Page membre de Pam Turner

14 Original Piano Pieces Inspired by Great Works of Art. Composed by Pam Wedgwood. Book; Piano Collection; Piano Supplemental. Faber Edition. Form: Ballade. Jazz. Published by Faber Music

Recorder and Harpsichord (or Piano) - Intermediate

SKU: FP.FPJ01

Composed by Jim Parker. Sheet Music and Books. Take a South American Journey with Jim Parker, award-winning TV & Film composer, with this imaginative suite of pieces for recorder and piano. Classical. Collection. Forsyths Publications #FPJ01. Published by Forsyths Publications (FP.FPJ01).

ISBN 9790570504015.

Jim Parker's TV, film and theatre scores are much loved, with credits including Foyle’s War, House of Cards, Midsomer Murders and House of Elliott. He has won the British Academy Award for Best TV Music on no less than four occasions.

South American Journey shares Parker's genius for painting musical pictures and weaving memorable melodies. He'll even have you believing your recorder is a Peruvian pan-pipe! The piece was written as a tribute to the memory of his friend and near-neighbour Stephen Dodgson.

Tango Cinco and Pueblo Tranquilo were first performed in a concert celebrating the life and work of Stephen Dodgson in the Cosmo Rodewald Concert Hall, Manchester University, on April 5th 2014, by John Turner (recorder) and Pamela Nash (harpsichord), and the premiere of the complete suite was given by John Turner (recorder) and Harvey Davies (harpsichord) at St.Bartholomew's Church, Church Minshull, Cheshire, on May 17th 2014. It is available in recorded form on the album Travelling Light: Music of Jim Parker on the Divine Art label.

SKU: GI.G-8462

Composed by James Abbington. Edited by James Abbington. African American Church Music Series. Sacred. Book. 824 pages. GIA Publications #8462. Published by GIA Publications (GI.G-8462).

ISBN 9781622771004. English.

The volume you are holding is a vivid testimony …to the value of examining this variety and dynamism from multiple, overlapping points of view …to the value of both realist and idealist voices …to the value of articulating wisdom. From the foreword by John D. Witvliet, Calvin Institute of Christian Worship Since the publication of the first volume of Readings in African American Church Music and Worship, public and academic interest in the music and worship in black churches has significantly increased. This second volume makes available the most recent scholarship on twenty-first-century developments and trends, through a representative number of articles, essays, and chapters written by brilliant musicians, authors, and theologians of our time. The list of contributors includes some of the finest emerging scholars, whose voices we will be hearing for years to come, as well as offerings from seasoned authors, whose research and writings are well regarded by peers and the worshiping community at large. The significant contributions—from names new and familiar—greatly broaden the field of study. The 43 chapters of this volume are divided into 7 categories: Worship and Liturgical Practices Perspectives on Praise and Worship Liturgical Theologies Hip Hop and/in the Church Proclamation of the Word Perspectives on Women and Gender Hymnody: Sound and Sense Insightful, thought-provoking, challenging, hopeful—this volume will be a source of knowledge, a stimulus for discussion, and a call to (re)consider the many and varied viewpoints of the African American church. Featuring the writings of: James Abbington, LaTrese Adkins, Sandra L. Barnes, Tuere A. Bowles, Ruthlyn Bradshaw, Michael Joseph Brown, Melvin L. Butler, James H. Cone, David Douglas Daniels III, Robert Darden, Leo H. Davis Jr., Valerie Bridgeman Davis, Michael Fox, Kenyatta R. Gilbert, Daniel White Hodge, Birgitta J. Johnson, Alisha Jones, Tammy L. Kernodle, S T Kimbrough, Jr., Cheryl A. Kirk-Duggan, Cleophus J. LaRue, Monica T. Leach, Tamura Lomax, Pamela P. Martin, Marvin A. McMickle, Monica R. Miller, Stephanie Y. Mitchem, Thomasina Neely-Chandler, Deborah S. Pollard, Luke A. Powery, Samuel D. Proctor, Teresa L. Reed, Braxton D. Shelley, Martha Simmons, Josef Sorett, Rodney A. Teal, Frank Thomas, Kathleen S. Turner, Kenneth C. Ulmer, Gayle Wald, James Melvin Washington, Ralph C. Watkins, Lisa M. Weaver, Melinda E. Weekes, Christina Zanfagna James Abbington is Associate Professor of Church Music and Worship, Candler School of Theology, Emory University, Atlanta, Georgia. He also serves as Executive Editor of the African American Church Music Series, published by GIA Publications, Inc.

Descant recorder and piano/harpsichord - Moderate to Intermediate

SKU: FP.FWE01

Composed by Eric Wetherell. Published by Forsyths Publications (FP.FWE01).

ISBN 979-0-57050-307-0.

This catchy piece was given its first performance by John Turner (recorder) and Pamela Nash (harpsichord) in 2001 in Kendal Town Hall. The harpsichord part may alternatively be played on the piano or a small chamber organ.