| Faber Studio Collection Piano seul Faber Piano Adventures
(Selections from BigTime). Arranged by Nancy Faber and Randall Faber. For Piano/...(+)
(Selections from
BigTime). Arranged by
Nancy Faber and Randall
Faber. For
Piano/Keyboard. Faber
Piano Adventures. 4.
Softcover. 40 pages.
Faber Piano Adventures
#FF3021. Published by
Faber Piano Adventures
$10.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Solace, Entertainer and Maple Leaf Rag * 3 in 1 * Original Piano Solo Piano seul Santorella Publications
Solace, Entertainer and Maple Leaf Rag * 3 in 1 * Original Piano Solo composed b...(+)
Solace, Entertainer and
Maple Leaf Rag * 3 in 1 *
Original Piano Solo
composed by Scott Joplin
(1868-1917). For piano
solo. This edition:
Paperback. Solo. Ragtime.
Sheet Music. Text
Language: English. 12
pages. Published by
Santorella Publications
$5.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Seven Episodes For Snare Drum And Bass Drum Leduc, Alphonse
Percussion (Percussion Parts) SKU: HL.48184867 Composed by Adam Polachows...(+)
Percussion (Percussion
Parts) SKU:
HL.48184867 Composed
by Adam Polachowski.
Leduc. Classical.
Softcover. 20 pages.
Alphonse Leduc #AL28184.
Published by Alphonse
Leduc (HL.48184867).
UPC: 888680796877.
9x12.25
inches. “Born
in 1958, polish musician
Adam Polachowski studied
music at the Arts Academy
in Poznan, Poland before
being appointed as
percussionist at the
Poznan Wielki Theatre, as
well as performing
soloistically. As a
prolific percussionist
himself, Polachowski's
Seven Episodes for Snare
Drum and Bass Drum are
very well-informed.
Polachowski's study book
is intended for
percussionists who have
already mastered Bass
Drum pedal technique.
Seven Episodes for Snare
Drum and Bass Drum
addresses varying
rhythmic combinations,
counterpoint, different
timbres, dynamic
variations and changes of
tempo. A helpful glossary
is included and, with
written instruction in
French, English, German,
Spanish and Italian,
Polachowski's study book
is highly accessible. For
all aspiring
percussionists, Seven
Episodes for Snare Drum
and Bass Drum is
essential.&rdquo. $28.60 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Solace, Entertainer and Maple Leaf * New Masterpiece Edition Piano seul Santorella Publications
Piano SKU: SP.ME1033 Composed by Scott Joplin. Solo; Ragtime. Score. Sant...(+)
Piano SKU:
SP.ME1033 Composed by
Scott Joplin. Solo;
Ragtime. Score.
Santorella Publications
#ME1033. Published by
Santorella Publications
(SP.ME1033). ISBN
9781585607457. The
Masterpiece Edition
series, published
exclusively by Santorella
Publications, is a
collection of original
piano works, as well as
challenging arrangements
and transcriptions
designed for the
experienced to advanced
pianist. The series is
meticulously engraved and
printed on heavy cover
stock and quality paper
to last for generations.
With original works from
the great masters, Bach,
Beethoven, Mozart, and
alike, as well as
arrangements and
transcriptions from some
of the greatest works of
all time, these
Masterpiece Editions are
sure to be popular
favorites while enhancing
the repertoire of most
any serious pianist. In
this case, we are
extremely proud to
release the original,
unedited, Masterpiece
Edition of Joplin's
Solace, Entertainer and
Maple Leaf Rag as a 3 in
1 sheet in its purest
form. Our ultimate goal
is to emphasize the
necessity of exceptional
quality in printed sheet
music. Time has heard the
strains of a myriad of
musical styles. Some
styles liven with age
while others fade. The
same is true of the
composers themselves;
some are regarded as
brilliant masters from
the beginning of their
lives while others are
praised only
posthumously. Endurance
is the ultimate test.
Scott Joplin endured
great injustices and
criticism, yet he remains
the King of Ragtime. We
remember the genius of
Scott Joplin by
publishing Solace, The
Entertainer, and Maple
Leaf Rag in a remarkable
3 in 1 original edition.
Joplin's most popular
rag, The Entertainer
reached high acclaim in
1973 as a recognizable
theme from the film
classic, The Sting. This
Academy Award-Winning
film was solely
responsible for the
resurgence of ragtime in
general, but more
specifically brought
renewed interest in the
works of Scott Joplin.
