| Jesu, meine Freude (Jesu, my salvation) Chorale SSATB SSATB, Piano [Conducteur] Carus Verlag
By Johann Sebastian Bach (1685-1750). Edited by Graulich, Gunter. Arranged by Pa...(+)
By Johann Sebastian Bach
(1685-1750). Edited by
Graulich, Gunter.
Arranged by Paul Horn.
For SSATB Choir, [5
Instruments, Basso
continuo]. This edition:
paperbound. BWV 227.
Sacred, Chamber Choir -
Recommended by Frieder
Bernius; Motets;
Stuttgart Urtext
editions. Level 4. Score.
Language: German/English.
Composed 1723 (?). 48
pages
$14.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Christmas Carol Trilogy - Facile Carl Fischer
Band Bass, Bass Clarinet, Bass Drum, Bassoon, Bells, Chimes, Clarinet 1, Clarine...(+)
Band Bass, Bass Clarinet,
Bass Drum, Bassoon,
Bells, Chimes, Clarinet
1, Clarinet 2, Crash
Cymbals, Euphonium,
Euphonium T.C., Flute,
Flute 2, Horn, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Sleigh Bells, Snare
Drum, Suspended Cymbal
and more. - Grade 2.5
SKU: CF.YPS223
Composed by Traditional
Christmas Songs. Arranged
by Russell Robinson
Michael J. Miller. Folio.
Yps. Set of Score and
Parts.
8+2+4+4+2+2+5+2+2+4+4+4+6
+3+2+3+4+1+2+6+24 pages.
Duration 4 minutes, 10
seconds. Carl Fischer
Music #YPS223. Published
by Carl Fischer Music
(CF.YPS223). ISBN
9781491156643. UPC:
680160915187. 9 x 12
inches. Notes to
the Conductor This
adaptation of Christmas
Carol Trilogy was
arranged to accompany the
choral arrangement of the
same title by Russell
Robinson. It can be
played with Robinson's
vocal arrangements with
band and chorus together
or as a stand-alone piece
for band. If performed
together with a chorus,
it is recommended that
the performers play one
to two dynamic levels
lower than written
(depending on the size of
the chorus) so as not to
overpower the singers.
Please see the chart
below for further
explanation.
Written Dynamic (To be
used if band alone) Large
Chorus (1 dynamic lower)
Small Chorus (2 dynamics
lower) mf f ff mp mf f
p mp mf
Another
possibility for
performance is for a
small group of wind
instruments with chorus.
Here, performers would
play the written
dynamics. Below are a few
recommended chamber
ensembles that would work
with a variety of
choruses, though there
are several other
alternatives. In any
case, the conductor
should be careful to
choose a set of
instruments that is both
balanced in register
(soprano, alto, tenor,
bass) and in role
(melody, countermelody,
bass line, etc.) Option 1
(Woodwind Sextet) Flute
(Oboe) Clarinet 1
Clarinet 2 Alto Saxophone
Tenor Saxophone (Bassoon)
Baritone Saxophone (Bass
Clarinet) Option 2 (Brass
Quintet) Trumpet 1
Trumpet 2 Horn Trombone
(Baritone) Tuba (Baritone
Saxophone) A final option
is to perform with one
player per instrumental
part. In all instances,
the conductor should pay
close attention to the
balance of the percussion
instruments. Notes to
the Conductor This
adaptation of Christmas
Carol Trilogy was
arranged to accompany the
choral arrangement of the
same title by Russell
Robinson. It can be
played with
Robinson’s vocal
arrangements with band
and chorus together or as
a stand-alone piece for
band. If performed
together with a chorus,
it is recommended that
the performers play one
to two dynamic levels
lower than written
(depending on the size of
the chorus) so as not to
overpower the singers.
Please see the chart
below for further
explanation. Written
Dynamic(To be used if
band alone)Large Chorus(1
dynamic lower)Small
Chorus(2 dynamics
lower)mffffmpmff pmpmf
  Another
possibility for
performance is for a
small group of wind
instruments with chorus.
