By Lodovico Da Viadana. Edited by Earlene Rentz. For Choir. (TTBB, a cappella). Choral Octavo. Belwin Festival Series. Masterwork. Level: Moderately Difficult (grade 4). Choral Octavo. 12 pages. Published by Alfred Publishing.

By John Rutter. For Choral Collection: Mixed Choir. Published by Oxford University Press.

SSTTAB vocal soli (SATTB), SATB choir/SSAT/ATBarB, 3 organ, instrument

SKU: CA.1037106

Composed by Lodovico da Viadana. German title: Magnificat sexti toni. Sacred vocal music, Magnificats, Advent, Christmas, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary, Daily hours. Choral Score. 8 pages. Duration 10 minutes. Carus Verlag #CV 10.371/06. Published by Carus Verlag (CA.1037106).

ISBN 9790007098773. Language: Latin.

In this Magnificat, taken from a collection containing four-choir music for Vespers published in Venice in 1612, Viadana took an approach which was unusual at that time: the Magnificat is divided into 11 short movements like a cantata. The movements are structured with contrast clearly in mind. Viadana exploits not only the varied possibilities of the large vocal and instrumental forces to the full, but also presents a wide range of styles - from duet to four-choir tutti, from falsobordone to expressive madrigalian style. The work displays Viadana's knowledge as well as his admiration of the church music of Monteverdi in many ways. Viadana's printed edition of the Vespers of 1612 made a great impression on Michael Praetorius. Both Viadana's handling of the instruments and his treatment of the tutti choirs had a considerable influence on the works of Praetorius and other German masters. Score available separately - see item CA.1037100.

SSTTAB vocal soli (SATTB), SATB choir/SSAT/ATBarB, 3 organ, instrument

SKU: CA.1037109

Composed by Lodovico da Viadana. German title: Magnificat sexti toni. Sacred vocal music, Magnificats, Advent, Christmas, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary, Daily hours. Set of Orchestra Parts. 4 pages. Duration 10 minutes. Carus Verlag #CV 10.371/09. Published by Carus Verlag (CA.1037109).

ISBN 9790007190651. Language: Latin.

In this Magnificat, taken from a collection containing four-choir music for Vespers published in Venice in 1612, Viadana took an approach which was unusual at that time: the Magnificat is divided into 11 short movements like a cantata. The movements are structured with contrast clearly in mind. Viadana exploits not only the varied possibilities of the large vocal and instrumental forces to the full, but also presents a wide range of styles - from duet to four-choir tutti, from falsobordone to expressive madrigalian style. The work displays Viadana's knowledge as well as his admiration of the church music of Monteverdi in many ways. Viadana's printed edition of the Vespers of 1612 made a great impression on Michael Praetorius. Both Viadana's handling of the instruments and his treatment of the tutti choirs had a considerable influence on the works of Praetorius and other German masters. Score and parts available separately - see item CA.1037100.

SSTTAB vocal soli (SATTB), SATB choir/SSAT/ATBarB, 3 organ, instrument

SKU: CA.1037111

Composed by Lodovico da Viadana. German title: Magnificat sexti toni. Sacred vocal music, Magnificats, Advent, Christmas, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary, Daily hours. Single Part, basso continuo. 4 pages. Duration 10 minutes. Carus Verlag #CV 10.371/11. Published by Carus Verlag (CA.1037111).

ISBN 9790007190668. Language: Latin.

In this Magnificat, taken from a collection containing four-choir music for Vespers published in Venice in 1612, Viadana took an approach which was unusual at that time: the Magnificat is divided into 11 short movements like a cantata. The movements are structured with contrast clearly in mind. Viadana exploits not only the varied possibilities of the large vocal and instrumental forces to the full, but also presents a wide range of styles - from duet to four-choir tutti, from falsobordone to expressive madrigalian style. The work displays Viadana's knowledge as well as his admiration of the church music of Monteverdi in many ways. Viadana's printed edition of the Vespers of 1612 made a great impression on Michael Praetorius. Both Viadana's handling of the instruments and his treatment of the tutti choirs had a considerable influence on the works of Praetorius and other German masters. Score and part available separately - see item CA.1037100.

