Joseph Joachim (1831 - 1907) Autriche Joseph Joachim, né le 28 juin 1831 à Kittsee, près de Bratislava (aujourd'hui en Autriche), mort le 15 août 1907 à Berlin, est un violoniste et un compositeur austro-hongrois de confession juive.
En 1833, le commerçant Julius Joachim déménage à Pest pour assurer une bonne formation à ses enfants. Alors qu'il est âgé de quatre ans, un étudiant offre au petit Joseph un violon jouet et lui apprend à en jouer. Très vite se manifeste chez Joseph une remarquable musicalité, si bien qu'après peu de temps le Konzertmeister de l'opéra de Budapest se charge de l'enfant. Il fait ainsi ses débuts en public à l'âge de sept ans et à douze ans on reconnait déjà sa virtuosité, que l'on compare à celle de Henri Vieuxtemps (1820-1881), Niccolò Paganini (1782-1840) et Ole Bull (1810-1880).
Pour mieux développer le génie musical de Joseph, la famille déménage à Vienne. Les plus importants pédagogues-violonistes du xixe siècle, Georg Hellmesberger (1800-1873) et à partir de 1840, Joseph Böhm (1795-1876) deviennent ses professeurs. À Vienne il rencontre les virtuoses comme Heinrich Ernst, Charles-Auguste de Bériot, Henri Vieuxtemps et les sœurs Milanollo. Il découvre aussi sa passion pour le quatuor à cordes.
À Leipzig, en 1843, Felix Mendelssohn supervise ses études de théorie musicale avec Moritz Hauptmann et les études humanistes (latin, histoire et littérature). L'année suivante, Joachim voyage en Angleterre, après un concert dans la « Società armonica » le 22 avril 1844 le journal Dramatic and musical review écrivait : « ...le lion de la soirée était un gamin de treize ans nommé Joachim, certainement un des plus grands violonistes de nos temps ». Il rencontre le compositeur Charles Villiers Stanford avec lequel il se lie d'amitié. De retour à Leipzig, il fait connaissance du célèbre compositeur violoniste Louis Spohr.
Il devient Konzertmeister à la cour de Weimar, avant de rejoindre celle de Hanovre. Il épouse Amalia Schneeweiss en 1863 dans la chapelle du château et en présence de la reine d'Hanovre. Amalia deviendra une excellente chanteuse de « Lieder » et d'oratorios. À Berlin, Joseph Joachim est nommé directeur de l'académie de musique en 1868, qui ne comptait que 19 étudiants au début. Joachim est un personnage central dans le romantisme musical en Europe. Parmi ses amis il compte Mendelssohn, Franz Liszt, Hector Berlioz, Clara Schumann et surtout Johannes Brahms, qui lui dédie son concerto pour violon.
Plus tard, il part pour Londres. Par la suite, il rencontre Johannes Brahms, qu'il conseille dans la technique du violon durant la composition de son premier concerto pour violon. Avec Karl Goldmark, Brahms et le critique musical Eduard Hanslick, il défend la musique pure contre celle de Wagner. À la fin de sa vie, sa renommée de chef d'orchestre lui vaut d'interpréter la première de la Symphonie n° 1 de Brahms en Angleterre.
Après trois décennies dans un cadre très limité, Joachim peut inaugurer en 1902, en présence du couple impérial, les nouveaux bâtiments de l'académie de musique, désormais fréquentée par 250 étudiants encadrés par 50 professeurs.
Tombe d'honneur de Joseph et Amalie à Berlin
À Berlin, le 17 août 1903, il enregistre quelques rares faces chez Gramophone (G&T), seuls témoignages musicaux qui illustrent les techniques d'interprétation dans les années 1830 sur violon à cordes en boyaux, déjà oubliées en 1903. Il est le plus ancien violoniste au monde à avoir enregistré.