Here, performers would
play the written
dynamics. Below are a few
recommended chamber
ensembles that would work
with a variety of
choruses, though there
are several other
alternatives. In any
case, the conductor
should be careful to
choose a set of
instruments that is both
balanced in register
(soprano, alto, tenor,
bass) and in role
(melody, countermelody,
bass line, etc.)Option 1
(Woodwind Sextet)Flute
(Oboe)Clarinet 1Clarinet
2Alto SaxophoneTenor
Saxophone
(Bassoon)Baritone
Saxophone (Bass
Clarinet)Option 2 (Brass
Quintet)Trumpet 1Trumpet
2HornTrombone
(Baritone)Tuba (Baritone
Saxophone)A final option
is to perform with one
player per instrumental
part. In all instances,
the conductor should pay
close attention to the
balance of the percussion
instruments. $70.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Vulcan Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Hal Leonard
(Score and Parts). Composed by Michael Daugherty (1954-). For Concert Band. Mich...(+)
(Score and Parts).
Composed by Michael
Daugherty (1954-). For
Concert Band. Michael
Daugherty Music. Grade 4.
Softcover. Published by
Hal Leonard
$325.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Escapades [Conducteur] - Facile Carl Fischer
Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade ...(+)
Orchestra Cello,
Contrabass, Piano, Viola,
Violin 1, Violin 2,
Violin 3 - Grade 2
SKU: CF.YAS187F
Composed by David Hinds.
Young String Orchestra
(YAS). Full score. With
Standard notation. 8
pages. Carl Fischer Music
#YAS187F. Published by
Carl Fischer Music
(CF.YAS187F). ISBN
9781491151891. UPC:
680160909391. 9 x 12
inches. Escapades?i
s an adventurous and
energetic composition
written by David Hinds. A
variety of articulation
styles gives the piece
character. The moving
inner parts will appeal
to every section of the
orchestra, including the
basses. This is a
versatile piece suitable
for concerts,
festivals,?and
contest. Escapades
is an adventurous
and energetic composition
in G major. Pay attention
to staccato marks over
both eighth and quarter
notes. The E-minor
melodic section at m. 37
should be played in a
legato style. The
energetic theme returns
after the melodic section
and has a strong ending
that starts with a
two-measure augmentation
of the last theme. This
is a fairly
straightforward piece,
and there are plenty of
moving parts that appeal
to all sections,
including an interesting
bass part. The indicated
Allegro tempo is
recommended but may be
adjusted according to the
needs of the students.
The piano part is best
used for rehearsal only.
This is a versatile piece
suitable for concerts,
festivals and contests,
and I am sure your
students will enjoy
playing
it. Escapades
A is an adventurous and
energetic composition in
G major. Pay attention to
staccato marks over both
eighth and quarter notes.
The E-minor melodic
section at m. 37 should
be played in a legato
style. The energetic
theme returns after the
melodic section and has a
strong ending that starts
with a two-measure
augmentation of the last
theme. This is a fairly
straightforward piece,
and there are plenty of
moving parts that appeal
to all sections,
including an interesting
bass part. The indicated
Allegro tempo is
recommended but may be
adjusted according to the
needs of the students.
The piano part is best
used for rehearsal only.
This is a versatile piece
suitable for concerts,
festivals and contests,
and I am sure your
students will enjoy
playing it. Escapades
is an adventurous and
energetic composition in
G major. Pay attention to
staccato marks over both
eighth and quarter notes.
The E-minor melodic
section at m. 37 should
be played in a legato
style. The energetic
theme returns after the
melodic section and has a
strong ending that starts
with a two-measure
augmentation of the last
theme. This is a fairly
straightforward piece,
and there are plenty of
moving parts that appeal
to all sections,
including an interesting
bass part. The indicated
Allegro tempo is
recommended but may be
adjusted according to the
needs of the students.
The piano part is best
used for rehearsal only.
