| Remember Them (A Requiem for Our Time) Chorale 2 parties - Intermédiaire/avancé Laurendale Associates
Composed by Dale Jergenson. For 2-part women's voices, piano. General, Memorial....(+)
Composed by Dale
Jergenson. For 2-part
women's voices, piano.
General, Memorial.
Moderately Difficult.
Choral score. Published
by Laurendale Associates
$8.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Lauren Bernofsky : Sonatine Flûte traversière et Piano Theodore Presser Co.
(For Flute And Piano). Composed by Lauren Bernofsky (1967-). For flute, pian...(+)
(For Flute And Piano).
Composed by Lauren
Bernofsky
(1967-). For flute,
piano.
Contemporary. Solo part
with
piano reduction. 12
pages.
Duration 5 minute, 30
seconds.
Published by Theodore
Presser
Company
$13.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Lauren Bernofsky : Saltarello Trompette, Piano Theodore Presser Co.
(for Trumpet and Piano). By Lauren Bernofsky (1967-). For trumpet, piano. Contem...(+)
(for Trumpet and Piano).
By Lauren Bernofsky
(1967-). For trumpet,
piano. Contemporary. Solo
part with piano
reduction. Standard
notation. 32 pages.
Duration 6 minutes, 30
seconds. Published by
Theodore Presser Company
$22.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Concerto for Trumpet Trompette, Piano Carl Fischer
Composed by Lauren Bernofsky (1967-). Edited by Tomoko Kanamura. Solo part with ...(+)
Composed by Lauren
Bernofsky (1967-). Edited
by Tomoko Kanamura. Solo
part with piano
reduction. With Standard
notation. 29 19 pages.
Carl Fischer #BQ-113.
Published by Carl Fischer
$23.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Jan Ladislav Dussek (1760-1812). A Bohemian Composer ‘en voyage’ through Europe Ut Orpheus
Books and Journals SKU: UT.QC-4 Edited by Roberto Illiano and Rohan H. St...(+)
Books and Journals
SKU: UT.QC-4
Edited by Roberto Illiano
and Rohan H.
Stewart-MacDonald.
Paperback (Soft Cover).
Quaderni Clementiani.
Essays by Jean-Pierre
Bartoli, Alan Davison,
Therese Ellsworth, Erik
Entwistle, Jeremy
Eskenazy, Michaela
Freemanova, Stephan D.
Lindeman, Rudolf Rasch,
Renato Ricco, Jeanne
Roudet, David Rowland,
Massimiliano Sala, Laure
Schnapper, Rohan H.
Stewart-MacDo. Classical.
Books and Journals. 568
pages. Ut Orpheus #QC 4.
Published by Ut Orpheus
(UT.QC-4). ISBN
9788881094783. 6.5 x 9.5
inches. Saggi di
Jean-Pierre Bartoli, Alan
Davison, Therese
Ellsworth, Erik
Entwistle, Jeremy
Eskenazy, Michaela
Freemanová, Stephan D.
Lindeman, Rudolf Rasch,
Renato Ricco, Jeanne
Roudet, David Rowland,
Massimiliano Sala, Laure
Schnapper, Rohan H.
Stewart-MacDonald, Marie
Sumner
Lott
The
career of Jan Ladislav
Dussek (1760-1812) was
notable for its
peripateticism. Starting
out in his native Bohemia
Dussek spent periods of
time in Germany and the
Netherlands, settling in
London for about ten
years in the 1790s,
progressing to Hamburg
and ending his days in
Paris. Although his
activities centred on the
piano, like so many
musicians of his day
Dussek branched out from
performing and composing
to encompass teaching,
publishing and instrument
retail, with varying
success. A plethora of
reviews and biographical
accounts attest to
Dussek’s renown
throughout Europe as a
pianist and composer,
particularly when it came
to sensitive and
cantabile playing; and he
interacted with some of
the most eminent
musicians, artists and
political figures of his
time. Dussek’s
reputation declined
sharply in the nineteenth
century, however, and
with the exception of
isolated revivals of his
work, for instance in
London in the
mid-nineteenth century,
he has remained on the
verge of obscurity in the
minds of many musicians
and music-lovers until
the present day: even his
well-known innovation of
placing the piano
sideways-on to the
audience to display his
striking profile is often
mistakenly attributed to
Franz Liszt. Although
Dussek has provided the
subject of a number of
student dissertations
over the years, in the
published literature he
has largely been
restricted to cameo
appearances or brief
entries in historical
surveys. The
bicentennial anniversary
of Dussek’s death
provides a fitting
occasion for bringing
together scholars from
all parts of the world to
produce the first
multi-author,
multi-lingual study of
the composer. Several
chapters deal with
aspects of
Dussek’s biography
and iconography that
receive only sparse
treatment elsewhere;
others survey the
different branches of his
output, including the
piano sonatas, the piano
concertos, the chamber
music with and without
harp and the three String
Quartets, Op. 60, which
are currently enjoying a
revival via recordings
and a new edition.
This book has two
fundamental aims. One is
to stimulate renewed
interest in, and debate
about, a less than
celebrated – one
might say unjustly
neglected –
figure. The other aim is
to approach
Dussek’s
multi-facetted,
geographically diverse
career as an interface
between ourselves and the
music business at the
beginning of the
nineteenth century, whose
complexity and
vicissitudes emanated
from the sociological
dynamics and political
events with which Dussek
was, to an almost unique
degree, inextricably
associated. The highs and
lows of Dussek’s
career, the surviving
contemporary accounts of
Dussek the performer and
composer, and the letters
he exchanged with
colleagues in several
nations vividly portray
the struggles of a
worldly, ambitious,
versatile and extremely
perspicacious musician
striving to carve out a
place of eminence and
material security for
himself. This meant
negotiating the complex
progression, underway at
this point in history,
from the patronage system
to the emergence of the
artist as a socially and
financially autonomous
entity.
