- Bb Instrument

Organ

SKU: HL.14019911

By Walter Emery. By Maurice Greene. Edited by Walter Emery. Music Sales America. Classical. Book [Softcover]. Music Sales #NOV610018. Published by Music Sales (HL.14019911).

Voluntary XIII for Organ by Maurice Green. Edited by Walter Emery.

Recorder Ensemble (Study Score)

SKU: HL.14013332

Composed by Maurice Greene. Music Sales America. Classical. Book [Softcover]. Chester Music #CH09805. Published by Chester Music (HL.14013332).

Arranged by Jarvis.

SKU: ST.MB82

Composed by Maurice Greene. Edited by H Diack Johnstone. Library Volumes. Edited by H Diack Johnstone. First published in 2004.. Pages: 192. Format: Hardback. Dimensions (mm): 330 x 254 x 25. Score. Stainer & Bell Ltd. #MB82. Published by Stainer & Bell Ltd. (ST.MB82).

ISBN 9790220221026.

Like its predecessor Florimel, Phoebe (1743), the second of Maurice Greene's two operas, sets a libretto by John Hoadly. Probably written for performance at the Apollo Society, founded by Greene himself in 1733, this three-act opera, for four soloists and chorus, is a beautiful example of the English pastoral-masque genre, both musically and dramatically in the tradition of Handel's Acis and Galatea.

The full performing material for this opera is available for rental.

Soprano voice, violin & basso continuo

SKU: HH.HH456-FSP

Composed by Maurice Greene. Edited by Michael Talbot. Sopano, Violin & Basso Continuo. Full score and parts. Edition HH Music Publishers #HH456-FSP. Published by Edition HH Music Publishers (HH.HH456-FSP).

ISBN 9790708146636.

La Libertà is the most original, and among the most attractive, of Maurice Greene’s secular vocal compositions on Italian texts. Strong circumstantial evidence indicates that he wrote it as a composition for the celebrated operatic singer Faustina Bordoni to sing as a grateful farewell to her English patrons and admirers just before her final departure from London in the summer of 1728. The song commemorates not only Faustina but also her constant companion and reputed lover, the violinist Mauro d’Alay, who is likely to have been the original player of the obbligato violin part with which the vocal part interweaves. Greene took the text from an Italian translation of A Letter from Italy, a famous poem by Joseph Addison extolling liberty, which was at the time seen as a distinguishing characteristic of England.

Soprano voice, violin & basso continuo

SKU: HH.HH390-FSP

Composed by Maurice Greene. Edited by Michael Talbot. Sopano, Violin & Basso Continuo. Full score and parts. Edition HH Music Publishers #HH390-FSP. Published by Edition HH Music Publishers (HH.HH390-FSP).

ISBN 9781910359280.

Gree ne’s seven chamber arias – today, we would call them ‘concert arias’ – include a set of six that appears to have been custom-written for Faustina Bordoni, the great Venetian diva, during her visits to London in 1726–28, since (among other things) they all showcase her ‘trademark’ note: the E in the top space of the treble clef that particularly thrilled opera-goers. The obbligato violin part for all of them was probably written for the violinist and composer Mauro D’Alay, her constant companion and reputed lover. All six works are substantial and full of character and expression as well as melodiousness and contrapuntal finesse. They show a composer at the peak of his inspiration and ambition.

Soprano voice, violin & basso continuo

SKU: HH.HH391-FSP

Composed by Maurice Greene. Edited by Michael Talbot. Sopano, Violin & Basso Continuo. Full score and parts. Edition HH Music Publishers #HH391-FSP. Published by Edition HH Music Publishers (HH.HH391-FSP).

ISBN 979 0 708146 05 N6.

Greene’s seven chamber arias – today, we would call them ‘concert arias’ – include a set of six that appears to have been custom-written for Faustina Bordoni, the great Venetian diva, during her visits to London in 1726–28, since (among other things) they all showcase her ‘trademark’ note: the E in the top space of the treble clef that particularly thrilled opera-goers. The obbligato violin part for all of them was probably written for the violinist and composer Mauro D’Alay, her constant companion and reputed lover. All six works are substantial and full of character and expression as well as melodiousness and contrapuntal finesse. They show a composer at the peak of his inspiration and ambition.

Composed by Maurice Greene & James Nares. Edited by Christopher Dearnley. For unison voices, organ. Royal School of Church Music. Sacred. Easy/Medium. Octavo. Text language: English. 8 pages. Published by GIA Publications

For Orchestra. By Maurice Greene. (Study Score). Schott. 30 pages. Published by Eulenburg.