This is a versatile piece
suitable for concerts,
festivals and contests,
and I am sure your
students will enjoy
playing
it. Escapades is an
adventurous and energetic
composition in G major.
Pay attention to staccato
marks over both eighth
and quarter notes. The
E-minor melodic section
at m. 37 should be played
in a legato style. The
energetic theme returns
after the melodic section
and has a strong ending
that starts with a
two-measure augmentation
of the last theme. This
is a fairly
straightforward piece,
and there are plenty of
moving parts that appeal
to all sections,
including an interesting
bass part.The indicated
Allegro tempo is
recommended but may be
adjusted according to the
needs of the students.
The piano part is best
used for rehearsal only.
This is a versatile piece
suitable for concerts,
festivals and contests,
and I am sure your
students will enjoy
playing it.
About Carl
Fischer Young String
Orchestra
Series Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels $8.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Michael Daugherty : Vulcan Orchestre d'harmonie [Conducteur] - Intermédiaire Hal Leonard
Full Score. Composed by Michael Daugherty (1954-). Michael Daugherty Music. S...(+)
Full Score. Composed by
Michael Daugherty
(1954-).
Michael Daugherty Music.
Softcover. 120 pages.
Published by Hal Leonard
$45.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Silent Night Orchestre à Cordes [Conducteur et Parties séparées] - Débutant Carl Fischer
Orchestra String Orchestra - Grade 1.5-2 SKU: CF.FAS9 Composed by Franz X...(+)
Orchestra String
Orchestra - Grade 1.5-2
SKU: CF.FAS9
Composed by Franz Xaver
Gruber. Arranged by
Andrew Balent. Carl
Fischer First Plus String
Orchestra Series. Sacred,
Christmas. Score and
Parts. With Standard
notation. 8 pages.
Duration 1 minute, 55
seconds. Carl Fischer
Music #FAS9. Published by
Carl Fischer Music
(CF.FAS9). ISBN
9780825844768. UPC:
798408044763. 8.5 X 11
inches. Key: D
major. This gentle
arrangement of the
Christmas classic
Silent Night
will help young string
players in the
development of legato
playing. All
countermelodies must be
balanced with the main
theme. The eighth notes
should be played evenly
in a legato style. If the
students have good bow
control it is recommended
that slurs be used for
each measure of eighth
and quarter notes as in
the Violin II/Viola part
at the beginning. If
students are not advanced
enough to play the slurs,
have them play as legato
as possible without
slurring. Performance
Time: 1:55. This
gentle arrangement of the
Christmas classicA
Silent Night
will help young string
players in the
development of legato
playing. All
countermelodies must be
balanced with the main
theme. The eighth notes
should be played evenly
in a legato style. If the
students have good bow
control it is recommended
that slurs be used for
each measure of eighth
and quarter notes as in
the Violin II/Viola part
at the beginning. If
students are not advanced
enough to play the slurs,
have them play as legato
as possible without
slurring. Performance
Time: 1:55. This
gentle arrangement of the
Christmas classic Silent
Night will help young
string players in the
development of legato
playing. All
countermelodies must be
balanced with the main
theme. The eighth notes
should be played evenly
in a legato style. If the
students have good bow
control it is recommended
that slurs be used for
each measure of eighth
and quarter notes as in
the Violin II/Viola part
at the beginning. If
students are not advanced
enough to play the slurs,
have them play as legato
as possible without
slurring. Performance
Time: 1:55. This
gentle arrangement of the
Christmas
classic Silent Night
will help young string
players in the
development of legato
playing. All
countermelodies must be
balanced with the main
theme. The eighth notes
should be played evenly
in a legato style. If the
students have good bow
control it is recommended
that slurs be used for
each measure of eighth
and quarter notes as in
the Violin II/Viola part
at the beginning. If
students are not advanced
enough to play the slurs,
have them play as legato
as possible without
slurring.Performance
Time: 1:55. $53.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Christmas Carol Trilogy [Conducteur] - Facile Carl Fischer
Band Bass, Bass Clarinet, Bass Drum, Bassoon, Bells, Chimes, Clarinet 1, Clarine...(+)
Band Bass, Bass Clarinet,
Bass Drum, Bassoon,
Bells, Chimes, Clarinet
1, Clarinet 2, Crash
Cymbals, Euphonium,
Euphonium T.C., Flute,
Flute 2, Horn, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Sleigh Bells, Snare
Drum, Suspended Cymbal
and more. - Grade 2.5
SKU: CF.YPS223F
Composed by Russell
Robinson Michael J.
