Partitions gratuites de Alexander Scriabin

4 Pieces, Opus 56

(Op. 2, No. 1 arranged for mallet duet by Brian Slawson). By Alexander Scriabin (1872-1915). Arranged by Brian Slawson. For mallet duet (vibraphone, 5-octave marimba). Medium-advanced. Folio and parts on CD-ROM. 4 pages. Duration 3'00 . Published by Tapsp

By Alexander Scriabin. Edited by Philipp(Urtext). For piano. Preludes,Poemes and other Pieces,Part 1. Published by C.F. Peters.

(Cello and Piano). By Alexander Scriabin (1872-1915). Arranged by Andrea Cavuoto. For Cello, Piano Accompaniment. String. Softcover. Ricordi #R140539. Published by Ricordi

Piano (Piano Solo)

SKU: HL.51481594

For Piano Solo Op. 2, No. 1. Composed by Alexander Scriabin. Edited by Valentina Rubcova. Henle Music Folios. Classical. Softcover. 4 pages. G. Henle #HN1594. Published by G. Henle (HL.51481594).

UPC: 196288215837. 9.0x12.0x0.046 inches.

One of Scriabin's best-known piano pieces is also one of his very first compositions. He wrote it when he was only fifteen years old; when it appeared in print in 1893, the twenty-one-year-old was still so unknown that he did not receive any remuneration from the publisher. The rapturous etude was soon to enjoy unprecedented success. Marked “Andante”, it is not a virtuoso piece – but nevertheless it is a challenge to master the full-handed chords in legato and to clearly work out the upper and middle parts at the same time. In the Henle Urtext edition, Boris Giltburg's fingerings support this task in an exemplary manner. As an etude of medium difficulty, this earworm offers a wonderful introduction to the piano world of Scriabin!

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Piano

SKU: PA.H07988

Fur Klavier. Composed by Luboš Fišer. Stapled. Performance score. With Text Language: Czech/German/English. Editio Baerenreiter Praha #H07988_00. Published by Editio Baerenreiter Praha (PA.H07988).

ISBN 9790260104471. 31 x 23.5 cm inches.

Piano Sonata No. 4 from the years 1962-1964 is dedicated to the memory of Fiser's friend, the pianist Antonin Jemelik, who died tragically. As a tribute to their friendship the composer incorporated into the introduction a quotation from their favourite work, Piano Sonata No. 10, Op. 70, by Alexander Scriabin. The tragedy of the death of the composer's friend pervades the emotionally intense passage of unison octaves which follows the three-bar quotation. From a compositional point of view this work is a masterpiece of the mid-Sixties. Written as one movement, the piece is divided into numerous mutually contrasting segments which themselves are clearly grouped into two sections, exposition and development. The individual themes are introduced in the first section and thematically expanded in the second section. The motif treatment lies almost exclusively in the fragmenting or curtailing of the theme, or in the use of a combination of several themes, for the most part brief and eloquent. This compositional method, together with a clear-cut manner of execution, mainly semitonal melody and sharply contrastive dynamics, lends force and transparency to the piece. Piano Sonata No. 4 was completed in 1964 together with Symphonic Fresco, Concerto da camera for piano and orchestra and Fifteen Prints after Durer's Apocalypse and has earned its rightful place alongside them as masterpieces of Fiser's oeuvre.

The work was first performed by Pavel Stepan in Prague's Rudolfinum in 1965. The new setting for this piece is based on the single edition to date (Panton, 1969); only with regard to a few inconsistencies in the score was it necessary to consult the composer's manuscript (kept at the National Museum - Czech Museum of Music).