By William Selby. Arranged by Art Sheinberg. Music by William Selby / arr. Art Sheinberg. For String Orchestra. String Orchestra. String Orchestra. Level: 3 (grade 3). Conductor Score. 12 pages. Published by Alfred Publishing.

Organ

SKU: GI.G-003060

Composed by Alison Luedecke. Edited by Alison Luedecke. Children. Sacred. GIA Publications #003060. Published by GIA Publications (GI.G-003060).

UPC: 641151030609.

Respo nding to the pastoral needs of church musicians, Luedecke researched WLP's extensive organ library and edited five volumes of music that are musts for any church organist. Table of Contents:  Solemn Processional, Léon Boëllman Pavane, William Byrd On the Divine Presence, Richard Felciano Passacaille, Johann Kaspar Ferdinand Fischer A Child's Prayer, Noël Goemanne Aria for the Elevation, Guiseppe Paganelli Fuge or Voluntary, William Selby Voluntary, John Stafford Smith Monastic Meditation, A Trappistine Nun Gigue, Dominico Zipoli.

By William Selby. Arranged by Barbara Owen. For unison voices (with optional 2 trumpets). Sacred Anthem. Octavo. Published by Chorister's Guild

Composed by William Selby. Arranged by Daniel Pinkham. For vocal soli, SATB choir, organ. General, Classical. Octavo. Scripture: Isaiah 12:2, 4; Amos 9:11; Revelations 19:6. 20 pages. Published by E.C. Schirmer Publishing

By William Selby. Arranged by Daniel Pinkham. For Organ. Organ. Published by E.C. Schirmer Publishing.

Edited by Michael Burkhardt. For organ. Medium. Collection. 71 pages. Published by MorningStar Music Publishers

By William Selby / Benedetto Marcello. Arranged by Gotthard Arner. For organ solo. Published by Gehrmans Musikforlag

Orchestra - Grade 3

SKU: AP.4323

Composed by William Selby. Arranged by Art Sheinberg. MakeMusic Cloud; Masterworks; Performance Music Ensemble; Single Titles; String Orchestra. Highland/Etling String Orchestra. Form: Fugue. Baroque; Masterwork Arrangement. Score and Part(s). 136 pages. Highland/Etling #00-4323. Published by Highland/Etling (AP.4323).

UPC: 038081026213. English.

Art Sheinberg has discovered a gem from the late English Baroque keyboard literature and expertly scored it to sound as if it were originally for strings. The violin ll and viola parts are often doubled, as are the cello and bass parts; there are essentially three parts throughout. This gives a full and balanced sound which accommodates uneven instrumentation. Violin l parts are in third position much of the time, and alternate fingerings given for the other parts will keep other advanced players busy. The piece is in D major throughout, with the exception of brief excursions into A and B minor. Full of rhythmic drive and sparkling counterpoint, the piece is a sure winner with students and an excellent vehicle to teach detached style and ensemble independence. This title is available in MakeMusic Cloud.