Miller. Sws. Yps. Full
score. 24+22 pages.
Duration 4 minutes, 10
seconds. Carl Fischer
Music #YPS223F. Published
by Carl Fischer Music
(CF.YPS223F). ISBN
9781491156650. UPC:
680160915194. 9 x 12
inches. Notes to
the Conductor This
adaptation of Christmas
Carol Trilogy was
arranged to accompany the
choral arrangement of the
same title by Russell
Robinson. It can be
played with Robinson's
vocal arrangements with
band and chorus together
or as a stand-alone piece
for band. If performed
together with a chorus,
it is recommended that
the performers play one
to two dynamic levels
lower than written
(depending on the size of
the chorus) so as not to
overpower the singers.
Please see the chart
below for further
explanation.
Written Dynamic (To be
used if band alone) Large
Chorus (1 dynamic lower)
Small Chorus (2 dynamics
lower) F f ff P F f
p P F
Another
possibility for
performance is for a
small group of wind
instruments with chorus.
Here, performers would
play the written
dynamics. Below are a few
recommended chamber
ensembles that would work
with a variety of
choruses, though there
are several other
alternatives. In any
case, the conductor
should be careful to
choose a set of
instruments that is both
balanced in register
(soprano, alto, tenor,
bass) and in role
(melody, countermelody,
bass line, etc.) Option 1
(Woodwind Sextet) Flute
(Oboe) Clarinet 1
Clarinet 2 Alto Saxophone
Tenor Saxophone (Bassoon)
Baritone Saxophone (Bass
Clarinet) Option 2 (Brass
Quintet) Trumpet 1
Trumpet 2 Horn Trombone
(Baritone) Tuba (Baritone
Saxophone) A final option
is to perform with one
player per instrumental
part. In all instances,
the conductor should pay
close attention to the
balance of the percussion
instruments. Notes to
the Conductor This
adaptation of Christmas
Carol Trilogy was
arranged to accompany the
choral arrangement of the
same title by Russell
Robinson. It can be
played with
Robinson’s vocal
arrangements with band
and chorus together or as
a stand-alone piece for
band. If performed
together with a chorus,
it is recommended that
the performers play one
to two dynamic levels
lower than written
(depending on the size of
the chorus) so as not to
overpower the singers.
Please see the chart
below for further
explanation. Written
Dynamic(To be used if
band alone)Large Chorus(1
dynamic lower)Small
Chorus(2 dynamics
lower)FfffPFf pPF Ã
‚Â Another possibility
for performance is for a
small group of wind
instruments with chorus.
Here, performers would
play the written
dynamics. Below are a few
recommended chamber
ensembles that would work
with a variety of
choruses, though there
are several other
alternatives. In any
case, the conductor
should be careful to
choose a set of
instruments that is both
balanced in register
(soprano, alto, tenor,
bass) and in role
(melody, countermelody,
bass line, etc.)Option 1
(Woodwind Sextet)Flute
(Oboe)Clarinet 1Clarinet
2Alto SaxophoneTenor
Saxophone
(Bassoon)Baritone
Saxophone (Bass
Clarinet)Option 2 (Brass
Quintet)Trumpet 1Trumpet
2HornTrombone
(Baritone)Tuba (Baritone
Saxophone)A final option
is to perform with one
player per instrumental
part. In all instances,
the conductor should pay
close attention to the
balance of the percussion
instruments. $11.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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