La cantatrice Irène Joachim est sa petite fille et la violoniste Jelly d'Arányi sa petite nièce. (Retracter) ... (lire la suite) Source de l'extrait biographique : Wikipedia
VIOLONCELLE
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Partitions numériques (guide d'achat)
Recherche#Joseph-Joachim en #VIOLONCELLE
Partitions (expédition des USA)
Violin Concerto No. 1 in G minor Op. 26 Violoncelle, Orchestre Breitkopf & Härtel
Violin and orchestra (solo: vl - 2.2.2.2 - 4.2.0.0 - timp - str) SKU: BR.PB-1...(+)
Violin and orchestra
(solo: vl - 2.2.2.2 -
4.2.0.0 - timp - str)
SKU: BR.PB-15132
Urtext . Composed
by Max Bruch. Edited by
Michael Kube. Orchestra;
stapled.
Partitur-Bibliothek
(Score Library). In
Cooperation with G. Henle
Verlag. Solo concerto;
Romantic; Late-romantic.
Full score. 84 pages.
Duration 25'. Breitkopf
and Haertel #PB 15132.
Published by Breitkopf
and Haertel
(BR.PB-15132).
ISBN
9790004214688. 10 x 12.5
inches.
Bruch's
evergreen for the first
time in UrtextThanks to
the premiere performance
by Joseph Joachim and to
the release of the
printed edition in 1868,
Max Bruch's Violin
Concerto no. 1 zipped
onto the road to success
and has never left it
since. Yet from the
preface of the
BreitkopfUrtext
edition,one can infer how
things looked like behind
the dazzling facade.
After the world premiere,
the composer struggled
for the definitive form.
He wrote 3, 4 development
sections in the finale,
and sought the advice of
celebrated virtuosi such
as Joseph Joachim and
Ferdinand David to revise
the solo part. And after
all this was done (see
above), Bruch suffered
under the work's
popularity: Have I
written nothing but this
one concerto?The new
Urtext edition is based
primarily on the first
edition. Next to the main
source and the autograph,
what is supremely
interesting is a solo
part with entries by
Joachim and Bruch. It
confirms how intensively
the two men collaborated
on honing the final form
of the work.
$70.95 - Voir plus => Acheter Délais: 3 to 4 weeks
Violin Concerto No. 1 in G minor Op. 26 Violoncelle, Orchestre Breitkopf & Härtel
Violin and orchestra (solo: vl - 2.2.2.2 - 4.2.0.0 - timp - str) SKU: BR.PB-1...(+)
Violin and orchestra
(solo: vl - 2.2.2.2 -
4.2.0.0 - timp - str)
SKU:
BR.PB-15133-07
Urtext . Composed
by Max Bruch. Edited by
Michael Kube. Orchestra;
stapled.
Partitur-Bibliothek
(Score Library).
In
Cooperation with
G. Henle Verlag
Solo concerto; Romantic;
Late-romantic. Study
Score. 84 pages. Duration
25'. Breitkopf and
Haertel #PB 15133-07.
Published by Breitkopf
and Haertel
(BR.PB-15133-07).
ISBN
9790004214695. 6.5 x 9
inches.
Bruch's
evergreen for the first
time in UrtextThanks to
the premiere performance
by Joseph Joachim and to
the release of the
printed edition in 1868,
Max Bruch's Violin
Concerto no. 1 zipped
onto the road to success
and has never left it
since. Yet from the
preface of the
BreitkopfUrtext
edition,one can infer how
things looked like behind
the dazzling facade.
After the world premiere,
the composer struggled
for the definitive form.
He wrote 3, 4 development
sections in the finale,
and sought the advice of
celebrated virtuosi such
as Joseph Joachim and
Ferdinand David to revise
the solo part. And after
all this was done (see
above), Bruch suffered
under the work's
popularity: Have I
written nothing but this
one concerto?The new
Urtext edition is based
primarily on the first
edition. Next to the main
source and the autograph,
what is supremely
interesting is a solo
part with entries by
Joachim and Bruch. It
confirms how intensively
the two men collaborated
on honing the final form
of the work.
