String Quartet and Baritone Voice; Violin; Viola; Cello - Advanced

SKU: PE.EP72862

For Baritone and String Quartet. Composed by Sally Beamish and Words by Fiona Sampson. Quartet; Single Titles; Solo Small Ensembles. Edition Peters. Classical. Score and Part(s). 92 pages. Edition Peters #98-EP72862. Published by Edition Peters (PE.EP72862).

ISBN 9790577020624.

< em>Tree Carols by Sally Beamish is a collection of songs for Baritone and String Quartet setting poems by Fiona Sampson that deal with the topic of trees. It was commissioned by the University of Warwick and written for the Coull Quartet and Roderick Williams who premiered the work at the Warwick Arts Centre on 5 March 2014.

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Choir

SKU: ST.B370

Composed by William Byrd. Edited by Warwick Edwards. Library Volumes. The Byrd Edition Volume 8. Edited by Warwick Edwards. First published: 1982. Pages: 244. Format: Paperback. Dimensions (mm): 254 x 177 x 15. Sacred. Choral collection. Stainer & Bell Ltd. #B370. Published by Stainer & Bell Ltd. (ST.B370).

ISBN 9790220203053.

This volume is devoted to Byrd's Latin sacred works which have survived only in manuscript sources. Its contents range from those motets such as Alleluya. Confitemini Domino judged to be among the composer's earliest, to works of the 1560s - Ad Dominum cum tribularer for example - and two later cantus firmus respond motets that may also be dated to this period.

Choir

SKU: ST.B371

Composed by William Byrd. Edited by Warwick Edwards. Library Volumes. The Byrd Edition Volume 9. Edited by Warwick Edwards. First published: 2000. Pages: 224. Format: Paperback. Dimensions (mm): 254 x 177 x 15. Sacred. Choral collection. Stainer & Bell Ltd. #B371. Published by Stainer & Bell Ltd. (ST.B371).

ISBN 9790220219511.

Volu me 9 completes the collection of Byrd's Latin sacred works from the late 1570s onwards preserved in manuscript alone. It includes Domine, exaudi orationem meam, which is published for the first time in fully reconstructed form. Philippe de Monte's partial Psalm 136 setting, Super flumina Babylonis, to which Byrd's Quomodo cantabimus (here appearing for the first time with text correctly underlaid) was a musical response, features in the appendices, together with the fragmentary Ad punctum in modico and a number of motets putatively ascribed to the composer, but judged unlikely to be by him.