Solace was frequently
heard in the background
of many scenes in which
the character was deep in
thought. Subtitled, A
Mexican Serenade, Solace
has a serene Latin feel,
unlike no other samba
written and is the
favorite of many Joplin
enthusiasts. While the
Maple Leaf Rag, actually
became quite popular
during Joplin's lifetime,
so much so that it was
the first printed sheet
of music to sell over one
million copies. We are
pleased to combine these
three original rags in
one sheet as a special
part of our Masterpiece
Ragtime Selections. These
newly engraved editions
are clean, sharp,
distinct, and accurate.
An absolute pleasure to
read as each crisp note
seems to pop off the
page. $8.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Guitare facile Vol.1 Guitare [Partition + CD] Paul Beuscher
Guitar SKU: BT.PB1200 Classical. Book with CD. 106 pages. Paul Beuscher #...(+)
Guitar SKU:
BT.PB1200 Classical.
Book with CD. 106 pages.
Paul Beuscher #PB1200.
Published by Paul
Beuscher (BT.PB1200).
French. From the
pantheon of great
pianists comes
Volume 1B
of Les
Classiques Favoris Du
Piano, a
collection of even more
fantastic pieces by some
of the greatest composers
ever, arranged for solo
Piano.
$27.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| O the Chimneys Theodore Presser Co.
Chamber Music Clarinet, Flute, Percussion, Piano, Tape, Violoncello, soprano voi...(+)
Chamber Music Clarinet,
Flute, Percussion, Piano,
Tape, Violoncello,
soprano voice SKU:
PR.11140180S For
Mezzo-soprano Voice and
Chamber Ensemble with
Tape. Composed by
Shulamit Ran. Text: Five
Poems of Nelly Sachs,
Translation from German
of Nos. I, III and IV by
Ruth and Matthew Mead, of
No. II by Michael Roloff
and No. V by Michael
Hamburger. Contemporary.
Set of performance
scores. With Standard
notation. Composed 1969.
52 pages. Duration 18
minutes. Theodore Presser
Company #111-40180S.
Published by Theodore
Presser Company
(PR.11140180S). UPC:
680160601691. Text: Nelly
Sachs. Nelly Sachs. Text:
Five Poems of Nelly
Sachs, Translation from
German of Nos. I, III and
IV by Ruth and Matthew
Mead, of No. II by
Michael Roloff and No. V
by Michael
Hamburger. O The
Chimneys is a setting of
five poems by Nelly
Sachs, the great
German-Jewish 1966 Nobel
Prize co-winner in
literature, whose writing
concerned itself almost
entirely with the subject
of the holocaust.
Composed in 1969, the
work was my own personal
way of saying, through my
own art, do not forget.
Shockingly, these words
have as much relevance
today as they did when
the work was written.
Today we find ourselves
having to say do not
forget, do not distort,
do not deny it ever
happened. I
selected the five poems
from Sachs' O The
Chimneys collection,
retaining its grimly
evocative title even
though I did not include
the actual poem by that
name. In scoring the work
for female voice, flute,
clarinet/bass clarinet,
cello, piano and
percussion, I aimed to
give myself the broadest
possible palette of
instrumental colors while
using the smallest number
of participants. Yet as I
was planning the final
moments of my cycle, I
felt that instrumental
sound alone would not
suffice to express the
horror. An electronic
tape segment was added to
the work's final climax.
The first two
poems (A Dead Child
Speaks and Already
Embraced by the Arm of
Heavenly Solace), both
depicting the tearing of
a child away from his
mother, are treated
essentially as one unit,
with the first acting as
an introduction to the
second. These two, and
the cycle's apocalyptic
fifth poem (Hell is Naked
from Glowing Enigmas II),
act as the two weighty
pillar points, so to
speak, surrounding the
more introspective two
middle poems (Fleeing and
Someone Comes). To
maximize dramatic
differentiation within
the constraints of a
relentlessly tragic
subject matter, I used
range as a means to
delineate contrast, by
dividing the sounds
available to me into low
and dark (mvt. III) vs.
high and, at times,
eerily bright (mvt. IV)
colors. Thus the two
middle poems are intended
to balance the frenzied
madness of which the
work's outer parts are
made. The work
received its first
performance in New York
at the Metropolitan
Museum of Art's Grace
Rainey Auditorium on
January 19, 1970.
--Shulamit Ran. $38.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| O the Chimneys Theodore Presser Co.