$21.95 - Voir plus => Acheter Délais: 3 to 4 weeks
String Quartets Quatuor à cordes: 2 violons, alto, violoncelle Breitkopf & Härtel
String Quartet (2vl,va,vc) SKU: BR.PB-5622-07 Urtext . Composed by ...(+)
String Quartet
(2vl,va,vc)
SKU:
BR.PB-5622-07
Urtext . Composed
by Joachim Raff. Edited
by Severin Kolb and
Stefan Konig. Chamber
music; Softbound.
Partitur-Bibliothek
(Score Library).
With
his first String Quartet
in D minor, op. 77,
composed in 1855, the
native Swiss composer
Joachim Raff (1822-1882)
bid a brilliant farewell
to Weimar.
Romantic
period. Study Score. 176
pages. Breitkopf and
Haertel #PB 5622-07.
Published by Breitkopf
and Haertel
(BR.PB-5622-07).
ISBN
9790004215197. 6.5 x 9
inches.
With his
first String Quartet in D
minor, op. 77, composed
in 1855, the native Swiss
composer Joachim Raff bid
a brilliant farewell to
Weimar. He had been there
as Franz Liszt's
assistant since 1850 and
had made a name for
himself in the city's art
scene - now he embarked
on new paths. He composed
his second Quartet in A
major, op. 90, already in
1857 in Wiesbaden, the
spa town that was to
become his home for 21
years. The two quartets
are unequivocal works:
orchestrally-conceived,
full of energetic vigor,
and at times
uncompromisingly modern.
They confidently continue
the Beethoven tradition
and attest at the same
time to Raff's intensive
confrontation with
Richard Wagner's music
during the Weimar years.
In his chamber music, the
composer wanted to
achieve progress in an
inherently historical way
and to ground the
individual substance in
existing forms, as he
told the Viennese
violinist Josef
Hellmesberger, who
launched opus 77. The
quartets, first published
in 1860/62, found
illustrious interpreters,
among them, the Muller
brothers' renowned
ensemble, to which opus
90 was also dedicated,
and Joseph Joachim.In
collaboration with the
Joachim-Raff-Archiv
Lachen (CH) Some
eighteen years elapsed
between Raff's first
counted String Quartet
op. 77 and his Quartets
Nos. 6-8 op. 192,
combined as one work. As
such, Raff parted with
the weighty single opus
in quartet composition -
without, however,
sacrificing musical
quality.
$55.95 - Voir plus => Acheter Délais: 3 to 4 weeks
Violin Concerto in D major Op. 77 Violoncelle, Orchestre Breitkopf & Härtel
Violin and orchestra (Solo: vl - 2.2.2.2 - 4.2.0.0 - timp - str) SKU: BR.PB-1...(+)
Violin and orchestra
(Solo: vl - 2.2.2.2 -
4.2.0.0 - timp - str)
SKU: BR.PB-16110
Urtext from the new
Complete Edition (G.
Henle Verlag) .
Composed by Johannes
Brahms. Edited by Linda
Correll Roesner and
Michael Struck.
Orchestra; Softbound.
Partitur-Bibliothek
(Score Library). Solo
concerto; Romantic;
Late-romantic. Full
score. 216 pages.
Duration 35'. Breitkopf
and Haertel #PB 16110.
Published by Breitkopf
and Haertel
(BR.PB-16110).
ISBN
9790004214374. 10 x 12.5
inches.
Johannes
Brahms's only violin
concerto, one of the most
important violin
concertos of the 19th
century, is now a central
repertoire piece. This
fact is all the more
notable, as, by his own
account, Brahms
understood all too little
about the instrument. The
concerto was composed at
Worthersee during the
summer of 1878 in
collaboration with Joseph
Joachim, a leading
contemporary violinist.
