| Junto a Rodrigo. An Anthology of Contemporary Music for Guitar (Podera, Reghezza, Simoni, Smaili, Ugoletti) Guitare [Partition + CD] Ut Orpheus
Guitar SKU: UT.CH-289 Edited by Piero Bonaguri. Saddle stitching. Piero B...(+)
Guitar SKU:
UT.CH-289 Edited by
Piero Bonaguri. Saddle
stitching. Piero Bonaguri
Collection. Classical. Ut
Orpheus #CH 289.
Published by Ut Orpheus
(UT.CH-289). ISBN
9790215325852. 9 x 12
inches. Giovanni
Podera: Fantasia
(In memoriam JoaquÃn
Rodrigo) Marco
Reghezza: Nana
Estrellada Marco
Simoni: Junto a
Rodrigo Marco
Smaili: Fronda de
la tarde (Homenaje a
JoaquÃn
Rodrigo) Paolo
Ugoletti: Fuga a
4
voci
Following
the successful
publication of
Homenaje a Rodrigo
(2015), containing four
pieces by Alessandro
Spazzoli – one of
which was performed in
the presence of the
composer’s
daughter, Cecilia
Rodrigo, during her visit
to the International
Convention in Alessandria
–, here is the
second volume. It
contains more tributes to
Rodrigo written on my
input by five well-known
Italian and Spanish
composers, two of whom
are also guitarists and
have therefore written
the fingering for their
own pieces. Giovanni
Podera plunges us into a
typically Rodrigo-like
atmosphere with his
evocative
Fantasia, while
the following three
compositions are full of
direct quotations from
pieces also for guitar by
the great composer from
Valencia. Thus, Marco
Simoni, in his expressive
Junto a Rodrigo
– which also
provides the title to the
volume – plays
with themes taken from
Junto al
Generalife and from
Dos piezas
caballerescas for a
cello ensemble as well as
hinting at reminiscences
of Tiento antiguo.
As for Marco Smaili, in
his impressionistic
Fronda de la
tarde, he evokes
quite evidently
Zarabanda lejana
and Invocación y
Danza, but there are
more hidden references to
Caminos de
Santiago and even to
the very famous
Concierto de
Aranjuez. Marco
Reghezza builds his
heart-breaking Nana
estrellada on a
sequence of chords used
by Rodrigo in the
fantasia ¡Que buen
caminito!. On the
other hand, there are no
direct quotations and
echoes of
Rodrigo’s way of
writing in the Fuga a
quattro voci by Paolo
Ugoletti. However it was
Rodrigo himself who
constructed four-part
imitative passages for
guitar in
Pasacalle and in
the Ricercare of the
Fantasia para un
Gentilhombre. The
close polyphony of the
piece by Ugoletti may be
considered as a tribute
to this kind of craft
shown by Rodrigo who,
like Ugoletti, was able
to write such dense and
idiomatic counterpoint
without being a
guitar-player. I am
pleased that this volume
comes out in the
imminence of the 20th
anniversary of the
disappearance of the
illustrious Spanish
composer who gave so much
to the musicians –
and not only to
them. (Piero
Bonaguri)
Mucha
s gracias por este
emotivo y excelente
musical homenaje a mi
padre. La edición es
excelente y la
difundiremos con todos
nuestros medios por las
redes sociales a nuestro
alcance. Ha sido un gran
trabajo por su parte,
fruto de sus grandes
conocimientos
guitarrÃsticos y su
devoción por
JoaquÃn Rodrigo.Â
Le reitero mi gratitud y
mi felicitación con el
ruego transmita a los
cinco compositores mi
felicitación y deseos
de éxito.
(Cecilia
Rodrigo). $17.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Les Plus Grandes Chansons de Disney Piano, Voix et Guitare [Partition] Hal Leonard
31 Chansons Classiques. By Various. Piano/Vocal/Chords Songbook (Arrangements fo...(+)
31 Chansons Classiques.
By Various.
Piano/Vocal/Chords
Songbook (Arrangements
for piano and voice with
guitar chords). Size 9x12
inches. 120 pages.
Published by Hal Leonard.
$15.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Mine eye and heart Chorale SATB SATB, Piano Carus Verlag
SATB Choir, Piano SKU: CA.921010 Composed by Vytautas Miskinis. CARUS CON...(+)
SATB Choir, Piano SKU:
CA.921010 Composed by
Vytautas Miskinis. CARUS
CONTEMPORARY. Secular
choral music. Full score.
12 pages. Carus Verlag
#CV 09.210/10. Published
by Carus Verlag
(CA.921010). ISBN
9790007187026. Language:
English. Text:
Shakespeare,
William. Five
Sonnets for Piano and
mixed voices (SATB),
lyrics by William
Shakespeare, were
commissioned on occasion
of the 30 years
anniversary of the
Landesakademie
Ochsenhausen. The Five
Sonnets were premiered on
november 26th 2016 by the
Orpheus
Vokalensemble. $6.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Tinkerbell Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Hal Leonard
Arranged by Eiji Suzuki. New Sounds for Concert Band. TV- Film-Musical-Show. Se...(+)
Arranged by Eiji Suzuki.
