CLASSIQUE

By Felix Bartholdy Mendelssohn (1809-1847). Arranged by John Wilcox. For clarinet, bassoon (clarinet 2/bass clarinet/basset horn), violin, viola, cello and double bass. Winds and Strings. Companion to Beethoven Septet, letting the horn rest. Excellent encore piece. Classical. Score and set of parts. Published by Rosewood Publications

Composed by J.G. Rheinberger. Arranged by John Wilcox. Winds and Strings. For clarinet, horn in Eb, bassoon, violin, viola, cello and double bass. Companion piece to Beethoven Septet. Marvellous melodies. Based on the Octet, which contains 2 movements not included in the Nonet.. Romantic. Score and parts. Published by Rosewood Publications

Organ

SKU: ST.EC66

Composed by Various. Edited by John Caldwell. This edition: Collected Editions. Library Volumes. Early Tudor Organ Music. Collection. Stainer and Bell Ltd. #EC66. Published by Stainer and Bell Ltd. (ST.EC66).

ISBN 9780852499726.

EECM 65 and EECM66 revisit the repertoire of the ground-breaking volumes 6 and 10 in the series, Early Tudor Organ Music, in the light of 60 years of continuing research and deeper understanding of the surviving corpus. Some 109 works are brought together here, in the order in which they appear in each manuscript â?? British Library Additional MS 29996 accounting for three-quarters of the content, plus 22 works from other sources. There are settings for the Office (antiphons, hymns, the Te Deum and Magnificat) and Mass ordinary and propers (particularly the Offertory).

The format is of the same dimensions as other EECM volumes, although presented in landscape for more practical use. EECM66 contains Advent, Christmas, Epiphany and Lenten hymns from Add. MS 29996, and 22 pieces from other sources. Three appendices include intabulated pieces, plainchant melodies, and hymns and faburdens.

In addition to numerous anonymous titles, composers found in these volumes include Avery Burnett, Robert Coxsun, William Kyrton, Thomas Preston, John Redford, Philip ap Rhys, Edmund Strowger, Thomas Tallis, John Thorne, Robert White and Richard Wynslate.

Organ

SKU: ST.EC65

Composed by Various. Edited by John Caldwell. This edition: Collected Editions. Library Volumes. Early Tudor Organ Music. Collection. Stainer and Bell Ltd. #EC65. Published by Stainer and Bell Ltd. (ST.EC65).

ISBN 9780852499719.

EECM 65 and EECM66 revisit the repertoire of the ground-breaking volumes 6 and 10 in the series, Early Tudor Organ Music, in the light of 60 years of continuing research and deeper understanding of the surviving corpus. Some 109 works are brought together here, in the order in which they appear in each manuscript â?? British Library Additional MS 29996 accounting for three-quarters of the content, plus 22 works from other sources. There are settings for the Office (antiphons, hymns, the Te Deum and Magnificat) and Mass ordinary and propers (particularly the Offertory).

The format is of the same dimensions as other EECM volumes, although presented in landscape for more practical use. Containing music exclusively from Add. MS 29996, EECM65 includes updated composer biographies compiled by David Mateer, and introductory notes for the two volumes on cantus firmus techniques and metrical structure, counterpoint and musica ficta, alternatim practice, and an historical account of the early English organ.

In addition to numerous anonymous titles, composers found in these volumes include Avery Burnett, Robert Coxsun, William Kyrton, Thomas Preston, John Redford, Philip ap Rhys, Edmund Strowger, Thomas Tallis, John Thorne, Robert White and Richard Wynslate.

Choral (SATB)

SKU: HL.14005425

Composed by Geoffrey Burgon. Music Sales America. Classical. Book Only. Composed 1996. 84 pages. Chester Music #CH55680. Published by Chester Music (HL.14005425).

This work for soprano, tenor and baritone soloists, chorus and orchestra was commissioned by the National Confederation of Music Societies to celebrate its Jubilee in 1985, with funds made available by the Arts Council of Great Britain. The first performance was given in London on 13th April 1985 by the London Symphony Chorus (chorus master Simon Joly) and the City of London Sinfonia conducted by Richard Hilcox. The title of this work refers not only to the use of the words of St John the Divine, but also to the four poems that are set alongside them. These poems are all visionary and revelatory and deal either directly or by suggestion with ideas of St John. Vocal score with piano reduction of the orchestral parts.