Chamber Music Clarinet, Flute, Mezzo-soprano voice, Percussion, Piano, Tape, Vio...(+)
Chamber Music Clarinet,
Flute, Mezzo-soprano
voice, Percussion, Piano,
Tape, Violoncello SKU:
PR.111401800 For
Mezzo-soprano Voice and
Chamber Ensemble with
Tape. Composed by
Shulamit Ran. Arranged by
Nelly Sachs. Text: Five
Poems of Nelly Sachs,
Translation from German
of Nos. I, III and IV by
Ruth and Matthew Mead, of
No. II by Michael Roloff
and No. V by Michael
Hamburger. Contemporary.
Set of Score and Parts.
With Standard notation.
Composed 1969.
51+16+14+20+14+15 pages.
Duration 18 minutes.
Theodore Presser Company
#111-40180. Published by
Theodore Presser Company
(PR.111401800). UPC:
680160618132. 8.5 x 11
inches. Text: Nelly
Sachs. Nelly Sachs. Text:
Five Poems of Nelly
Sachs, Translation from
German of Nos. I, III and
IV by Ruth and Matthew
Mead, of No. II by
Michael Roloff and No. V
by Michael
Hamburger. O The
Chimneys is a setting of
five poems by Nelly
Sachs, the great
German-Jewish 1966 Nobel
Prize co-winner in
literature, whose writing
concerned itself almost
entirely with the subject
of the holocaust.
Composed in 1969, the
work was my own personal
way of saying, through my
own art, do not forget.
Shockingly, these words
have as much relevance
today as they did when
the work was written.
Today we find ourselves
having to say do not
forget, do not distort,
do not deny it ever
happened. I
selected the five poems
from Sachs' O The
Chimneys collection,
retaining its grimly
evocative title even
though I did not include
the actual poem by that
name. In scoring the work
for female voice, flute,
clarinet/bass clarinet,
cello, piano and
percussion, I aimed to
give myself the broadest
possible palette of
instrumental colors while
using the smallest number
of participants. Yet as I
was planning the final
moments of my cycle, I
felt that instrumental
sound alone would not
suffice to express the
horror. An electronic
tape segment was added to
the work's final climax.
The first two
poems (A Dead Child
Speaks and Already
Embraced by the Arm of
Heavenly Solace), both
depicting the tearing of
a child away from his
mother, are treated
essentially as one unit,
with the first acting as
an introduction to the
second. These two, and
the cycle's apocalyptic
fifth poem (Hell is Naked
from Glowing Enigmas II),
act as the two weighty
pillar points, so to
speak, surrounding the
more introspective two
middle poems (Fleeing and
Someone Comes). To
maximize dramatic
differentiation within
the constraints of a
relentlessly tragic
subject matter, I used
range as a means to
delineate contrast, by
dividing the sounds
available to me into low
and dark (mvt. III) vs.
high and, at times,
eerily bright (mvt. IV)
colors. Thus the two
middle poems are intended
to balance the frenzied
madness of which the
work's outer parts are
made. The work
received its first
performance in New York
at the Metropolitan
Museum of Art's Grace
Rainey Auditorium on
January 19, 1970.
--Shulamit Ran. $90.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Andante e Polacca for Bassoon and Orchestra Ut Orpheus
Bassoon; Orchestra SKU: UT.HS-329R Composed by Simplicio Gualco. Edited b...(+)
Bassoon; Orchestra
SKU: UT.HS-329R
Composed by Simplicio
Gualco. Edited by Italo
Vescovo. Classical. Piano
Reduction. Ut Orpheus #HS
329R. Published by Ut
Orpheus (UT.HS-329R).
ISBN 9790215327962. 9
x 12 inches. P
erformance Material on
Hire
[S
olo: Bs - Picc.2.2.2.2 -
2.2.2.0 - Str]
In
the second half of the
19th century, in Italy,
melodrama was still the
most practised musical
genre, but space for
instrumental production
began to grow, especially
thanks to the Quartet
societies which tried to
reduce the gap remaining
compared to other
European countries,
offering it to the public
with an energy which was
certainly praiseworthy.
However, they were not
the only institutions
where instrumental music
was cultivated. In this
context it must be
remembered that music
conservatories also
played an important role,
especially through the
music recitals given by
the best students. In one
of these, which was held
at the Milan Conservatory
on 9 July 1884, the
concert piece Andante
e Polacca for bassoon
and orchestra by
Simplicio Gualco
(1861-1942) was
performed, a piece which
aroused a great deal of
interest as stated in the
‘Gazzetta Musicale
di Milano’ of 20
July of that year. After
the recital, the piece
ended up in the
Conservatory archives and
was never played again.
It was rediscovered
recently, thanks to the
research work on the
composer by the
musicologists Italo
Vescovo and Flavio
Menardi Noguera, both
connected to the
composer’s
hometown. $20.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
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