The solo part is
extremely demanding, with
really unusual
difficulties. This
circumstance did not go
unnoticed by the critics
of the first performance:
Even to Joachim, the
battled-seasoned
wrestler, the technically
difficult and tricky solo
part was to be mastered
only with obvious effort.
Evidencing this close
collaboration between
composer and performer is
not only the work's
genesis and publication
history, together with
its dedication to
Joachim, but also its
solo cadenza. Based on
the New Brahms Complete
Edition, this Urtext
edition includes both the
printed version of
Joachim's cadenza as well
as its shorter version
arranged in 1885 by the
violinist Marie
Soldat.
$73.95 - Voir plus => Acheter Délais: 3 to 4 weeks
String Quartetts No. 1 d minor op. 77 Quatuor à cordes: 2 violons, alto, violoncelle Breitkopf & Härtel
String quartet string quartet (2vl,va,vc) SKU: BR.EB-8939 Urtext . ...(+)
String quartet string
quartet (2vl,va,vc)
SKU: BR.EB-8939
Urtext . Composed
by Joachim Raff. Edited
by Severin Kolb and
Stefan Konig. This
edition: Urtext. Chamber
music; Folder. Edition
Breitkopf.
Orchestrally-conceived,
full of energetic vigor,
and at times
uncompromisingly modern:
The two captivating
quartets are now
available as Urtext
editions. Romantic
period. Set of parts. 88
pages. Breitkopf and
Haertel #EB 8939.
Published by Breitkopf
and Haertel (BR.EB-8939).
ISBN
9790004186084.
With
his first String Quartet
in D minor, op. 77,
composed in 1855, the
native Swiss composer
Joachim Raff bid a
brilliant farewell to
Weimar. He had been there
as Franz Liszt's
assistant since 1850 and
had made a name for
himself in the city's art
scene - now he embarked
on new paths. He composed
his second Quartet in A
major, op. 90, already in
1857 in Wiesbaden, the
spa town that was to
become his home for 21
years. The two quartets
are unequivocal works:
orchestrally-conceived,
full of energetic vigor,
and at times
uncompromisingly modern.
They confidently continue
the Beethoven tradition
and attest at the same
time to Raff's intensive
confrontation with
Richard Wagner's music
during the Weimar years.
In his chamber music, the
composer wanted to
achieve progress in an
inherently historical way
and to ground the
individual substance in
existing forms, as he
told the Viennese
violinist Josef
Hellmesberger, who
launched opus 77. The
quartets, first published
in 1860/62, found
illustrious interpreters,
among them, the Muller
brothers' renowned
ensemble, to which opus
90 was also dedicated,
and Joseph Joachim.In
collaboration with the
Joachim-Raff-Archiv
Lachen (CH) Some
eighteen years elapsed
between Raff's first
counted String Quartet
op. 77 and his Quartets
Nos. 6-8 op. 192,
combined as one work. As
such, Raff parted with
the weighty single opus
in quartet composition -
without, however,
sacrificing musical
quality.
$61.95 - Voir plus => Acheter Délais: 24 hours - In Stock
String Quartets Quatuor à cordes: 2 violons, alto, violoncelle Breitkopf & Härtel
String Quartet SKU: BR.PB-5622 Urtext . Composed by Joachim Raff. E...(+)
String Quartet
SKU:
BR.PB-5622
Urtext . Composed
by Joachim Raff. Edited
by Severin Kolb and
Stefan Konig. Chamber
music; Softbound.
Partitur-Bibliothek
(Score Library). Romantic
period. Study Score.
Breitkopf and Haertel #PB
5622. Published by
Breitkopf and Haertel
(BR.PB-5622).
ISBN
9790004215197. 6.5 x 9
inches.
With his
first String Quartet in D
minor, op. 77, composed
in 1855, the native Swiss
composer Joachim Raff bid
a brilliant farewell to
Weimar. He had been there
as Franz Liszt's
assistant since 1850 and
had made a name for
himself in the city's art
scene - now he embarked
on new paths. He composed
his second Quartet in A
major, op. 90, already in
1857 in Wiesbaden, the
spa town that was to
become his home for 21
years. The two quartets
are unequivocal works:
orchestrally-conceived,
full of energetic vigor,
and at times
uncompromisingly modern.