New
Sounds for Concert Band.
TV-
Film-Musical-Show. Set
(Score
and Parts). Composed
2009. Hal
Leonard #1713-10-010 DHE.
Published by Hal Leonard
$125.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Last Rose of Summer Orchestre d'harmonie - Facile De Haske Publications
Concert Band/Harmonie - Grade 2.5 SKU: BT.DHP-1064045-140 Composed by Tra...(+)
Concert Band/Harmonie -
Grade 2.5 SKU:
BT.DHP-1064045-140
Composed by Traditional.
Arranged by Wil van der
Beek. Your Favorite
Classics. Classical.
Score Only. Composed
2006. 16 pages. De Haske
Publications #DHP
1064045-140. Published by
De Haske Publications
(BT.DHP-1064045-140).
9x12 inches.
English-German-French-Dut
ch. The Last Rose
of Summer is a popular
Irish folksong. The
original text was written
by Thomas Moore
(1779-1852) and the
melody is a traditional
air titled The Groves of
Blarney. The German
composer Friedrich von
Flotow (1812-1883)
cleverly used this song
in his opera Martha, a
light-hearted, successful
work that is still
regularly performed. The
melancholy character of
The Last Rose of Summer
still appeals to many
people in the present day
and this arrangement by
Wil van der Beek
certainly does justice to
the beauty of the melody.
A wonderful item to
change the mood of any
performance.
Th
e Last Rose of Summer
is een geliefd Iers
volkslied. De originele
tekst is van Thomas Moore
(1779-1852) en de melodie
is een traditionele air
met de titel The
Groves of Blarney. De
Duitse componist
Friedrich von
Flotow(1812-1883)
gebruikte dit lied op
handige wijze in zijn
opera Martha, een
lichtvoetig, succesvol
werk, dat tot op heden
repertoire gehouden
heeft. Het melancholische
karakter van The Last
Rose of Summer
spreekt ook vandaagde dag
nog veel mensen aan. Dit
arrangement van Wil van
der Beek doet beslist
recht aan de schoonheid
van de
melodie.
The
Last Rose of Summer
ist ein beliebtes
irisches Volkslied. Der
ursprüngliche Text
stammt von Thomas Moore,
die Melodie ist ein
überliefertes Air mit
dem Titel The Groves
of Blarney. Der
deutsche Komponist
Friedrich von Flotow
verarbeitete das Lied
geschickt in seiner Oper
Martha, ein
heiteres, erfolgreiches
Werk, das heute noch
aufgeführt wird. Der
melancholische Charakter
dieses Liedes hat auch in
der Gegenwart nichts von
seinem Reiz verloren.
Diese Bearbeitung von Wil
van der Beek wird
Schönheit der Melodie
absolut
gerecht.
The
Last Rose of Summer
est un des plus
célèbres chants
traditionnels irlandais.
En 1847, le compositeur
allemand Friedrich von
Flotow (1812-1883)
intègre cette
mélodie dans son
opéra Martha.
Le succès est
immédiat et
l’opéra jouit
encore de nos jours
d’une immense
notoriété.
L’arrangement de
Wil van der Beek conserve
la beauté de la
mélodie originale.
The Last Rose
of Summer è uno
dei più celebri canti
tradizionali irlandesi.
Nel 1847, il compositore
tedesco Friedrich von
Flotow (1812-1883)
include questa melodia
nell’opera Martha.
Il successo è
immediato e gode ancora
oggi di immensa notoriet
. L’arrangiamento
di Wil van der Beek
conserva la bellezza
della melodia
originale. $17.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Last Rose of Summer Orchestre d'harmonie - Facile De Haske Publications
Concert Band/Harmonie - Grade 2.5 SKU: BT.DHP-1064045-010 Composed by Tra...(+)
Concert Band/Harmonie -
Grade 2.5 SKU:
BT.DHP-1064045-010
Composed by Traditional.
Arranged by Wil van der
Beek. Your Favorite
Classics. Classical. Set
(Score & Parts). Composed
2006. De Haske
Publications #DHP
1064045-010. Published by
De Haske Publications
(BT.DHP-1064045-010).
9x12 inches.
English-German-French-Dut
ch. The Last Rose
of Summer is a popular
Irish folksong. The
original text was written
by Thomas Moore
(1779-1852) and the
melody is a traditional
air titled The Groves of
Blarney. The German
composer Friedrich von
Flotow (1812-1883)
cleverly used this song
in his opera Martha, a
light-hearted, successful
work that is still
regularly performed. The
melancholy character of
The Last Rose of Summer
still appeals to many
people in the present day
and this arrangement by
Wil van der Beek
certainly does justice to
the beauty of the melody.
A wonderful item to
change the mood of any
performance.
Th
e Last Rose of Summer
is een geliefd Iers
volkslied. De originele
tekst is van Thomas Moore
(1779-1852) en de melodie
is een traditionele air
met de titel The
Groves of Blarney. De
Duitse componist
Friedrich von
Flotow(1812-1883)
gebruikte dit lied op
handige wijze in zijn
opera Martha, een
lichtvoetig, succesvol
werk, dat tot op heden
repertoire gehouden
heeft. Het melancholische
karakter van The Last
Rose of Summer
spreekt ook vandaagde dag
nog veel mensen aan. Dit
arrangement van Wil van
der Beek doet beslist
recht aan de schoonheid
van de
melodie.