$146.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Methods & Treatises Voice - Volume 4 - France 1800-1860 Anne Fuzeau Productions
Voice SKU: FZ.5894 Serie II - France 1800-1860. Edited by Jeanne R...(+)
Voice SKU: FZ.5894
Serie II - France
1800-1860. Edited by
Jeanne Roudet. This
edition: Facsimile.
Methodes & Traites.
Score. Published by Anne
Fuzeau Productions -
France (FZ.5894). ISBN
9790230658942. 24.00 x
33.00 cm
inches. These early
music methods are in
facsimile in seven books.
Manuel Patricio Rodriguez
GARCIA (fils) - Laure
CINTI-DAMOREAU - Joseph
CONCONE. Tables of
contents: Garcia Manuel
Patricio Rodriguez:
Traite complet de l'art
du chant - 1847. Cinti
Damoreau Laure: Methode
de chant - 1849. Concone
Joseph: Introduction a
l'art de bien chanter -
c. 1845. Collection
supervised by the
musicologist Jean
Saint-Arroman, professor
at the Conservatoire
National Superieur de
Musique et de Danse of
Paris and at the CEFEDEM
Ile de France (Training
Centre for Music
Teachers). He is the
author of the majority of
our prefaces and has also
been involved in library
searches. Facsimile of
copies in the National
Library of Paris
(France). Anne Fuzeau
Classique propose the
complete theoretic
documentation, methods,
classical music scores on
the chant. $125.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Laurel Tree Piano seul Theodore Presser Co.
Chamber Music Two Flutes, Piano SKU: PR.114408650 For 2 Flutes and Pia...(+)
Chamber Music Two Flutes,
Piano SKU:
PR.114408650 For 2
Flutes and Piano.
Composed by Robert
Maggio. Spiral, Saddle,
Tape. Set of Score and
Parts. With Standard
notation. 56 + 32 pages.
Duration 20 minutes.
Theodore Presser Company
#114-40865. Published by
Theodore Presser Company
(PR.114408650). UPC:
680160013180. 8.5 x 11
inches. The Laurel
Tree is rooted in the
world of mythology, for
it reflects the legend of
Daphne and Apollo. As the
story goes, Cupid, in a
fit of spite, shot Apollo
with an arrow that rouses
love, then shot Daphne
with an arrow that
vanquishes love. Upon
seeing Daphne, Apollo
fell passionately in
love. When he approached
her, Daphne fled in
terror, and Apollo chased
after her. Just as she
was about to be caught by
Apollo, Daphne cried for
help to her father, the
river-god Peneus. She
begged him to change her,
to destroy her beauty, so
that Apollo would no
longer persue her. And
so, Peneus turned her
into a radiant laurel
tree. The Laurel Tree
looks at the legend of
Daphne in psychological
terms. In an essay titled
Schizophrenia - the
Inward Journey, Joseph
Campbell refers to the
image of Daphne turning
into a laurel tree as the
image of a psychosis, and
shows that the imagery of
the mythological hero
journey matches that of
schizophrenic fantasy.
The movement titles and
the structure of the
piece are influenced by
Campbell's writings on
mythology, particularly
his universal formula of
the hero's journey. The
first movement is based
on the legend as
described above, up to
the moment Daphne is
turned into a laurel
tree. The second movement
explores Daphne's inward
retreat, deep into her
psyche and backward in
time, toward chaotic and
terrifying experiences,
to recover something
missed or lost. The third
movement tracks Daphne's
return journey of rebirth
to life, in harmony, at
peace, richer, stronger,
and more joyous. $65.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Laurena Fanfare - Facile De Haske Publications
Fanfare Band - Grade 2 SKU: BT.DHP-0981111-020 Composed by Johan Nijs. Ap...(+)
Fanfare Band - Grade 2
SKU:
BT.DHP-0981111-020
Composed by Johan Nijs.
Applause Series. Festive
and Solemn Music. Set
(Score & Parts). Composed
1998. De Haske
Publications #DHP
0981111-020. Published by
De Haske Publications
(BT.DHP-0981111-020).
For this
composition he Flemish
composer Johan Nijs takes
his inspiration from
people and events in his
life. It was written for
the birth and is
dedicated to his daughter
‘Laurena’.
It’s beautiful
simple melodic lines
makes it a perfect item
to ‘bring a little
peace and calm any
concert.
De
Vlaamse componist Johan
Nijs componeert veel over
mensen en gebeurtenissen
uit zijn nabije omgeving.
Zo schreef hij Santa
Pepita als
huwelijksgeschenk voor
zijn vrouw. De compositie
Laurena heeft hij
opgedragen aan
zijndochtertje. Het werk
kenmerkt zich door
eenvoudige en lieflijke
melodielijnen.
Der
flämische Komponist
Johan Nijs schöpft
seine musikalische
Inspiration häufig aus
Geschehnissen in seiner
näheren Umgebung. so
ist zum Beispiel bekannt,
dass er das Werk Santa
Pepita als
Hochzeitsgeschenk für
seine zukünftige
Ehefrau komponierte.
Seine neue Komposition
Laurena widmete er
seiner neugeborenen
Tochter. Charakteristisch
für diese Komposition
sind die einfachen und
lieblichen Melodielinien.
Le compositeur
flamand Johan Nijs aime
se laisser inspirer par
des événements dans
son environnement
immédiat. En guise de
cadeau de mariage, il
dédia son épouse,
la composition
intitulée Santa
Pepita tandis que son
œuvre Laurena
est dédiée sa
fille. Les lignes
mélodiques de cette
œuvre possèdent
un charme
éthéré. $110.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
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