SSTTAB vocal soli (SATTB), SATB choir/SSAT/ATBarB, 3 organ, instrument

SKU: CA.1037149

Composed by Lodovico da Viadana. German title: Magnificat sexti toni. Sacred vocal music, Magnificats, Advent, Christmas, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary, Daily hours. Single Part, Organ. Composed 1739. 4 pages. Duration 10 minutes. Carus Verlag #CV 10.371/49. Published by Carus Verlag (CA.1037149).

ISBN 9790007190675. Language: Latin.

In this Magnificat, taken from a collection containing four-choir music for Vespers published in Venice in 1612, Viadana took an approach which was unusual at that time: the Magnificat is divided into 11 short movements like a cantata. The movements are structured with contrast clearly in mind. Viadana exploits not only the varied possibilities of the large vocal and instrumental forces to the full, but also presents a wide range of styles - from duet to four-choir tutti, from falsobordone to expressive madrigalian style. The work displays Viadana's knowledge as well as his admiration of the church music of Monteverdi in many ways. Viadana's printed edition of the Vespers of 1612 made a great impression on Michael Praetorius. Both Viadana's handling of the instruments and his treatment of the tutti choirs had a considerable influence on the works of Praetorius and other German masters. Score and part available separately - see item CA.1037100.

SSTTAB vocal soli (SATTB), SATB choir/SSAT/ATBarB, 3 organ, instrument

SKU: CA.1037105

Composed by Lodovico da Viadana. German title: Magnificat sexti toni. Sacred vocal music, Magnificats, Advent, Christmas, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary, Daily hours. Choral Score. 12 pages. Duration 10 minutes. Carus Verlag #CV 10.371/05. Published by Carus Verlag (CA.1037105).

ISBN 9790007098766. Language: Latin.

In this Magnificat, taken from a collection containing four-choir music for Vespers published in Venice in 1612, Viadana took an approach which was unusual at that time: the Magnificat is divided into 11 short movements like a cantata. The movements are structured with contrast clearly in mind. Viadana exploits not only the varied possibilities of the large vocal and instrumental forces to the full, but also presents a wide range of styles - from duet to four-choir tutti, from falsobordone to expressive madrigalian style. The work displays Viadana's knowledge as well as his admiration of the church music of Monteverdi in many ways. Viadana's printed edition of the Vespers of 1612 made a great impression on Michael Praetorius. Both Viadana's handling of the instruments and his treatment of the tutti choirs had a considerable influence on the works of Praetorius and other German masters. Score available separately - see item CA.1037100.

SSTTAB vocal soli (SATTB), SATB choir/SSAT/ATBarB, 3 organ, instrument

SKU: CA.1037100

Composed by Lodovico da Viadana. This edition: Paperbound. German title: Magnificat sexti toni. Sacred vocal music, Magnificats, Advent, Christmas, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary, Daily hours. Full score. 32 pages. Duration 10 minutes. Carus Verlag #CV 10.371/00. Published by Carus Verlag (CA.1037100).

ISBN 9790007086183. Language: Latin.

In this Magnificat, taken from a collection containing four-choir music for Vespers published in Venice in 1612, Viadana took an approach which was unusual at that time: the Magnificat is divided into 11 short movements like a cantata. The movements are structured with contrast clearly in mind. Viadana exploits not only the varied possibilities of the large vocal and instrumental forces to the full, but also presents a wide range of styles - from duet to four-choir tutti, from falsobordone to expressive madrigalian style. The work displays Viadana's knowledge as well as his admiration of the church music of Monteverdi in many ways. Viadana's printed edition of the Vespers of 1612 made a great impression on Michael Praetorius. Both Viadana's handling of the instruments and his treatment of the tutti choirs had a considerable influence on the works of Praetorius and other German masters.