PARTITIONS GRATUITES : SAXOPHONE ALTO, PIANO
- Frolic

Orchestra string orchestra - Grade 1.5

SKU: KJ.SO205F

Composed by Kathy Cook. String Tracks. Score. Neil A. Kjos Music Company #SO205F. Published by Neil A. Kjos Music Company (KJ.SO205F).

Here's another winner that will serve well as a concert opener for young orchestras. Frolic is in D Major and actually features portions of the scale in its opening melody. Beginning students will feel comfortable performing this piece and they will sound great because of the smart scoring by middle school educator and composer, Kathy Cook.

By Melody Bober. For Piano. Composers In Focus. Original duets are written for two students or student and teacher. Includes: Let's Beguine; Frontier Frolic; Carillon; Backstreet Boogie; Knock on Wood. Level: Intermediate/Late Intermediate. Book. Published by The FJH Music Company, Inc.

Orchestra string orchestra - Grade 1.5

SKU: KJ.SO205C

Composed by Kathy Cook. String Tracks. Score and parts. Neil A. Kjos Music Company #SO205C. Published by Neil A. Kjos Music Company (KJ.SO205C).

UPC: 8402701231.

Here's another winner that will serve well as a concert opener for young orchestras. Frolic is in D Major and actually features portions of the scale in its opening melody. Beginning students will feel comfortable performing this piece and they will sound great because of the smart scoring by middle school educator and composer, Kathy Cook.

Celtic / Irish, Saddle- stitched, World. American Music. Book. 108 pages. Mel Bay Publications, Inc #30810. Published by Mel Bay Publications, Inc

Edited by Patrick Sky. For fiddle. All styles. Level: Multiple Levels. Book. Songbook. Size 8.75x11.75. 176 pages. Published by Mel Bay Pub., Inc.

Clarinet, piano

SKU: FG.55011-334-3

Frolic per clarinetto e piano. Composed by Kirmo Lintinen. Fennica Gehrman #55011-334-3. Published by Fennica Gehrman (FG.55011-334-3).

ISBN 9790550113343.

Comp oser, pianist and conductor Kirmo Lintinen is equally at home in jazz as in the world of classical music. Since the turn of the millennium, his main job has specifically been composing concert music. Stylistically, he has found his biggest inspiration in the Baroque and in early 20th-century Neoclassicism. He composed Rieha (Frolic) as a commission from the Crusell Music Festival in Uusikaupunki, Finland, as the obligatory piece for its international clarinet competition, and it was premiered by the semi-finalists in July 2009.
The first part of Rieha is dominated by spurting arpeggios, trills and changing tempos. Following this impulsive opening is a brief respite, after which the piano and clarinet begin competing, tossing each other quick, accented semiquaver figures. The rhythm soon becomes syncopated and the piece enters the longest section, a sort of hypertuned, lurching ragtime. The closing section recalls all the work's motifs before burning itself out and vanishing like smoke.
Rieha is a consummate virtuoso piece demanding nimble fingers, sharp articulation and a command of tone in all the clarinet's registers. The piano is more than just an accompanying instrument; it is an equal partner. The biggest challenge for the players is synchronising their parts: the changing tempos and metres, and the alternation of quick figures keep the performers on their toes and the audience alert.

(3D1.2.2.2+1/4.3.3.0,timp ,perc,2 hp,str)

SKU: TM.12278SC

Composed by Franz Schmidt. Score. Lucks Music Library #A8919. Published by Lucks Music Library (TM.12278SC).

Sandra Dackow Little Known Gem - Grade V. Prelude, In Minuet Style, Sarabande, Caprice, Pastoral, Air, Frolic. Containing seven fun to play sections, each movement in An English Suite has approachable technical demands while not being too lengthy. The Prelude is neo-Baroque, where Baroque rhythms are combined with Victorian harmonies. Sounding more difficult than it actually is to play, this movement is busy with violin passages that reach high G's. In Minuet Style has lovely lines for viola and charmingly couples an older form with more advanced harmonic language. The Saraband offers drama and resembles the style and writing of Elgar. There are high G's for both cello and bass, but the passages are logical and fall under the hand easily. Most technically difficult, the Caprice is a diversion requiring precision, speed, and technique to maneuver through changing harmonies and tonalities. The retro Pastoral was written in a manner similar to the Gavotte from Grieg's Holberg Suite, while the Air contains effective alternation of solo notes with tutti textures. The final Frolic movement is a fun fiddle tune that is great for featuring the first and second violin sections. It has also served as a theme song for one of New York's classical music stations. Keep arco accompaniments at the frog and off the string during repetitive rhythmic passages and in pizzicato sections, as they can easily be rushed.

(3D1.2.2.2+1/4.3.3.0,timp ,perc,2 hp,str)

SKU: TM.12278SET

Composed by Franz Schmidt. Set Type: D. Set of parts. Lucks Music Library #A8919. Published by Lucks Music Library (TM.12278SET).

Sandra Dackow Little Known Gem - Grade V. Prelude, In Minuet Style, Sarabande, Caprice, Pastoral, Air, Frolic. Containing seven fun to play sections, each movement in An English Suite has approachable technical demands while not being too lengthy. The Prelude is neo-Baroque, where Baroque rhythms are combined with Victorian harmonies. Sounding more difficult than it actually is to play, this movement is busy with violin passages that reach high G's. In Minuet Style has lovely lines for viola and charmingly couples an older form with more advanced harmonic language. The Saraband offers drama and resembles the style and writing of Elgar. There are high G's for both cello and bass, but the passages are logical and fall under the hand easily. Most technically difficult, the Caprice is a diversion requiring precision, speed, and technique to maneuver through changing harmonies and tonalities. The retro Pastoral was written in a manner similar to the Gavotte from Grieg's Holberg Suite, while the Air contains effective alternation of solo notes with tutti textures. The final Frolic movement is a fun fiddle tune that is great for featuring the first and second violin sections. It has also served as a theme song for one of New York's classical music stations. Keep arco accompaniments at the frog and off the string during repetitive rhythmic passages and in pizzicato sections, as they can easily be rushed.