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Charles Avison: Sound The Loud Timbrel Satb/Piano Chorale SATB SATB, Piano Music Sales
SATB Choir and Piano SKU: HL.14002365 Composed by Charles Avison. Music S...(+)
SATB Choir and Piano
SKU: HL.14002365
Composed by Charles
Avison. Music Sales
America. Classical.
Choral Score. Music Sales
#NOV400127. Published by
Music Sales
(HL.14002365).
$3.95 - Voir plus => Acheter Délais: 2 to 3 weeks
Geminiani Studies Ut Orpheus
Books and Journals SKU: UT.APS-6 Edited by Christopher Hogwood. Paperback...(+)
Books and Journals
SKU: UT.APS-6
Edited by Christopher
Hogwood. Paperback (Soft
Cover). Ad Parnassum
Studies. Essays by
Gregory Barnett, Barra
Boydell, Enrico Careri,
Cheryll Duncan,
Christopher Hogwood,
Peter Holman, Clare
Hornsby, Mark Kroll,
Sandra Mangsen, Andrew
Pink, Rudolf Rasch, Robin
Stowell, Michael Talbot,
Wiebke Thormahlen, Peter
Walls, Neal Zaslaw.
Classical. Books and
Journals. 524 pages. Ut
Orpheus #APS 6. Published
by Ut Orpheus (UT.APS-6).
ISBN 9788881094790.
6.5 x 9.5
inches.
Essays
by Gregory Barnett, Barra
Boydell, Enrico Careri,
Cheryll Duncan,
Christopher Hogwood,
Peter Holman, Clare
Hornsby, Mark Kroll,
Sandra Mangsen, Andrew
Pink, Rudolf Rasch, Robin
Stowell, Michael Talbot,
Wiebke Thormahlen, Peter
Walls, Neal
Zaslaw Sixteen
essays by international
scholars celebrate the
250th anniversary of
Francesco Geminiani
(1687-1762), star pupil
of Corelli and composer,
performer and teacher in
Paris, London and Dublin,
who for many years was
ranked as the equal of
Handel. His
compositions moved far
beyond Corelli's model
(to include theatre
music, sonatas for cello
and keyboard works) and
later in his life he
supported his aesthetic
style with treatises on
violin and guitar
playing, good taste,
accompaniment and
composition. He published
all his output in the
most elegant style via
engravers and music
sellers in Paris,
Amsterdam and London, and
constantly revised and
rewrote earlier works in
new and often expanded
formats. This legacy is
analysed and placed in
context within the
various national styles
current in Europe, and
the enormous influence of
his treatise The Art
of Playing on the
Violin is positioned
in a continuum which
extends to Ivan
Galamian. Outside
music these studies
examine the effect of
Freemasonry on
Geminiani's career, and
his frequent recourse to
law to defend his rights.
On his own admission,
Geminiani preferred
dealing in fine art to
playing the violin -- a
claim always derided by
earlier writers, but in
fact easily defended by
newly available evidence
of his highly successful
sales. The reception
of Geminiani's music is
also re-assessed and his
apparent decline in
public favour is
explained; many new
sources contradict the
accepted and dismissive
opinions of Charles
Burney and John Hawkins,
and the supportive
enthusiasm of his main
British advocate, Charles
Avison, is given its
rightful position.
Questions of present-day
performance values are
also contrasted with
Geminiani's philosophy,
and many leads presented
for the future
investigation of this
enigmatic but individual
genius.
$158.95 - Voir plus => Acheter Délais: 3 to 4 weeks
Sonate A Trois Billaudot
By Charles Avison (1709-1770). Arranged by Jacques Lancelot. For 2 Bb Clarinets,...(+)
By Charles Avison
(1709-1770). Arranged by
Jacques Lancelot. For 2
Bb Clarinets, Bass
Clarinet / Bassoon.
Standard notation
$17.99 - Voir plus => Acheter Délais: 4 to 6 weeks
Glory to God on High - Débutant GIA Publications
2 voices - Beginning SKU: GI.G-RA508 Christmas Hymn . Composed by C...(+)
2 voices - Beginning
SKU: GI.G-RA508
Christmas Hymn .
Composed by Charles
Avison. Arranged by Harry
Bramma. Royal School of
Church Music. Sacred.
Octavo. 4 pages. GIA
Publications #RA508.
Published by GIA
Publications
(GI.G-RA508).
English.
$3.10 - Voir plus => Acheter Délais: 1 to 2 weeks
12 Sonatas for Violin and Figured Bass [Op. 1] (1716) (H. 1-12). Appendix: Early Arrangements. Critical Edition Ut Orpheus
Flute; Recorder; Violin; Orchestra; Early Music SKU: UT.GCE-20 Composed b...(+)
Flute; Recorder; Violin;
Orchestra; Early Music
SKU: UT.GCE-20
Composed by Francesco
Geminiani. Edited by
Rudolf Rasch. Francesco
Geminiani Opera Omnia.
Classical. Score. Ut
Orpheus #GCE 20.
Published by Ut Orpheus
(UT.GCE-20).
ISBN
9790215328259. 9 x 12
inches.
Given that
appendices have since
been included in other
volumes, it now seems
appropriate to compile an
appendix for Volume 1A in
the form of a separate
publication, Volume 1C of
the series. Even with a
whole volume available,
however, it is impossible
to include all known
arrangements. Such a
publication would be of
disproportionate size: it
would require about 600
pages, due largely to the
two complete or
near-complete sets of
concerto arrangements.
The present volume thus
includes only selections
from these sets of
concerto arrangements and
also only a selection
from Edward
Finch’s complete
set of arrangements in
the form of
transverse-flute sonatas.
The smaller sets of
arrangements—eithe
r as solo sonatas or as
trio sonatas—are
included in their
entirety. The
available arrangements
fall into three distinct
categories: solo sonatas,
trio sonatas, and
concertos. There are
fourteen arrangements by
Edward Finch for
transverse flute with
figured bass; they are
found in the so-called
Armstrong-Finch
manuscript and comprise a
full set of twelve plus
two duplicate versions.
Four of these
arrangements are included
in the present volume.
Three more arrangements
for transverse flute or
recorder with figured
bass are found in
anthologies of sonatas
for these instruments
published in the 1720s;
they are all of them
edited here.
Geminiani’s
Sonatas VII-XII were
transformed into trio
sonatas by Francesco
Barsanti and published in
this format in 1727.
These arrangements are
included here in complete
form as well. A
near-complete set of
concerto
arrangements—Sonat
a XI is
missing—was
composed by Charles
Avison and a complete set
by Gerhard Christoph
Raupach, both sets
composed probably in the
1730s. From each of these
two sets, two examples
were selected for
inclusion in the present
volume. They are
supplemented by single
concerto arrangements by
William Hayes (after
Sonata IV) and Johan
Helmich Roman (after
Sonata VI), composed at
all probability in the
1730s as well. None of
these concerto
arrangements was
published in the
eighteenth century.
$309.95 - Voir plus => Acheter Délais: 3 to 4 weeks
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