PARTITIONS GRATUITES : BASSON
- Schoenberg

Arnold Schonberg Complete Works Series B Volume 6/2 Ii Die Gluckliche Hand. Score. Arnold Schonberg - Samtliche Werke. Critical commentary. 364 pages. Schoenberg #AS1006-32. Published by Schoenberg

Verklarte Nacht, Op. 4/Quintett fur Blasinstrumente, Op. 26 - Full Score. By Arnold Schoenberg. Schott. 132 pages. Published by Schoenberg.

Critical Commentary (Notenteil). By Arnold Schoenberg. Schott. 195 pages. Published by Schoenberg.

SKU: HL.49006631

Gesammelte Aufsatze zur Neuen Musik. Composed by Carl Dahlhaus. This edition: Paperback/Soft Cover. Book. Edition Schott. Classical. 416 pages. Schott Music #ED 6767. Published by Schott Music (HL.49006631).

ISBN 9783795721688. German.

Musikwissen schaft und Neue Musik - Neue Musik als historische Kategorie - Fortschritt und Avantgarde - Avantgarde und Popularitat - Musikalischer Funktionalismus - Die Neue Musik und das Problem der musikalischen Gattungen - Moderne Orgelmusik und das 19. Jahrhundert - Probleme des Rhythmus in der Neuen Musik - Der Tonalitatsbegriff in der Neuen Musik - Schonbergs musikalische Poetik - Schonberg und die Programmmusik - Musikalische Prosa - Emanzipation der Dissonanz - Schonberg und Schenker - Uber das Analysieren Neuer Musik. Zu Schonbergs Klavierstucken op. 11/1 und 33a - Schonbergs Lied Streng ist uns das Gluck und sprode - Schonbergs Orchesterstuck op. 16/3 und der Begriff der Klangfarbenmelodie - Das obligate Rezitativ - Ausdrucksprinzip und Orchesterpolyphonie in Schonbergs Erwartung - Was ist eine Zwolftonreihe? - Schonberg und Bach - Rhythmische Strukturen in Weberns Orchesterstucken op. 6 - Analytische Instrumentation. Bachs sechsstimmiges Ricercar in der Orchestrierung Anton Weberns - Schreker und die Moderne. Zur Dramaturgie des Fernen Klang - Struktur und Expression bei Alexander Skrjabin - Asthetische Probleme der elektronischen Musik - Notenschrift heute - Pladoyer fur eine romantische Kategorie. Der Begriff des Kunstwerks in der neuesten Musik - Uber den Zerfall des musikalischen Werkbegriffs - Das musikalische Kunstwerk als Gegenstand der Soziologie - Thesen uber engagierte Musik - Politische und asthetische Kriterien der Kompositionskritik - Probleme der Kompositionskritik - Adornos Begriff des musikalischen Materials - Form - Erhard Karkoschka und die Dialektik der musikalischen Form - Uber Sinn und Sinnlosigkeit in der Musik - Komposition und Improvisation - Neue Formen der Vermittlung von Musik - Vom Missbrauch der Wissenschaft - Bibliographie samtlicher Schriften von Carl Dahlhaus.

Piano

SKU: HL.49042510

For Piano, 2 Hands. Composed by Arnold Schoenberg. Edited by Eduard Steuermann and Reinhold Brinkmann. This edition: Full-cloth binding. Sheet music. Arnold Schonberg - Samtliche Werke. Classical. Complete edition. 98 pages. Schoenberg #AS 1004-10. Published by Schoenberg (HL.49042510).

ISBN 9783795793784. UPC: 073999768145. 11.0x15.0x0.57 inches.

Arnold Schonberg is the central figure in the musical world of this century. His musical significance was already apparent during his life-time, but his posthumous influence has increased immensely. His work paved the way for ground-breaking changes in musical perception. This complete edition aspires to be equally indispensable for research as well as for performance. The edition is published in two series: series A in folio format contains all completed works, all piano scores prepared by the composer himself and all unfinished works suitable for performance; also fragments (large scores) which are better suited to be printed in such a format. Series B, in quarto format, contains early versions, sketches, ideas and fragments as well as genesis and a Critical Commentary.

Piano

SKU: HL.49042511

Critical Commentary - Piano, 2 Hands. Composed by Arnold Schoenberg. Edited by Reinhold Brinkmann. This edition: Full-cloth binding. Sheet music. Arnold Schonberg - Samtliche Werke. Classical. Critical commentary. 148 pages. Schoenberg #AS1004-20. Published by Schoenberg (HL.49042511).

ISBN 9783795793791. UPC: 073999258677. 9.0x12.25x0.68 inches.

Arnold Schonberg is the central figure in the musical world of this century. His musical significance was already apparent during his life-time, but his posthumous influence has increased immensely. His work paved the way for ground-breaking changes in musical perception. This complete edition aspires to be equally indispensable for research as well as for performance. The edition is published in two series: series A in folio format contains all completed works, all piano scores prepared by the composer himself and all unfinished works suitable for performance; also fragments (large scores) which are better suited to be printed in such a format. Series B, in quarto format, contains early versions, sketches, ideas and fragments as well as genesis and a Critical Commentary.