The
Last Rose of Summer
ist ein beliebtes
irisches Volkslied. Der
ursprüngliche Text
stammt von Thomas Moore,
die Melodie ist ein
überliefertes Air mit
dem Titel The Groves
of Blarney. Der
deutsche Komponist
Friedrich von Flotow
verarbeitete das Lied
geschickt in seiner Oper
Martha, ein
heiteres, erfolgreiches
Werk, das heute noch
aufgeführt wird. Der
melancholische Charakter
dieses Liedes hat auch in
der Gegenwart nichts von
seinem Reiz verloren.
Diese Bearbeitung von Wil
van der Beek wird
Schönheit der Melodie
absolut
gerecht.
The
Last Rose of Summer
est un des plus
célèbres chants
traditionnels irlandais.
En 1847, le compositeur
allemand Friedrich von
Flotow (1812-1883)
intègre cette
mélodie dans son
opéra Martha.
Le succès est
immédiat et
l’opéra jouit
encore de nos jours
d’une immense
notoriété.
L’arrangement de
Wil van der Beek conserve
la beauté de la
mélodie originale.
The Last Rose
of Summer è uno
dei più celebri canti
tradizionali irlandesi.
Nel 1847, il compositore
tedesco Friedrich von
Flotow (1812-1883)
include questa melodia
nell’opera Martha.
Il successo è
immediato e gode ancora
oggi di immensa notoriet
. L’arrangiamento
di Wil van der Beek
conserva la bellezza
della melodia
originale. $110.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Trattamars Orchestre d'harmonie - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1125310-010 Composed by Matth...(+)
Concert Band/Harmonie -
Grade 3 SKU:
BT.DHP-1125310-010
Composed by Matthias van
Nispen tot Pannerden.
Brilliant Marches. March.
Set (Score & Parts).
Composed 2012. De Haske
Publications #DHP
1125310-010. Published by
De Haske Publications
(BT.DHP-1125310-010).
9x12 inches.
English-German-French-Dut
ch. The
Trattamars (Tratta
March) was originally
written for ‘Il
trattamento
miracolo’, an
ensemble of five,
performing light-hearted
musical acts for the
young and the old. This
march is played when the
members of the group
appear on stage. The
Dutch composer of the
march, Matthias van
Nispen tot Pannerden,
studied classical
saxophone as well as band
conducting and
composition at the
Brabant Conservatory in
Tilburg. He is a baritone
saxophonist with the
Orkest van de Koninklijke
Luchtmacht (Band of the
Royal Netherlands Air
force). He is also active
as a freelance conductor
and composer.
De
Trattamars is
oorspronkelijk geschreven
voor ‘Il
trattamento
miracolo’, een
vijfkoppig ensemble dat
ludieke muzikale
voorstellingen maakt voor
jong en oud. Deze mars
weerklinkt als de leden
van het ensemble het
podium betreden.De
componist van de mars,
Matthias van Nispen tot
Pannerden, studeerde
klassiek saxofoon,
hafa-directie en
compositie aan het
Brabants conservatorium
in Tilburg. Momenteel is
hij werkzaam als
baritonsaxofonist bij het
Orkestvan de Koninklijke
Luchtmacht en is hij
freelance dirigent en
componist.
Der
Trattamarsch“ wurde
ursprünglich für
‘Il trattamento
miracolo’, einem
fünfköpfigen
Ensemble, das verspielte,
leichte musikalische
Aufführungen für
Jung und Alt macht,
geschrieben. Dieser
Marsch erklingt beim
Aufmarsch der Musiker auf
die Bühne. Mit dem
attraktiven Marsch des
niederländischen
Saxophonisten,
freischaffenden
Dirigenten und
Komponisten Matthias van
Nispen tot Pannerden
können sich die
verschiedenen
Instrumentengruppen Ihres
Ensembles wunderbar
präsentieren!
L
a Trattamars a
été composée,
l’origine, pour un
ensemble de cinq
artistes, Il Trattamento
Miracolo.
Spécialisé dans des
numéros musicaux
destinés aux jeunes
comme aux moins jeunes,
l’ensemble joue
cette marche
lorsqu’il fait son
apparition sur scène
tel un indicatif musical.
Matthias van Nispen tot
Pannerden, compositeur
néerlandais, nous
livre ici une version
pour orchestre
d’harmonie de
cette surprenante marche.
La
Trattamars è
stata originariamente
scritta per “Il
Trattamento
miracoloâ€, un
ensemble di cinque
elementi che hanno nel
loro repertorio musica
leggera apprezzata da
giovani e meno giovani.
Questa marcia viene
eseguita ogni qualvolta i
musicisti salgono sul
palco. Trattamars,
scritta da Matthias van
Nispen tot Pannerden,
sassofonista, compositore
e direttore olandese,
offre l’opportunit
ai diversi gruppi di
strumenti del vostro
ensemble di mettersi in
luce. $98.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
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