They confidently continue
the Beethoven tradition
and attest at the same
time to Raff's intensive
confrontation with
Richard Wagner's music
during the Weimar years.
In his chamber music, the
composer wanted to
achieve progress in an
inherently historical way
and to ground the
individual substance in
existing forms, as he
told the Viennese
violinist Josef
Hellmesberger, who
launched opus 77. The
quartets, first published
in 1860/62, found
illustrious interpreters,
among them, the Muller
brothers' renowned
ensemble, to which opus
90 was also dedicated,
and Joseph Joachim.In
collaboration with the
Joachim-Raff-Archiv
Lachen (CH) Some
eighteen years elapsed
between Raff's first
counted String Quartet
op. 77 and his Quartets
Nos. 6-8 op. 192,
combined as one work. As
such, Raff parted with
the weighty single opus
in quartet composition -
without, however,
sacrificing musical
quality.
$55.95 - Voir plus => Acheter Délais: 3 to 4 weeks
Trio fur Clarinet (Viola), Violoncello and Piano op. 114 Clarinette, Violoncelle, Piano (trio) Barenreiter
By Johannes Brahms (1833-1897). Edited by Christopher Hogwood. For Clarinet/Viol...(+)
By Johannes Brahms
(1833-1897). Edited by
Christopher Hogwood. For
Clarinet/Viola/Violoncell
o/Piano
(Clarinet/(Viola)/Violonc
ello/Piano). This
edition: Stapled, Urtext
edition. Performance
score, Set of parts. Text
Language: English/German.
Opus 114. 41/8/8/11
pages. Published by
Baerenreiter Verlag
$37.95 - Voir plus => Acheter Délais: 1 to 2 weeks
Concerto in A minor Op. 102 Violoncelle, Piano Breitkopf & Härtel
Viola (solos: vl.vc - 2.2.2.2. - 4.2.0.0. - timp - str) SKU: BR.OB-16104-19(+)
Viola (solos: vl.vc -
2.2.2.2. - 4.2.0.0. -
timp - str)
SKU:
BR.OB-16104-19
Urtext based on the
new Complete Edition (G.
Henle Verlag) .
Composed by Johannes
Brahms. Edited by Michael
Struck. Stapled.
Orchester-Bibliothek
(Orchestral Library). The
piano reduction and the
study score
(,,Studien-Edition) are
available at G. Henle
Verlag. Solo concerto;
Romantic. Part. 12 pages.
Duration 35'. Breitkopf
and Haertel #OB 16104-19.
Published by Breitkopf
and Haertel
(BR.OB-16104-19).
ISBN
9790004339435. 10 x 12.5
inches.
The
publishers Henle and
Breitkopf & Hartel are
continuing their
collaboration, now with
Brahms, by publishing the
performance material of
the double concerto.
Brahms's last work with
orchestra was published
in the new Brahms
Complete Edition in 2002,
whereby the editor was
able to base himself on
newly accessible sources.
Of particular interest
are the additional
performance instructions
for the solo violin and
solo cello, which were
gathered from the first
edition of the solo
parts. These indications
were supplied by the
soloists of the first
performance, Joseph
Joachim and Robert
Hausmann. No doubt
authorized by Brahms,
they communicate valuable
insights into the
performance practice of
the time. The new
material also contains a
part in which the solo
violin and cello are
notated one above the
other. The trio edition
for violin, violoncello
and piano (EB 6040),
which was made by Brahms
himself, has proven
itself for chamber
performances; it
continues to be
available.The full score
is a conductor's dream:
big, bold, and
beautifully laid out on
glare-free bluff paper.
(Strings).
$8.95 - Voir plus => Acheter Délais: 3 to 4 weeks
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