PARTITIONS GRATUITES : SAXOPHONE ALTO ET GUITARE
- Separation

By Barry Galbraith. Published by Jamey Aebersold Jazz. (BG4DS) Play along with Barry! Contains 15 2-part inventions that demonstrate the rich, melodic genius of Bach in his most economical form. Contains position markings, where applicable, to smooth out difficult passages. The recording has Barry playing both parts with total stereo separation so you can turn off either channel and fill in the missing part! Works great as a listening CD too!

Clarinet and piano

SKU: LM.26405

Composed by Thierry Masson. Mes Premiers Pas de T. Masson et P. Guillem. Classical. Score. Editions Henry Lemoine #26405. Published by Editions Henry Lemoine (LM.26405).

ISBN 9790230964050.

Le Vieux manege (2 versions) - Dans le froid - La Tortue - Au reveil - Lever du jour - De bonne humeur - La Separation - Image - Le Depart - Berceuse - A petits pas - Dans la cabane - Moment de tristesse - Bleu et vert - Le Papillon.

SKU: HL.304057

Folk Songs Set No. 16b for Violin and Piano. Composed by Reza Vali. LKM Music. Softcover. 40 pages. Lauren Keiser Music Publishing #X511056. Published by Lauren Keiser Music Publishing (HL.304057).

ISBN 9781540066602. UPC: 888680969479. 9.0x12.0x0.116 inches.

“Love Drunk (Folk Songs, Set No. 16B) was commissioned by Thomas Jones and completed in July 2014. This is the sixteenth set of an ongoing cycle of Persian folk songs that Reza Vali has been composing since 1978. The work's four songs (songs without words) reflect upon different aspects of love. In song No. 1, Longing, the lover is longing for a reunion with the beloved. Song No. 2, In Memory of a Lost Beloved, is a dialogue, across the dimensions, between the deceased beloved and the grieving lover. The song reflects upon the grief of separation--in this case, separation by death. The sensual and the spiritual aspects of love intersect in song No. 3, The Girl from Shiraz. The melodies of the third song are accompanied by quotes from the Christmas carol Silent Night, Wagner's Tristan and Isolde, and Messiaen's Quartet for the End of Time. The final song No. 4, Love Drunk, describes the intoxicating joy when the lovers meet.”.

Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Clarinet 3, Euphonium, Euphonium T.C., Flute 1, Flute 2, Gong, Horn 1, Horn 2, Jingle Bells, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Percussion 3, Piccolo, Snare Drum and more. - Grade 3

SKU: CF.CPS243

Incorporating The First Noel. Composed by Ed Kiefer. Folio. Cps. Set of Score and Parts. 2+8+8+4+8+8+8+4+4+4+4+4+4 +8+8+8+4+4+6+6+6+4+8+1+2+ 3+1+2+24 pages. Duration 4:15. Carl Fischer Music #CPS243. Published by Carl Fischer Music (CF.CPS243).

ISBN 9781491158500. UPC: 680160917105. 9 x 12 inches.

This setting of The First Noel begins with a percussion intro and dissonant chords that lead to a beautiful flute duet. The melody is freely adapted and at times, outright changed, to give this arrangement a very different sound. Using rhythmic motives, tone clusters, altered melodies and all the sounds available for a concert band, the piece takes the audience on a journey that leads to a statement of the original tune at m. 118. Everyone gets the melody at some point. After a chorale-like section, the composition returns to the fast and upbeat sounds of the beginning. Your musicians and audience will love this unique version of this old-time favorite. When performing this piece, start dark and mysterious and let the sounds crescendo through the introduction all the way to m. 21, the first statement of the hymn. Make sure you keep the tempo moving so the arrangement does not lose excitement. Keep the flute duet, and later the trumpet duet, nice and light. At m. 118, play a little slower and in a standard chorale style, being careful to let the flute and oboe voices be heard. Let the low voices have the reins at m. 126 as they play the melody. Pick the tempo back up to the original tempo at m. 145 and push to the end. The main thing is to match articulation throughout the band--at the beginning and at the end, think light accents and separation, and at the chorale section at m. 118, more legato. Keeping everyone on the same page with articulation will be the key to making a great performance.
This setting of The First Noel begins with a percussion intro and dissonant chords that lead to a beautiful flute duet. The melody is freely adapted and at times, outright changed, to give this arrangement a very different sound. Using rhythmic motives, tone clusters, altered melodies and all the sounds available for a concert band, the piece takes the audience on a journey that leads to a statement of the original tune at m. 118. Everyone gets the melody at some point. After a chorale-like section, the composition returns to the fast and upbeat sounds of the beginning. Your musicians and audience will love this unique version of this old-time favorite.When performing this piece, start dark and mysterious and let the sounds crescendo through the introduction all the way to m. 21, the first statement of the hymn. Make sure you keep the tempo moving so the arrangement does not lose excitement. Keep the flute duet, and later the trumpet duet,nice and light. At m. 118, play a little slower and in a standard chorale style, being careful to let the flute and oboe voices be heard. Let the low voices have the reins at m. 126 as they play the melody. Pick the tempo back up to the original tempo at m. 145 and push to the end. The main thing is to matcharticulation throughout the band--at the beginning and at the end, think light accents and separation, and at the chorale section at m. 118, more legato. Keeping everyone on the same page with articulation will be the key to making a great performance.

