
do the Fantasia, however
after two years Elgar
completed the entire work
as Strauss never held up
his part of the
bargain.
Mr.
Sauer has subtly added
phrasings, breaths and
articulations to the
original score to aid in
the performance for
Trombone
choir.
The music
is about eight minutes in
length and is appropriate
for advanced
performers. $37.50 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Waltzes from Der Rosenkavalier for Trombone & Piano Trombone et Piano - Avancé Cherry Classics
Trombone & Piano - advanced SKU: CY.CC2687 Composed by Richard Strauss. A...(+)
Trombone & Piano -
advanced SKU:
CY.CC2687 Composed by
Richard Strauss. Arranged
by Ralph Sauer. Romantic
German. Solo part and
Piano accompaniment.
Published by Cherry
Classics (CY.CC2687).
Strauss's most
well-known opera, Der
Rosenkavalier has a most
convoluted plot. However,
knowing all its ins and
outs are not necessary
with Ralph Sauer's
gorgeous arrangement of
the suite of Waltzes for
Trombone with Piano
accompaniment. Written at
the very end of the
Romantic era in the early
20th century, the
melodies are beautiful,
the harmonies lush and
the rhythms intoxicating.
For advanced performers
this 12 minute work will
be a great addition to
any recital. $32.50 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Waltzes from Der Rosenkavalier for Tuba or Bass Trombone & Piano - Avancé Cherry Classics
Tuba or Bass Trombone & Piano - advanced SKU: CY.CC2690 Composed by Richa...(+)
Tuba or Bass Trombone &
Piano - advanced SKU:
CY.CC2690 Composed by
Richard Strauss. Arranged
by Ralph Sauer. Romantic
German. Solo part and
Piano accompaniment.
Published by Cherry
Classics (CY.CC2690).
Strauss's most
well-known opera, Der
Rosenkavalier has a most
convoluted plot. However,
knowing all its ins and
outs are not necessary
with Ralph Sauer's
gorgeous arrangement of
the suite of Waltzes for
Tuba or Bass Trombone
with Piano accompaniment.
Written at the very end
of the Romantic era in
the early 20th century,
the melodies are
beautiful, the harmonies
lush and the rhythms
intoxicating. For
advanced performers this
12 minute work will be a
great addition to any
recital. $32.50 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Themes from Don Juan for 4-part Trombone Choir Quatuor de cuivres: 4 trombones [Conducteur et Parties séparées] - Avancé Cherry Classics
Trombone Ensemble-4 - advanced SKU: CY.CC2522 Composed by Richard Strauss...(+)
Trombone Ensemble-4 -
advanced SKU:
CY.CC2522 Composed by
Richard Strauss. Arranged
by Jeremy Kempton.
Romantic German. Score
and parts. Published by
Cherry Classics
(CY.CC2522).
The highlights
Richard Struass' great
tone poem, Don Juan, have
been arranged for 4-part
Trombone ensemble by
Jeremy Kempton. This
brilliant masterpiece is
one of the most performed
works in the orchestral
literature. The dashing
melodies, rich harmonies
and the passion of the
original come through in
Mr. Kempton's
arrangement. Written
for advanced performers,
this 4 minute work will
add a wonderful climax to
any program. $27.50 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Flute Orchestral Excerpts Flûte traversière - Avancé The Frederick Harris Music Company
Flute - Beginner - Advanced SKU: FH.FLE01 2010 Edition. Composed b...(+)
Flute - Beginner -
Advanced SKU:
FH.FLE01 2010
Edition. Composed by
The Royal Conservatory.
Overtones: A
Comprehensive Flute
Series. Book. The
Frederick Harris Music
Company #FLE01. Published
by The Frederick Harris
Music Company (FH.FLE01).
ISBN
978-1-55440-300-4.
Unparalleled in scope,
Overtones offers all the
music flutists want in
one complete series! This
progressive collection
includes fundamental
repertoire and supporting
materials such as
Studies, Compact Discs,
Orchestral Excerpts, and
Technique. The richness
of music carefully
selected for this
compilation will resonate
with teachers and
students at every level
of study.This compilation
of standard orchestral
passages for flute is an
indispensable resource
for the developing years
and beyond. Teachers and
students will find this
unrivalled volume
essential for examination
or audition
preparation.
Slavo
nic Dances, op. 46, no. 1
Antonin Dvorak
Symphony No. 100 in G
Major (Military): II
Franz Joseph Haydn Le
carnaval des animaux:
Aquarium Camille
Saint-Saens HMS
Pinafore: I'm Called
Little Buttercup Arthur
Sullivan La forza del
destino: Overture
Giuseppe Verdi Serse
(Xerxes), HWV 40: Va
godendo vezzoso e bello
George Frideric Handel
Symphony No. 100 in G
Major (Military): III
Franz Joseph Haydn Ma
Vlast: II Bedrich Smetana
HMS Pinafore: When I
Was a Lad Arthur Sullivan
Nutcracker Suite:
Overture Pyotr Il'yich
Tchaikovsky Symphony
No. 6 (Pastoral): III
Ludwig van Beethoven
Symphony No. 9 in E
Minor, op. 95 (New
World): I Antonin Dvorak
Faust: Soldier's
Chorus Charles Gounod
Peer Gynt Suite No.
