PARTITIONS GRATUITES :
CLASSIQUE MODERNE
- Hannah

Accordion (keyboard) - Intermediate

SKU: MB.97210

Composed by David DiGiuseppe. Style, Squareback saddle stitch, Tunebooks, Piano Accordion, Celtic / Irish, Folk, European, World. Acoustic Music. Book. 112 pages. Mel Bay Publications, Inc #97210. Published by Mel Bay Publications, Inc (MB.97210).

ISBN 9780786648009. UPC: 796279062350. 8.75 x 11.75 inches.

An extensive collection of reels, jigs, hornpipes and polkas from the French Canadian, Cape Breton, Scottish, Shetland, New England, and Southern Old-Time Traditions arranged for the piano accordion. Written with the beginner as well as the advanced player in mind, the arrangements are complete with ornamentation, fingering, left-hand notation and chord symbols. Appropriate for any G clef instrument.

By Timothy Mahr; Hannah Mahr. For concert band. Bandworks. Grade 2. Score. Published by Neil A. Kjos Music Company

By Various. Arranged by Brown. For Brass Quartet (2 Bb trumpets, trombone/french horn, trombone). Published by BrassWorks4

Voice, Bass Clarinet in B-flat, Piano Bass Clarinet; Piano Accompaniment; Voice (Performance Score)

SKU: HL.48025037

Performance Score Voice, Bass Clarinet, and Piano. Composed by Iris ter Schiphorst. Boosey & Hawkes Chamber Music. Classical. Softcover. 128 pages. Duration 1200 seconds. Bote & Bock #M202536025. Published by Bote & Bock (HL.48025037).

UPC: 196288020936.

Iris ter Schiphorst understands her piece as an homage to the writer Inge Muller (1925 - 1966), whose poems were included in this work, and as a 'scientific-artistic examination of the intellectual climate of her life', especially of the Nazi era as well as her reception in the 1960s by Hannah Arendt, among others. The idea of abandoning the Lied as a constitutive unity of text and music andworking with different text genres (including so-called folk songs) opened up the possibility for the composer to think theatricallyand to be able to create narrative, sometimes 'scenic' connections between the elements: Sometimes the music comments on the text, sometimes it contradicts or questions it, and vice versa. Most of the texts are spoken, singing is almost exclusively done on vocalises. The composition is explicitly written for a female solo singer, and the musicians accompanying her should ideally be male. 'The sung parts are designed like a commentary ... The performer/singer must be trained in theatrical bodywork and has to assimilate and embody the texts.'.

4 recorders (SATB)

SKU: HL.49014668

Composed by Orlando Gibbons. Arranged by Ian Kemp and Kenneth Dinham. This edition: Folding. Sheet music. Edition Schott. Classical. Playing score. 8 pages. Schott Music #ED 11597. Published by Schott Music (HL.49014668).

ISBN 9790220111594. 8.75x11.5x0.022 inches.

Hymnes and Songs of the Church (1623) compiled by George Withers included works by several composers; Seven Hymns is al selection from those by Gibbons. The original contained descant and bass parts only: middle parts have been added. Original bar-lines are preserved. These hymns can also be sung, with or without recorders.