Soprano voice & basso continuo

SKU: HH.HH141-FSP

Composed by Tomaso Giovanni Albinoni. Edited by Michael Talbot. Voice (Soprano) & Basso Continuo. Full score and parts. Duration 7 minutes. Edition HH Music Publishers #HH141-FSP. Published by Edition HH Music Publishers (HH.HH141-FSP).

ISBN 9790708041924.

This cantata, from an important manuscript in Berlin containing 18 Albinoni cantatas for soprano and continuo, is on the subject of the lover's separation from his (or it could be her) beloved, one of the most recurrent themes in the Baroque cantata. An introductory recitative expressing the pain of separation is followed by an extended aria in slow tempo that is among Albinoni's most accomplished and is remarkable for its modulations to distant keys. After a second recitative, which ends with a vivid evocation of Cupid's dart, we arrive at the lover's second aria, which is more tranquil in mood than the first, since he (or she) now looks forward to the expected reunion.

Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Clarinet 3, Crash Cymbals, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn 1, Horn 2, Mallet Percussion, Oboe, Percussion, Piccolo, Snare Drum, Suspended Cymbal, Timpani and more. - Grade 1.5

SKU: CF.FPS162

Composed by William Harbinson. Fps. Set of Score and Parts. 2+8+8+4+8+8+8+4+4+4+4+4+4 +8+8+8+4+4+6+6+6+4+6+4+2+ 10+24 pages. Duration 4:15. Carl Fischer Music #FPS162. Published by Carl Fischer Music (CF.FPS162).

ISBN 9781491161548. UPC: 680160920198.

Music for a Noble Gathering captures the pomp and dignity of a regal celebration. The composition opens with a percussion flourish to a fanfare. Perform this passage at a stately tempo with marked separation. A legato, lyrical theme appears (m. 17) that contrasts the opening passage. Emphasize the ritard and crescendo in m. 24 in preparation for the return of the opening theme (m. 25) that completes the A section. Although thematically related to the fanfare, the B section (m. 35) provides contrast in tempo, key, and style. Strive for a connected and sustained presentation with careful attention to the shaping of the phrases. Proper balance between the melody and countermelody at m. 45 is paramount. The climax in m. 53 quickly subsides but immediately rebuilds for a lively percussion feature. The restatement of the A section (m. 61) leads to a final climax (m. 91), a brief coda (m. 93) and a dynamic closure. William Harbinson is Professor Emeritus and former Dean of the Hayes School of Music at Appalachian State University. He has received nine J.W. Pepper Editors' Choice Awards that identify the very best of the new music available. His compositions for band appear on contest/festival literature lists of several states and are performed worldwide.  .
Music for a Noble Gathering captures the pomp and dignity of a regal celebration. The composition opens with a percussion flourish to a fanfare. Perform this passage at a stately tempo with marked separation. A legato, lyrical theme appears (m. 17) that contrasts the opening passage. Emphasize the ritard and crescendo in m. 24 in preparation for the return of the opening theme (m. 25) that completes the A section. Although thematically related to the fanfare, the B section (m. 35) provides contrast in tempo, key, and style. Strive for a  connected and sustained presentation with careful attention to the shaping of the phrases. Proper balance between the melody and countermelody at m. 45 is paramount.  The climax in m. 53 quickly subsides but immediately rebuilds for a lively percussion feature. The restatement of the A section (m. 61) leads to a final climax (m. 91), a brief coda (m. 93) and a dynamic closure.William Harbinson is Professor Emeritus and former Dean of the Hayes School of Music at Appalachian State University. He has received nine J.W. Pepper Editors’ Choice Awards that identify the very best of the new music available. His compositions for band appear on contest/festival literature lists of several states and are performed worldwide. .

Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Clarinet 3, Euphonium, Euphonium T.C., Flute 1, Flute 2, Gong, Horn 1, Horn 2, Jingle Bells, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Percussion 3, Piccolo, Snare Drum and more. - Grade 3

SKU: CF.CPS243F

Incorporating The First Noel. Composed by Ed Kiefer. Sws. Cps. Full score. 24 pages. Duration 4:15. Carl Fischer Music #CPS243F. Published by Carl Fischer Music (CF.CPS243F).

ISBN 9781491158517. UPC: 680160917112. 9 x 12 inches.

This setting of The First Noel begins with a percussion intro and dissonant chords that lead to a beautiful flute duet. The melody is freely adapted and at times, outright changed, to give this arrangement a very different sound. Using rhythmic motives, tone clusters, altered melodies and all the sounds available for a concert band, the piece takes the audience on a journey that leads to a statement of the original tune at m. 118. Everyone gets the melody at some point. After a chorale-like section, the composition returns to the fast and upbeat sounds of the beginning. Your musicians and audience will love this unique version of this old-time favorite. When performing this piece, start dark and mysterious and let the sounds crescendo through the introduction all the way to m. 21, the first statement of the hymn. Make sure you keep the tempo moving so the arrangement does not lose excitement. Keep the flute duet, and later the trumpet duet, nice and light. At m. 118, play a little slower and in a standard chorale style, being careful to let the flute and oboe voices be heard. Let the low voices have the reins at m. 126 as they play the melody. Pick the tempo back up to the original tempo at m. 145 and push to the end. The main thing is to match articulation throughout the band--at the beginning and at the end, think light accents and separation, and at the chorale section at m. 118, more legato. Keeping everyone on the same page with articulation will be the key to making a great performance.
This setting of The First Noel begins with a percussion intro and dissonant chords that lead to a beautiful flute duet. The melody is freely adapted and at times, outright changed, to give this arrangement a very different sound. Using rhythmic motives, tone clusters, altered melodies and all the sounds available for a concert band, the piece takes the audience on a journey that leads to a statement of the original tune at m. 118. Everyone gets the melody at some point. After a chorale-like section, the composition returns to the fast and upbeat sounds of the beginning. Your musicians and audience will love this unique version of this old-time favorite.When performing this piece, start dark and mysterious and let the sounds crescendo through the introduction all the way to m. 21, the first statement of the hymn. Make sure you keep the tempo moving so the arrangement does not lose excitement. Keep the flute duet, and later the trumpet duet,nice and light. At m. 118, play a little slower and in a standard chorale style, being careful to let the flute and oboe voices be heard. Let the low voices have the reins at m. 126 as they play the melody. Pick the tempo back up to the original tempo at m. 145 and push to the end. The main thing is to matcharticulation throughout the band--at the beginning and at the end, think light accents and separation, and at the chorale section at m. 118, more legato. Keeping everyone on the same page with articulation will be the key to making a great performance.

By Various. For Trumpet. Santorella Publications is the place to shop for quality instrumental arrangements. Our acute sensitivity to detail, range restrictions and physical limitations of the younger players as well as our incredibly talented composer's staff has contributed to the success of our titles. Breaking into an industry ruled by giants was a significant task and without your help, may have been impossible. But, we have you, the teacher, student, performer, hobbyist or novice, to be grateful to for assisting us in reaching this goal. It is now our turn to give back to a receptive audience that has been supportive since the beginning. Our gift to you is Santorella Singles, Volume 1, a remarkable collection of the six titles that provided our foundation; Pachelbel's Canon In D / Bach's Jesu, Joy of Man's Desiring / Scott Joplin's Entertainer Beethoven's Fur Elise / Ode to Joy / Moonlight Sonata / for Trumpet and Piano All six arrangements are beautifully packaged in an attractive "band type" folder and if sold separately, these arrangements are valued in excess of $47. We are now offering them all, in pure form, for just $29.95. This is our way of saying thank you for making everything possible. All arrangements are sold separately and although arranged specifically for trumpet and piano, they are certainly suitable for clarinet as well.