1, op. 46: I Edvard Grieg
Symphony No. 102 in B
flat Major: I Franz
Joseph Haydn
Brandenburg Concerto
No. 4, BWV 1049: III
Johann Sebastian Bach
Carmen: La garde
montante Georges Bizet
Petite suite: Ballet
IV Claude Debussy
Symphony No. 100 in G
Major (Military): IV
Franz Joseph Haydn
Symphony No. 40 in G
Minor, K 550: III
Wolfgang Amadeus Mozart
Symphony No. 5: IV
Ludwig van Beethoven
Carmen: Act 1,
Prelude Georges Bizet
Faust Ballet Music:
Danse antique Charles
Gounod Symphony No.
102 in B flat Major: IV
Franz Joseph Haydn
Scheherazade, op. 35:
IV Nicolai
Rimsky-Korsakov
Symphony No. 6
(Pastoral): I, II Ludwig
van Beethoven
Symphonie
fantastique: V Hector
Berlioz Die
Zauberfloete: Wie stark
ist nicht dein Zauberton
Wolfgang Amadeus Mozart
Bolero Maurice Ravel
Scheherazade, op. 35:
I Nicolai Rimsky-Korsakov
Brandenburg Concerto
No. 4, BWV 1049: I Johann
Sebastian Bach
Symphonie
fantastique: I Hector
Berlioz Carmen:
Entr'acte (Prelude)
Georges Bizet
Symphony No. 1 in C
Minor: IV Johannes Brahms
Die Zauberfloete:
Overture Wolfgang Amadeus
Mozart Symphony No. 8
in G Major: IV Antonin
Dvorak Leonore
Overture No. 3, op. 72a
Ludwig van
Beethoven Symphony No.
4 in E Minor: IV Johannes
Brahms La mer: I, II,
III Claude
Debussy Symphony No. 4
(Italian): IV Felix
Mendelssohn Symphony
No. 1 (Classical): II
Sergei Prokofiev
Symphony No. 3 in E
flat Major (Eroica): IV
Ludwig van Beethoven
Prelude a
l'apres-midi d'un faune
Claude Debussy
Sinfonie Mathis der
Maler: I, II Paul
Hindemith Incidental
Music to A Midsummer
Night's Dream, op. 61:
Scherzo Felix Mendelssohn
Petroushka (1947
revision): Part 1 Igor
Stravinsky Symphony
No. 4 in F Minor: III
Pyotr Il'yich Tchaikovsky
Capriccio espagnol,
op. 34: IV Nicolai
Rimsky-Korsakov Sympho
ny No. 1 (Classical): IV
Sergei Prokofiev
Concerto for
Orchestra: I, II, III,
IV, V Bela Bartok
Symphonic
Metamorphosis after
Themes by Carl Maria von
Weber: II, III Paul
Hindemith Das Lied
von der Erde: VI Gustav
Mahler Peter and the
Wolf, op. 67 Sergei
Prokofiev Le carnaval
des animaux: 10. Voliere
Camille Saint-Saens
Daphnis et Chloe:
Troisieme partie Maurice
Ravel Guillaume Tell:
Overture Gioachino
Rossini Till
Eulenspiegel's Merry
Pranks Richard Strauss
Firebird Suite (1919
version) Igor Stravinsky
Symphony No. 9: IV
Ludwig van Beethoven
Concerto for
Orchestra: III Bela
Bartok Scheherezade,
op. 35: IV Nicolai
Rimsky-Korsakov
Semiramide: Overture
Gioachino Rossini
Symphony No. 5, op.
47: I, II Dmitri
Shostakovich.
About
Overtones
Unparalleled in scope,
Overtones offers all the
music flutists want in
one complete series! This
progressive collection
includes fundamental
Repertoire and supporting
materials such as Etudes,
Compact Discs, Orchestral
Excerpts, and Technique.
The richness of music
carefully selected for
this compilation will
resonate with teachers
and students at every
level of study and is the
official series for those
using The Royal
Conservatory Music
Development program. $29.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Uncanny Invitation Quatuor à cordes: 2 violons, alto, violoncelle [Conducteur et Parties séparées] - Avancé Schott
Score and Parts Soprano; String Quartet (Score & Parts) - advanced SKU: HL.49...(+)
Score and Parts Soprano;
String Quartet (Score &
Parts) - advanced SKU:
HL.49019166
Soprano and String
Quartet First
Edition. Composed by
Paul Hindemith. Edited by
Rü and diger Jennert.
This edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. Score and
parts. Composed 1924. 28
pages. Duration 3'.
Schott Music #ED21283.
Published by Schott Music
(HL.49019166). ISBN
9790001180160. UPC:
841886017894.
9.25x12.0x0.085 inches.
German. Originally
subtitled Song with Full
Orchestra Accompaniment
in the style of Richard
Strauss. Text taken from
a Beekeeper's
Journal.. $36.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
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